Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor85.
April 23, 2022
So many voices are presented in a play that reclaims women's narratives that we lose the story in a confusing, chaotic 70 minutes
April 22, 2022
Rori Hawthorn and Siobhan Redmond shine as two women who come to respect their different lives. Read our BWW critic's review.
April 21, 2022
Arthur Hughes is in showstealing form as the Duke of Gloucester, soon Richard III, as Henry VI loses his wife, his kingdom and his life. Read our BWW critic's review.
April 19, 2022
John Lahr's funny, transgressive and tragic play gets a revival that is executed with great skill by a talented cast
April 15, 2022
Pulitzer Prize winning play fails to overcome its insularity and engage its audience
April 14, 2022
Clare Latham is sensational in Ché Walker's masterful reassessment of the Reagan years
April 13, 2022
Another America meanders through its two hours plus running time continually introducing promising material before shutting it down and moving on
April 12, 2022
DONOTALIGHT's first production presses hot button topics and augurs well for future projects
April 8, 2022
Tess Seddon mines her own General Election campaign of 2017 for an amusing and punchy musical
April 2, 2022
Talkshow's ambitious satire gets plenty right, but fails to cohere as a whole, just too much going on for the audience to follow
April 1, 2022
An odd couple find themselves holed up in an Alaskan whiteout with plenty of issues to work through
March 31, 2022
Mojo and Mickybo are growing up in a city tearing itself apart
March 25, 2022
Nicholas Hytner can't quite sustain the verve of the first half of a play that says as much about the 21st century as it does the last
March 24, 2022
Loud and lively, Wildcard's wild Tempest is musical, manic and occasionally magical in a hit-and-miss adaptation
March 23, 2022
A new satirical comedy that just might remind you of a company just a click away from here
March 19, 2022
Laughs and learnings from an accomplished, if somewhat lopsided, dramedy
March 17, 2022
A unique approach to storytelling proves triumphant in a deeply moving production that demands our attention and repays it handsomely.
March 9, 2022
An imbalance between thematic exposition and dramatic tension means that a promising play fails to reach its full potential
March 2, 2022
An epic sweep of the millennials' generation told through verbatim theatre, maximising all the opportunities (and problems) that format brings
February 25, 2022
A boutique Shakespeare, some of the religious aspects of the play are sacrificed for a version that proves to be an accessible, psychological political thriller.
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