BWW Review: THE PROVOKED WIFE, Swan Theatre
The Provoked Wife combines tremendous comedy with a hard-edged look at human nature and the institutions that underpin society - as relevant today as when it was written over 300 years ago.
Gary Naylor - Page 32
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BWW Review: AMOUR, Charing Cross Theatre
Amour is a delightful fable that bathes you in the warmth of Legrand;s music and Sams' lyrics, brilliantly realised by a hardworking cast under the sure direction of Hannah Chissick.
BWW Interview: Ute Lemper Talks RENDEZVOUS WITH MARLENE at the Arcola Theatre
Ute Lemper talks to BroadwayWorld UK about her role in Rendezvous with Marlene, her 'personal homage to that great lady', at the Arcola Theatre
BWW Review: SHADOWLANDS, Chichester Festival Theatre
Shadowlands can feel a little outdated, but it wins you over with the warmth and wit of the characters and two wonderful performances from Hugh Bonneville and Liz White.
BWW Review: HELL YES I'M TOUGH ENOUGH, Park Theatre
Ben Alderton takes swipes at every stripe in the political rainbow, but lacks the precision required to bring a plague on all their houses.
BWW Review: EMPTY ROOM, Camden People's Theatre
Miriam Gould's portrait of herself and her parents is as personal as one would expect, but its also beautifully judged and accessible, weaving music in and out of its narrative to great effect.
BWW Review: MARKET BOY, The Union Theatre
Market Boy takes us back to the days of George and Andrew with plenty of bad boys in Romford.
BWW Review: AIN'T MISBEHAVIN', Southwark Playhouse
Ain't Misbehavin' crashes through the gloom of Brexity Britain with bangin' tunes and bubbly bantz.
BWW Review: OTHER PEOPLE'S MONEY, Southwark Playhouse
Other People's Money shows us that the misogyny and avarice scrawled on social media and polluting today's politics, can trace its roots back 30 years at least.
BWW Review: SS MENDI: DANCING THE DEATH DRILL, Linbury Theatre, Royal Opera House
Isango Ensemble's SS Mendi: Dancing the Death Drill is a sad lament for needlessly lost lives and a celebration of the cultures from which the men had sprung.
BWW Review: NIGHT OF THE LIVING DEAD LIVE!, Pleasance Theatre
Night of the Living Dead Live! pays homage to its inspiration, the George A.
BWW Review: ALL YOU NEED IS LOVE, Cadogan Hall
There are many Beatles shows around the world, but few will be as successful as this one, the orchestral arrangements complementing the accomplished band up front.
BWW Review: A MAN OF GOOD HOPE, Linbury Theatre, Royal Opera House
Isango Ensemble bring their unique storytelling skills to show us the life of a Somali boy, alone and running away to a place that barely differs from the hell he leaves behind.
BWW Interview: Mike Bodie and Mari McGinlay Talk NIGHT OF THE LIVING DEAD LIVE! at Pleasance London
Mike Bodie and Mari McGinlay talk about the comedy/horror play, Night of the Living Dead LIVE! and their roles in this movie homage.
BWW Review: THE MARVELOUS WONDERETTES, Upstairs at The Gatehouse
The Marvelous Wonderettes is a jukebox musical that does exactly what it says on the tin - the four singers vocally splendid in front of a fine band.
Back to School: The National Theatre's Creative Choices Programme
BWW's Chief London Reviewer spent a morning at the National Theatre with 12-14 year olds finding out about how studying STEM (Science, Technology, Engineering and Mathematics) subjects can help forge a career in the theatre.
BWW Review: QUEEN OF THE MIST, Brockley Jack Studio Theatre
Queen of the Mist is a curious musical about the nearly forgotten woman who was first to go over Niagara Falls in a barrel and who lived to tell her story - the problem was that few wanted to hear it the way she told it.
BWW Review: THE NOISES, The Old Red Lion Theatre
The Noises traps us in a room with Luna, as she tells us her story from puppy to dog / bodyguard while the world disintegrates outside.
BWW Review: SCARY BIKERS, Trafalgar Studios
John Godber's Brexity flavoured two-hander examines loneliness in late middle-age with warmth, humour and no little insight - a gem.
BWW Review: BED PEACE: THE BATTLE OF YOHN & JOKO, Cockpit Theatre
Recreating the political tensions that swirled around John and Yoko's Bed-In protest of 50 years ago, this play with music strives for a radical approach to its material, but forgets some theatre basics.
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