BWW Review: WISDOM OF A FOOL, LOST Theatre
Wisdom of a Fool resurrects the much loved Norman Wisdom in Jack Lane's respectful and entertaining show that charts his rags-to-riches story.
Gary Naylor - Page 44
BWW Review: HANDBAGGED, Jack Studio Theatre
Handbagged imagines what was said by Mrs Thatcher and The Queen in their weekly meetings to hilarious effect in Moira Buffini's award-winning satire.
BWW Review: YOU'RE HUMAN LIKE THE REST OF THEM, Finborough Theatre
Three short plays introduce the writing of BS Johnson, a revered man of English letters whose influence resonates through the last 50 years.
BWW Review: IONESCO - DINNER AT THE SMITHS', The Latvian House
Ionesco's absurd theatre brought to life in a handsome production that is full of wit and humour, but never loses its avant garde character.
BWW Review: SWIFTIES, Theatre N16
Swifties examines the obsessive nature of fandom, as dress-up and role play turns into something much more sinister in this reinvention of Jean Genet's The Maids.
BWW Interview: TOM BARNES 2 Magpies Theatre
Ventoux tells the story of the battle between Lance Armstrong and Marco Pantani on the slopes of the famous mountain.
BWW Review: HAMLET, Almeida Theatre
Hamlet anew in this technology infused but oh so human production of Shakespeare's great tragedy in which Andrew Scott gives us a warm, flawed, and eventually mad Prince.
BWW Review: FLEW THE COOP, New Diorama Tristan Bates Theatre
Gary Naylor sees an energetic, loud and often charming tale of love in a wartime POW Camp.
BWW Review: THE CHERRY ORCHARD, Arcola Theatre
The Cherry Orchard retains its power to reach across decades and tell us harsh truths about a changing world.
BWW Review: THE SORROWS OF SATAN, Tristan Bates Theatre
The Sorrows of Satan delights from beginning to end, packing in witty songs, wonderful performances and a laughs per minute ratio as high as any in the West End.
BWW Review: THE WILD PARTY, The Other Palace
The Wild Party is plenty wild enough, but its overly ambitious book and parade of cookie-cutter characters means that it never lands a knockout punch - or song.
Why Are Women Still Shortchanged In Theatre?
Has theatre come to terms with 21st century women? Or are female characters too frequently there to help the men drive the plot from curtain to curtain?
BWW Review: LA RONDE, The Bunker
Max Gill's clever adaptation of this classic play brings it right up to date, into the world of Tinder and Grindr and fluid sexual identities.
BWW Review: VENTOUX, Vault Festival
Ventoux captures two very different men going mano a mano against each other, against the Tour de France's most fearsome mountain and, ultimately, against history's insistence that they pay a full price for their sins.
BWW Review: CRIME AND PUNISHMENT, Jack Studio Theatre
Intense and focused, this adaptation of Dostoyevsky's celebrated novel ratchets up the tension without losing the material's intellectual heft.
BWW Review: ANYONE CAN WHISTLE, Union Theatre
Anyone Can Whistle is a rare combination of a well-deserved flop and a must-see show.
BWW Review: MY LAND'S SHORE, Ye Olde Rose and Crown Theatre
The show has bags of potential, passion to burn and excellent singing, but is let down by a pedestrian book and sprawling subplots.
BWW Review: NEWSIES THE BROADWAY MUSICAL, Selected cinemas, 19 February only
This one-off cinema presentation is a great way to see Newsies The Broadway Musical and get a feel for what it's like to be in a big New York audience.
BWW Review: RUN THE BEAST DOWN, Finborough Theatre
Run The Beast Down creates a world collapsing psychologically and socially as the foxes, real and metaphorical, close in on Charlie.
BWW Review: SCHOOL PLAY, Southwark Playhouse
Contemporary and hard-hitting, Alex MacKeith's debut, School Play, doesn't quite add up to the sum of its parts.
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