Gary Naylor - Page 35

You're guaranteed a lot of fun when the Handlebards ride into town

Safaa Benson Effiom's debut play promises much for the future, with a script that balances drama with an important message

Dexter Flanders' new play is a powerful statement from a community whose stories are too often marginalised by contemporary theatre

Anton Chekhov strips humanity down to its component parts again in his searing play beautifully brought to life by Candid Broads. Read our BWW critic's review.

Ben Brown's play, set at the end of World War II, does not fully deliver on its raw materials' dramatic possibilities Read our BWW critic's review.

Sir Mark Rylance revisits his extraordinary Rooster Byron in a play that vibrates differently than when first staged in an England almost unrecognisable from the England of today

Two and a half hours flies by and you're left racing to Amazon to download a biography to find out more - not bad for a man of 88.

So many voices are presented in a play that reclaims women's narratives that we lose the story in a confusing, chaotic 70 minutes

Rori Hawthorn and Siobhan Redmond shine as two women who come to respect their different lives. Read our BWW critic's review.

Arthur Hughes is in showstealing form as the Duke of Gloucester, soon Richard III, as Henry VI loses his wife, his kingdom and his life. Read our BWW critic's review.

John Lahr's funny, transgressive and tragic play gets a revival that is executed with great skill by a talented cast

Pulitzer Prize winning play fails to overcome its insularity and engage its audience

Clare Latham is sensational in Ché Walker's masterful reassessment of the Reagan years

Another America meanders through its two hours plus running time continually introducing promising material before shutting it down and moving on

DONOTALIGHT's first production presses hot button topics and augurs well for future projects

Tess Seddon mines her own General Election campaign of 2017 for an amusing and punchy musical

Talkshow's ambitious satire gets plenty right, but fails to cohere as a whole, just too much going on for the audience to follow

An odd couple find themselves holed up in an Alaskan whiteout with plenty of issues to work through

Mojo and Mickybo are growing up in a city tearing itself apart

Nicholas Hytner can't quite sustain the verve of the first half of a play that says as much about the 21st century as it does the last