BWW Review: TAMBURLAINE, Swan Theatre, Stratford-upon-Avon
Christopher Marlowe's tale of relentless, ruthless ambition has a Game of Thrones vibe and a distressingly familiar topicality
Gary Naylor - Page 37
BWW Interview: Charity Wakefield Talks EMILIA at Shakespeare's Globe
Charity Wakefield, currently appearing in Morgan Lloyd Malcolm's all-female Emilia, is the first woman to play William Shakespeare on the Globe stage.
BWW Review: THE MERRY WIVES OF WINDSOR, Royal Shakespeare Theatre
What larks! Maybe not for the purists nor for anyone looking for a Chekhovian analysis of the human condition, but a guilty pleasure full the laughs.
BWW Interview: Community Participants Talk PERICLES at the National Theatre
BroadwayWorld has spoken to Pericles director Emily Lim, writer Chris Bush and composer Jim Fortune.
BWW Interview: Priyanga Burford Talks THE WINTER'S TALE and PRESS
BWW talks to Priyanga Burford about The Winter's Tale (currently at The Globe), the forthcoming BBC series, Press, and the differences between acting for stage and screen
BWW Review: THE RAPE OF LUCRETIA, Arcola Theatre
A demanding, but rewarding, production of Britten's opera about ancient Rome, with plenty of lessons for today.
BWW Review: THE SIMON AND GARFUNKEL STORY, Lyric Theatre
The Simon and Garfunkel Story is a loving tribute to the multi-platinum selling 60s dup that suffers a little from presentational issues.
BWW Review: THE WHITE ROSE - THE STORY OF SOPHIE SCHOLL, Brockley Jack Studio Theatre
The tragic story of a student resistance group in wartime Munich told with skill and commitment by a talented cast.
BWW Review: KNIGHTS OF THE ROSE, Arts Theatre
Jukebox musical that should have stayed in the pub.
BWW Interview: David Haig Talks PRESSURE
David Haig, whose extensive acting career encompasses stage and screen, is currently starring in Pressure at the Ambassadors Theatre - a play that he also wrote.
BWW Review: IT HAPPENED IN KEY WEST, Charing Cross Theatre
A strange show about the strange relationship between a fake German count and his young, but dead, bride.
BWW Review: ME AND MY GIRL, Chichester Festival Theatre
An all-singing, all-dancing old school musical that will delight fans of all ages.
BWW Review: SIRENS OF THE SILVER SCREEN, Tabard Theatre
A show about Judy, Audrey and Marilyn including songs by the gifted Beth Burrows - but does it tell us anything new?
BWW Review: MISS LITTLEWOOD, Swan Theatre, Stratford upon Avon
Miss Littlewood pays tribute to a pioneer of British theatre whose work either side of the Second World War did more for what is called outreach these days, than any other figure before or since.
BWW Review: FOR KING AND COUNTRY, Southwark Playhouse
Courtroom drama set on the Western Front that doesn't convince in its script and staging but still presses the emotional buttons.
BWW Review: MY BEAUTIFUL CIRCUS, Chiswick House and Gardens
My Beautiful Circus brings a traditional entertainment to the village green but delivers it with 21st century savvy and morals.
BWW Review: AS YOU LIKE IT, Shakespeare in the Squares
As You Like It - wit, wisdom and flaws - done in the squares of London on beautiful summer evenings, What's not to like?
BWW Review: THE TURN OF THE SCREW, Regent's Park Open Air Theatre
Britten's celebrated opera re-imagined for a summer evening pregnant with ill-resolved threat.
BWW Review: MISANTHROPE, Camden People's Theatre
Moliere's masterpiece is given a 'fake news' update, but the narrative thrust gets lost in an avalanche of words.
BWW Review: DAISY PULLS IT OFF, Charing Cross Theatre
The 80s West End hit is revived by the actor-musicians of the graduating class of Guildford School of Acting in a production that never quite settles on a tone that fits 2018 audiences' sensibilities.
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