BWW Review: A LESSON FROM ALOES, Finborough Theatre
Seen for the first time in 35 years, Athol Fugard's play loses none of its relevance as two men and one woman fall apart under the strain of living under the Apartheid regime.
Gary Naylor - Page 33
Let's Dance International Frontiers 2019 Launches
Let's Dance International Frontiers - LDIF19 - launches on April 29th - International Dance Day - and focuses on diversity in dance by showcasing new work from emerging local talent and internationally acclaimed performers and companies.
BWW Review: TESSERACT, Barbican Theatre
An often beautiful, sometimes confusing, work that uses dance and technology to move from the rigid certainties of three dimensions into the threats and opportunities of the fourth.
BWW Review: JESUS HOPPED THE 'A' TRAIN, Young Vic
Stephen Adly Guirgis's play is as relevant today as ever, its coruscating examination of the nature of American justice and religious redemption losing none of its power a generation on from its first outing.
BWW Review: CHEATING DEATH, Cockpit Theatre
Cheating Death fails to solve the considerable problems of writing and staging farce in an ambitious show that falls well short of expectations.
BWW Review: COSI FAN TUTTE, Royal Opera House
The Royal Opera House revives its 2016 Cosi with all the mischievous wit and splendid music of Mozart and Da Ponte - but also lets us in on the game within the game - and the price that's paid
BWW Interview: Charlotte Randle Talks COUGAR at the Orange Tree Theatre
Charlotte Randle talks to BroadwayWorld UK about her role in Cougar, a new play, at the Orange Tree Theatre
BWW Review: AS A MAN GROWS YOUNGER, Brockley Jack Studio Theatre
David Bromley brings Italo Svevo back to life in Howard Colyer's monologue, As A Man Grows Younger, and finds plenty of parallels with the Europe of today.
BWW Review: EDEN, Hampstead Theatre
There's much to admire in Eden, a play that pits town against country, development against conservation, corruption against integrity, love against careers, the big guy against the little guy.
BWW Interview: Julia Burbach Talks COSI FAN TUTTE at the Royal Opera House
Julia Burbach talks to BroadwayWorld UK about her role as Revival Director of the ROH's Cosi Fan Tutte and about her work as an opera director.
'Everybody's Got The Right: The Changing Face of Criticism and How New Musicals are Reviewed', MT Fest, The Other Palace
Paul Taylor-Mills hosted a conversation with Mark Shenton, one of a series at The Other Palace's MT Fest.
BWW Review: CYPRUS AVENUE, Royal Court
Cyprus Avenue is a blistering black comedy illuminated by a sensational performance from Stephen Rea as Eric, a man adrift in a world that is changing too quickly for him, feeding a psychosis about to explode.
BWW Review: THE PAPER MAN, Soho Theatre
The Paper Man starts off with the story of Austria's 1930s football hero Matthias Sindelar but swiftly dummies the Nazis and nutmegs for a narrative about the construction of narratives - and becomes rather dull as a consequence.
BWW Review: CAN-CAN!, Union Theatre
Phil Willmott tries to rescue two shows with the plot of a third, but his show also never quite coheres, for all the energy expended by the hard-working cast.
BWW Review: CARMEN, King's Head Theatre
The King's Head pulls off another re-imagining of a classic opera that packs plenty of punch and is a joy for newbies and old hands alike.
BWW Review: RIP IT UP - THE 60s, Garrick Theatre
Rip It Up The 60s is unabashed entertainment full of great songs, plenty of dancing and a handful of stars from Strictly.
BWW Review: THE WINTER'S TALE, National Theatre
A wonderful version of The Winter's Tale that is made for young people but has plenty to say to those of us as old as Leontes and Polixenes.
BWW Review: THE CHERRY ORCHARD, Barbican Theatre
The Moscow Pushkin Drama Theatre brings its modern, surreal take on Chekhov's classic play to The Barbican, with a barb or two directed towards some familiar faces.
BWW Interview: Ruth Mary Johnson Talks THE WINTER'S TALE at the National Theatre
BWW talks to Ruth Mary Johnson about her version of The Winter's Tale at the National Theatre and about her philosophy in making theatre works for young people.
BWW Review: THE ORCHESTRA, Omnibus Theatre
The Orchestra digs into the hearts of the six women and one man stuck playing light classics in a hollowed out French spa town and finds bleak, Chekhovian humour in their plights.
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