BWW Review: SALOME, Hoxton Hall
Impressively designed in a wonderful space, Theatre Lab Company's Salome isn't quite compelling enough as entertainment nor thought-provoking enough as polemic.
Gary Naylor - Page 45
Sweeney Todd in New York: How Rachel Edwards Brought Her Show To Town
Gary Naylor traces five years in which a show playing to 32 customers in a rundown shop on a back street in distant district of South London made it first to the West End and now to New York.
BWW Review: ROALD DAHL'S FANTASTIC MR FOX, Lyric Hammersmith
Gary Naylor sees a new adaptation of an old favourite that hits the mark with broad appeal, plenty of laughs and fine songs.
BWW Review: YEARS OF SUNLIGHT, Theatre503
Gary Naylor sees a play that examines the failures of the social experiment of Skelmersdale, a 60s council mega estate stuck between Liverpool and Wigan
BWW Review: DIRTY GREAT LOVE STORY, Arts Theatre
Gary Naylor sees an award-winning show get a deserved transfer to the West End where it bubbles with laughs and some hard edged observations of how we live today.
BWW Review: US/THEM, National Theatre
Gary Naylor sees an extraordinary hour of storytelling that releases the human spirit from its physical incarceration.
BWW Review: THE DOPPEL GANG, Tristan Bates Theatre
Gary Naylor sees a comedy that lacks the pace and focus it needs to realise its potential.
BWW Review: RAISING MARTHA, Park Theatre
Gary Naylor sees a wonderfully funny farce blessed with strong performances and a script that packs a punch along with the punchlines.
BWW Review: LA TRAVIATA, Royal Opera House
Gary Naylor enjoys a treat for eyes and ears with music and singing and love and hate coming together in opera's unique alchemy.
BWW Review: ABIGAIL, The Bunker Theatre
Gary Naylor sees a play with a tricksy structure and a vagueness in its script that leaves the actors with few places to go.
BWW Review: BIRTHDAY SUIT, Old Red Lion Theatre
Gary Naylor sees a funny, contemporary comedy blessed with an Ayckbournesque script and some very fine acting.
BWW Review: LA LA LAND
Gary Naylor sees La La Land, a film that hits you as hard in the heart as it does in the head.
BWW Review: BRAINS, Theatre N16
Gary Naylor sees a show that generates laughs and shows potential, but doesn't make the most of the setup before the punchline arrives too soon.
BWW Review: THE KITE RUNNER, Wyndham's Theatre
Gary Naylor sees an adaptation of the celebrated novel, The Kite Runner, that loses some of its epic quality in transition to stage and ends up just a bit too generic for his tastes.
BWW Review: THREE SISTERS, Union Theatre
Gary Naylor sees a play that rewards repeated viewing, as relevant today as ever and, in this version, performed with subtlety and grace by an excellent cast.
2016 Year in Review: Gary Naylor's Best and Worst of Theatre
Gary Naylor looks back on 148 shows reviewed in 2016 and picks his Christmas turkeys and Christmas crackers.
BWW Review: KIKI'S DELIVERY SERVICE, Southwark Playhouse
Gary Naylor sees a show sure to enchant all the family, a theatrical production every bit as good as its celebrated animated predecessor.
BWW Review: THE SCREWTAPE LETTERS, Park Theatre
Gary Naylor sees a loyal, committed adaptation of CS Lewis's once celebrated novel that fails to ignite fully as drama, but works well as polemic.
BWW Review: SLEEPING BEAUTY, Richmond Theatre
Gary Naylor sees a show that delivers traditional Christmas laughs and spectacle from the modern master of the form, writer Eric Potts.
BWW Review: THIS MIGHT BE IT, Theatre N16
Gary Naylor sees a new play about an old problem turning up in new forms - loneliness.
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