BWW Review: BRILLIANT TRACES, White Bear Theatre
An odd couple find themselves holed up in an Alaskan whiteout with plenty of issues to work through
Gary Naylor - Page 20
BWW Review: MOJO MICKYBO, Union Theatre
Mojo and Mickybo are growing up in a city tearing itself apart
BWW Review: STRAIGHT LINE CRAZY, Bridge Theatre
Nicholas Hytner can't quite sustain the verve of the first half of a play that says as much about the 21st century as it does the last
BWW Review: TEMPEST, Pleasance Theatre
Loud and lively, Wildcard's wild Tempest is musical, manic and occasionally magical in a hit-and-miss adaptation
BWW Review: EATING JEFF, Camden People's Theatre
A new satirical comedy that just might remind you of a company just a click away from here
BWW Review: DEV'S ARMY, Bread and Roses Theatre
Laughs and learnings from an accomplished, if somewhat lopsided, dramedy
BWW Review: THE WASHING LINE, Chickenshed
A unique approach to storytelling proves triumphant in a deeply moving production that demands our attention and repays it handsomely.
BWW Review: MORENO, Theatre 503
An imbalance between thematic exposition and dramatic tension means that a promising play fails to reach its full potential
BWW Review: OUR GENERATION, National Theatre
An epic sweep of the millennials' generation told through verbatim theatre, maximising all the opportunities (and problems) that format brings
BWW Review: RICHARD II, Jack Studio Theatre
A boutique Shakespeare, some of the religious aspects of the play are sacrificed for a version that proves to be an accessible, psychological political thriller.
BWW Interview: Toby Sedgwick Talks THE CHAIRS at the Almeida Theatre
Toby joins Kathryn Hunter and Marcello Magni in Omar Elerian's free, and funny, adaptation of the classic example of the Theatre of the Absurd
BWW Review: RED PITCH, Bush Theatre
Tyrell Williams' debut full length play heralds a much-needed new voice, full of wit and pathos
Jean Paul Gaultier Musical FASHION FREAK SHOW Is Coming To London's Roundhouse
The extraordinary life of self-described fashion freak, Jean-Paul Gaultier, is recreated in an extravaganza of music, fashion and showmanship for a limited summer season in his beloved London.
BWW Review: THE DREAM MACHINE, Cockpit Theatre
Improvisation team revive the spirit of Whose Line Is It Anyway? with plenty of charm but not quite enough laughs
BWW Review: THE CHAIRS, Almeida Theatre
Kathryn Hunter shines in this updated version of a classic exemplar of the Theatre of the Absurd
BWW Review: DIRTY DANCING - THE CLASSIC STORY ON STAGE, Dominion Theatre
I did not have the time of my life at Dirty Dancing at the Dominion Theatre
BWW Review: COULD IT BE MAGIC?, Wilton's Music Hall
Comedy and magic show with scope to explore its format more fully
BWW Review: LA BOHÈME, London Coliseum
Another revival of a beautifully realised crowdpleaser that works perfectly in the difficult days of February 2022.
BWW Review: JARMAN, Greenwich Theatre
Derek Jarman, a seminal figure in British culture, is given a 21st century voice in this one-man show
BWW Review: THE WINSTON MACHINE, New Diorama Theatre
Ambitious new play that examines the iniquitous effect of nostalgia requires greater clarity in its storytelling
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