BWW Review: ALLEGRO, Southwark Playhouse, 12 August 2016
Gary Naylor sees a show that had been forgotten, but is thrillingly brought to the London stage for the first time
Gary Naylor - Page 49
BWW Review: TREASURE ISLAND, St Paul's Church, Covent Garden, 4 August 2016
Gary Naylor sees an adaptation of the classic tale that never quite finds its tone, but provides thrills and spills in its outdoor setting.
BWW Review: THE SECRET GARDEN SPRING VERSION, Ambassador's Theatre, 3 August 2016
Gary Naylor sees young people perform an adaptation of the Tony Award show that's aimed at young people but can be enjoyed by all.
BWW Review: THE KREUTZER SONATA, Arcola Theatre, 12 July 2016
Gary Naylor sees an unblinking, fearless adaptation of Leo Tolstoy's often censored story, delivered with panache and menace by Greg Hicks.
BWW Review: AFTER MISS JULIE, Richmond Theatre, 11 July 2016
Gary Naylor sees an adaptation of a classic play that packs plenty of punch despite some less than satisfactory casting.
BWW Review: CARGO, Arcola Theatre, 8 July 2016
Gary Naylor sees a powerful, important play that speaks to a 2016 audience explicitly about the defining issue of our times.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Brockley Jack Theatre, 7 July 2016
Gary Naylor sees a production that has much to commend it, bringing a little of Athens wooded peace to the hurly-burly of London.
BWW Review: AS YOU LIKE IT, The Savill Garden Open Air Theatre, June 24 2016
Gary Naylor sees a unique and completely delightful production of one of Shakespeare's sillier comedies in an environment that could have been made for it.
BWW Review: THE DOCTOR IN SPITE OF HIMSELF, Drayton Arms Theatre, June 23 2016
Gary Naylor sees a fine comedy by Moliere brought to the stage in English and French by a company dedicated to resurrecting rarely performed Francophone plays.
BWW Review: VASSA ZHELEZNOVA, Southwark Playhouse, June 17 2016
Gary Naylor sees a courageous and demanding production of Maxim Gorky's play about a family and society breaking apart as authority oversteps itself.
BWW Review: HAPPY TO HELP, Park Theatre, March 16 2016
Gary Naylor sees a new comedy that takes aim at the power of supermarket multinational companies and skewers them like a £3.
BWW Review: GERTRUDE - THE CRY, Theatre N16, June 14 2016
Gary Naylor sees an close-up, no holds barred production of Howard Barker's sexy, sweary, sinful take on Hamlet and tries not to think of Sid James's laugh.
BWW Review: TITANIC, Charing Cross Theatre, June 6 2016
Gary Naylor sees a big, bold production deliver a tremendous evening's entertainment as a 2013 smash hit is revived to great acclaim.
BWW Review: EIGENGRAU, King's Head Theatre, June 5 2016
Gary Naylor sees an interesting, if ultimately somewhat unsatisfactory, slice of life set amongst the twenty-somethings of London.
BWW Review: THE RISE AND FALL OF LITTLE VOICE, Union Theatre, June 4 2016
Gary Naylor sees a very fine production of one of the most popular plays of the last twenty years, crowned by a superb central performance.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Southwark Playhouse, June 3 2016
Gary Naylor sees a high octane, fourth wall smashing, hugely enjoyable production of Shakespeare's much loved comedy
BWW Review: NORMA JEANE: THE MUSICAL, Lost Theatre, June 2 2016
Gary Naylor sees a musical that starts with a good idea and fades due to a script that lacks the pace and humour to drive the plot forwards.
BWW Review: SHAKESPEARE UNTOLD, Wilton's, June 1 2016
Gary Naylor sees a couple of fine introductions to Shakespeare plays aimed at kids, but with more than enough for adults to enjoy no matter how familiar they may be with the sources.
BWW Review: A SUBJECT OF SCANDAL AND CONCERN, Finborough Theatre, May 23 2016
Gary Naylor sees a fine revival of a play that was of its time in the buttoned up, pre-Beatles 1960s, but has much to say to audiences in 2016.
BWW Review: BLUE/ORANGE, Young Vic, May 19 2016
Gary Naylor sees a play that promised much and delivered for 90 minutes before falling away in a poorly constructed last half-hour.
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