BWW Review: PRIDE AND PREJUDICE, Bromley Churchill Theatre, 22 September 2016
Gary Naylor sees a fine production that will delight fans old and new of Jane Austen's immortal tale of unmarried daughters and their suitors.
Gary Naylor - Page 48
BWW Review: THE GREATER GAME, Southwark Playhouse, 19 September 2016
Gary Naylor sees a fine tribute to the men of Clapton Orient who went into battle for King and Country 100 years ago.
BWW Review: THINGS I KNOW TO BE TRUE, Lyric Hammersmith, 16 September 2016
Gary Naylor sees a play with plenty of emotional torment on display but a dubious political message that sits ill with its venue.
BWW Review: A LOVELY SUNDAY FOR CREVE COEUR, Print Room at the Coronet, 15 September 2016
Gary Naylor enjoys a Tennessee Williams play full of sharp dialogue, tenderness and the poignant loss of missed opportunities.
BWW Review: THE ALCHEMIST, Barbican Theatre, 14 September 2016
Gary Naylor sees a frenetic, physical production of the Ben Jonson classic that fizzes with fibbing and foolishness.
BWW Review: DOCTOR FAUSTUS, Barbican Theatre, 13 September 2016
Gary Naylor sees plenty of relevant stuff and controversial material in a new version of Marlowe's influential classic.
BWW Review: 27, Cockpit Theatre, 12 September 2016
Gary Naylor sees a show that has plenty of rock but lacks strong characters and is overly predictable.
BWW Review: PUNKPLAY, Southwark Playhouse, 10 September 2016
Gary Naylor sees a play that examines suburban alienation in 80's America and the salvation Punk offered - on rollerskates!
BWW Review: THE AMERICAN WIFE, Park Theatre, 9 September 2016
Gary Naylor sees a production that proves that if a script is poor, the play has no chance of success.
BWW Review: THE AWAKENING, Brockley Jack Theatre
Gary Naylor sees an award-winning play from DL Productions that makes its demands on the audience, but provides its rewards too.
BWW Review: THE INN AT LYDDA, Shakespeare's Globe, Sam Wanamaker Playhouse, 7 September 2016
Gary Nayloe sees a curate's egg of a play, at times exhilarating, at times too pleased with itself, at one of London's great venues.
BWW Review: LA BOHÈME, King's Head Theatre, 5 September 2016
Gary Naylor sees another triumphant boutique opera at the genre's spiritual home with all the thrills of operatic voices at close quarters and plenty of laughter and tears too.
BWW Review: BRITTEN IN BROOKLYN, Wilton's Music Hall, 2 September 2016
Gary Naylor sees a play that promises more than it delivers in a venue that looks great but provides unique challenges to cast and creatives.
BWW Review: HOME CHAT, Finborough Theatre, 1 September 2016
Gary Naylor sees a beautifully delivered comedy of manners performed for the first time in almost 90 years.
BWW Review: GIANNI SCHICCHI / PAGLIACCI, Arcola Theatre, 31 August 2016
Gary Naylor sees two short operas from Irrational Theatre that provide wonderful value for money and a fine introduction to the form.
BWW Review: MUCH ADO ABOUT NOTHING, The reFASHIONed Theatre, Selfridges, 26 August 2016
Gary Naylor sees an ambitious and engaging all-through production of one of Shakespeare's best loved comedies.
BWW Review: THE ROUNDABOUT, Park Theatre, 25 August 2016
Gary Naylor sees a revival that invites comparisons between the Britain of the 1930s and 2010s, but runs out of narrative energy and character credibility
BWW Review: THE COMEDY OF ERRORS, Gray's Inn Hall, 22 August 2016
Gary Naylor sees a fine addition to the Shakespeare 400 season with a return of The Comedy of Errors to its original venue but with a 1929 vibe.
BWW Review: CHILDREN OF EDEN, Union Theatre, 16 August 2016
Gary Naylor sees a beautifully staged revival of a 1991 musical that's great on music, but not so good on making God likeable.
BWW Review: THERÈSE RAQUIN, Southwark Playhouse, 15 August 2016
Gary Naylor sees Zola's tale of lust and murder brilliantly staged and performed.
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