BWW Review: SOHO CINDERS, Union Theatre, 27 November 2016
Gary Naylor sees a tremendous show full of great songs wonderfully well sung with the added bonus of great dancing too!
Gary Naylor - Page 47
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BWW Review: THE TEMPEST, Print Room at the Coronet, 25 November 2016
Gary Naylor sees a serious but rewarding take on one of Shakespeare's late plays that raises questions about power and control.
BWW Review: SWING BY AROUND 8, Theatre N16, 21 November 2016
Gary Naylor sees a piece of new theatre that has its roots in farce but gives it a contemporary twist with a young cast and first time creatives.
BWW Review: DISASTER!, Charing Cross Theatre, 20 November 2016
Gary Naylor sees a brilliantly executed musical spoof of the 70s disaster movie genre that needs to find a home in the West End soon.
BWW Review: PRINCESS - THE GOOD GIRLS GONE BAD, LOST Theatre, 16 November 2016
Gary Naylor sees an ambitious and challenging show that overstretches its resources and that of its audience.
BWW Review: IT IS EASY TO BE DEAD, Trafalgar Studios
Gary Naylor sees a wonderful tribute to a unique man amongst The Fallen of the First World War, whose story stands for him and for millions more.
BWW Review: THE BEGGAR'S OPERA, Brockley Jack Studio Theatre, 9 November 2016
Gary Naylor sees a young cast attack a classic play to update for today's world, a venture that succeeds partially, and is never less than interesting.
BWW Review: TRUMPAGEDDON, King's Head Theatre, 8 November 2016
Gary Naylor sees a show about, and I can hardly believe what I'm writing here, the 45th President of the United States of America.
BWW Review: BITS OF ME ARE FALLING APART, Soho Theatre, 7 November 2016
Gary Naylor sees an adaptation of William Leith's book that, for all the skilled work in the production, fails to engage its audience.
BWW Review: ST JOHN PASSION, Blackheath Halls, 6 November 2016
Gary Naylor sees an impassioned production of Bach's St John Passion, by and for, the people under the guidance of English Touring Opera
BWW Review: ORCA, Southwark Playhouse, 4 November 2016
Gary Naylor sees an accomplished, eerie play about a remote Scottish community that doesn't quite have the courage of its convictions.
BWW Review: THE LAST FIVE YEARS, St James Theatre, 2 November 2016
Gary Naylor sees a slick romcom musical about 90s New Yorkers that impresses but leaves him just a little cold.
BWW Review: FOOL FOR LOVE, Found 111, 31 October 2016
Gary Naylor sees a play that builds atmosphere rather than narrative and now feels of its time - 33 years ago
BWW Review: SIDE SHOW, Southwark Playhouse
Gary Naylor sees a revival of a show that deserves, and gets, the full 'Big Musical' production treatment.
BWW Review: THE SOUND OF MUSIC, New Wimbledon Theatre, 25 October 2016
Gary Naylor sees a showbiz monument and finds that it's still as entertaining and as relevant as ever.
BWW Review: AFTER THREE SISTERS, Brockley Jack Studio Theatre, 21 October 2016
Gary Naylor sees an ambitious production that runs parallel storylines but doesn't solve the considerable problems so caused.
BWW Review: WONDERFUL TOWN, Ye Olde Rose and Crown Theatre, 19 October 2016
Gary Naylor sees a lovely show packed with great songs and imaginative staging.
BWW Review: MOBY DICK THE MUSICAL, Union Theatre, 18 October 2016
Gary Naylor sees an enthusiastic revival of Moby Dick The Musical that rather loses the wind from its sails in the second half.
BWW Review: RAGTIME, Charing Cross Theatre
Gary Naylor sees a magnificently realised revival of a show that has never been more relevant since the novel was published in 1975.
BWW Review: POKER FACE, King's Head Theatre, 16 October 2016
Gary Naylor sees a play from Europe that can't quite decide what it wants to be but raises interesting questions all the same.
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