BWW Review: THE AMERICAN WIFE, Park Theatre, 9 September 2016
Gary Naylor sees a production that proves that if a script is poor, the play has no chance of success.
Gary Naylor - Page 49
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BWW Review: THE AWAKENING, Brockley Jack Theatre
Gary Naylor sees an award-winning play from DL Productions that makes its demands on the audience, but provides its rewards too.
BWW Review: THE INN AT LYDDA, Shakespeare's Globe, Sam Wanamaker Playhouse, 7 September 2016
Gary Nayloe sees a curate's egg of a play, at times exhilarating, at times too pleased with itself, at one of London's great venues.
BWW Review: LA BOHÈME, King's Head Theatre, 5 September 2016
Gary Naylor sees another triumphant boutique opera at the genre's spiritual home with all the thrills of operatic voices at close quarters and plenty of laughter and tears too.
BWW Review: BRITTEN IN BROOKLYN, Wilton's Music Hall, 2 September 2016
Gary Naylor sees a play that promises more than it delivers in a venue that looks great but provides unique challenges to cast and creatives.
BWW Review: HOME CHAT, Finborough Theatre, 1 September 2016
Gary Naylor sees a beautifully delivered comedy of manners performed for the first time in almost 90 years.
BWW Review: GIANNI SCHICCHI / PAGLIACCI, Arcola Theatre, 31 August 2016
Gary Naylor sees two short operas from Irrational Theatre that provide wonderful value for money and a fine introduction to the form.
BWW Review: MUCH ADO ABOUT NOTHING, The reFASHIONed Theatre, Selfridges, 26 August 2016
Gary Naylor sees an ambitious and engaging all-through production of one of Shakespeare's best loved comedies.
BWW Review: THE ROUNDABOUT, Park Theatre, 25 August 2016
Gary Naylor sees a revival that invites comparisons between the Britain of the 1930s and 2010s, but runs out of narrative energy and character credibility
BWW Review: THE COMEDY OF ERRORS, Gray's Inn Hall, 22 August 2016
Gary Naylor sees a fine addition to the Shakespeare 400 season with a return of The Comedy of Errors to its original venue but with a 1929 vibe.
BWW Review: CHILDREN OF EDEN, Union Theatre, 16 August 2016
Gary Naylor sees a beautifully staged revival of a 1991 musical that's great on music, but not so good on making God likeable.
BWW Review: THERÈSE RAQUIN, Southwark Playhouse, 15 August 2016
Gary Naylor sees Zola's tale of lust and murder brilliantly staged and performed.
BWW Review: ALLEGRO, Southwark Playhouse, 12 August 2016
Gary Naylor sees a show that had been forgotten, but is thrillingly brought to the London stage for the first time
BWW Review: TREASURE ISLAND, St Paul's Church, Covent Garden, 4 August 2016
Gary Naylor sees an adaptation of the classic tale that never quite finds its tone, but provides thrills and spills in its outdoor setting.
BWW Review: THE SECRET GARDEN SPRING VERSION, Ambassador's Theatre, 3 August 2016
Gary Naylor sees young people perform an adaptation of the Tony Award show that's aimed at young people but can be enjoyed by all.
BWW Review: THE KREUTZER SONATA, Arcola Theatre, 12 July 2016
Gary Naylor sees an unblinking, fearless adaptation of Leo Tolstoy's often censored story, delivered with panache and menace by Greg Hicks.
BWW Review: AFTER MISS JULIE, Richmond Theatre, 11 July 2016
Gary Naylor sees an adaptation of a classic play that packs plenty of punch despite some less than satisfactory casting.
BWW Review: CARGO, Arcola Theatre, 8 July 2016
Gary Naylor sees a powerful, important play that speaks to a 2016 audience explicitly about the defining issue of our times.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Brockley Jack Theatre, 7 July 2016
Gary Naylor sees a production that has much to commend it, bringing a little of Athens wooded peace to the hurly-burly of London.
BWW Review: AS YOU LIKE IT, The Savill Garden Open Air Theatre, June 24 2016
Gary Naylor sees a unique and completely delightful production of one of Shakespeare's sillier comedies in an environment that could have been made for it.
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