BWW Review: THE CHERRY ORCHARD, Arcola Theatre
The Cherry Orchard retains its power to reach across decades and tell us harsh truths about a changing world.
Gary Naylor - Page 45
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BWW Review: THE SORROWS OF SATAN, Tristan Bates Theatre
The Sorrows of Satan delights from beginning to end, packing in witty songs, wonderful performances and a laughs per minute ratio as high as any in the West End.
BWW Review: THE WILD PARTY, The Other Palace
The Wild Party is plenty wild enough, but its overly ambitious book and parade of cookie-cutter characters means that it never lands a knockout punch - or song.
Why Are Women Still Shortchanged In Theatre?
Has theatre come to terms with 21st century women? Or are female characters too frequently there to help the men drive the plot from curtain to curtain?
BWW Review: LA RONDE, The Bunker
Max Gill's clever adaptation of this classic play brings it right up to date, into the world of Tinder and Grindr and fluid sexual identities.
BWW Review: VENTOUX, Vault Festival
Ventoux captures two very different men going mano a mano against each other, against the Tour de France's most fearsome mountain and, ultimately, against history's insistence that they pay a full price for their sins.
BWW Review: CRIME AND PUNISHMENT, Jack Studio Theatre
Intense and focused, this adaptation of Dostoyevsky's celebrated novel ratchets up the tension without losing the material's intellectual heft.
BWW Review: ANYONE CAN WHISTLE, Union Theatre
Anyone Can Whistle is a rare combination of a well-deserved flop and a must-see show.
BWW Review: MY LAND'S SHORE, Ye Olde Rose and Crown Theatre
The show has bags of potential, passion to burn and excellent singing, but is let down by a pedestrian book and sprawling subplots.
BWW Review: NEWSIES THE BROADWAY MUSICAL, Selected cinemas, 19 February only
This one-off cinema presentation is a great way to see Newsies The Broadway Musical and get a feel for what it's like to be in a big New York audience.
BWW Review: RUN THE BEAST DOWN, Finborough Theatre
Run The Beast Down creates a world collapsing psychologically and socially as the foxes, real and metaphorical, close in on Charlie.
BWW Review: SCHOOL PLAY, Southwark Playhouse
Contemporary and hard-hitting, Alex MacKeith's debut, School Play, doesn't quite add up to the sum of its parts.
BWW Review: SALOME, Hoxton Hall
Impressively designed in a wonderful space, Theatre Lab Company's Salome isn't quite compelling enough as entertainment nor thought-provoking enough as polemic.
Sweeney Todd in New York: How Rachel Edwards Brought Her Show To Town
Gary Naylor traces five years in which a show playing to 32 customers in a rundown shop on a back street in distant district of South London made it first to the West End and now to New York.
BWW Review: ROALD DAHL'S FANTASTIC MR FOX, Lyric Hammersmith
Gary Naylor sees a new adaptation of an old favourite that hits the mark with broad appeal, plenty of laughs and fine songs.
BWW Review: YEARS OF SUNLIGHT, Theatre503
Gary Naylor sees a play that examines the failures of the social experiment of Skelmersdale, a 60s council mega estate stuck between Liverpool and Wigan
BWW Review: DIRTY GREAT LOVE STORY, Arts Theatre
Gary Naylor sees an award-winning show get a deserved transfer to the West End where it bubbles with laughs and some hard edged observations of how we live today.
BWW Review: US/THEM, National Theatre
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BWW Review: THE DOPPEL GANG, Tristan Bates Theatre
Gary Naylor sees a comedy that lacks the pace and focus it needs to realise its potential.
BWW Review: RAISING MARTHA, Park Theatre
Gary Naylor sees a wonderfully funny farce blessed with strong performances and a script that packs a punch along with the punchlines.
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