BWW Review: BLISS, Finborough Theatre
Fraser Grace's new play examines the impact of PTSD on a soldier returning home after witnessing the horrors of the aftermath of the Russian Revolution
Gary Naylor - Page 19
BWW Review: THE DWARFS, White Bear Theatre
Brilliant acted play captures the London experience at that tipping point between the pursuit of youthful follies and the assumption of adult responsibilities.
How The National Theatre is Bringing Important Work Into Schools
BWW's Gary Naylor discovers more about the National Theatre's work in the education sector and how its online resources are being used more and more post-pandemic
BWW Review: TWELFTH NIGHT, Oasis Farm
You're guaranteed a lot of fun when the Handlebards ride into town
BWW Review: TIL DEATH DO US PART, Theatre 503
Safaa Benson Effiom's debut play promises much for the future, with a script that balances drama with an important message
BWW Review: FOXES, Seven Dials Playhouse
Dexter Flanders' new play is a powerful statement from a community whose stories are too often marginalised by contemporary theatre
BWW Review: UNCLE VANYA, Old Red Lion Theatre
Anton Chekhov strips humanity down to its component parts again in his searing play beautifully brought to life by Candid Broads.
BWW Review: THE END OF THE NIGHT, Park Theatre
Ben Brown's play, set at the end of World War II, does not fully deliver on its raw materials' dramatic possibilities Read our BWW critic's review.
BWW Review: JERUSALEM, Apollo Theatre
Sir Mark Rylance revisits his extraordinary Rooster Byron in a play that vibrates differently than when first staged in an England almost unrecognisable from the England of today
BWW Review: BARRY HUMPHRIES - THE MAN BEHIND THE MASK, Richmond Theatre
Two and a half hours flies by and you're left racing to Amazon to download a biography to find out more - not bad for a man of 88.
BWW Review: THE MALADIES, The Yard
So many voices are presented in a play that reclaims women's narratives that we lose the story in a confusing, chaotic 70 minutes
BWW Review: THE STRAW CHAIR, Finborough Theatre
Rori Hawthorn and Siobhan Redmond shine as two women who come to respect their different lives.
BWW Review: HENRY VI: REBELLION and WARS OF THE ROSES, Royal Shakespeare Theatre
Arthur Hughes is in showstealing form as the Duke of Gloucester, soon Richard III, as Henry VI loses his wife, his kingdom and his life.
BWW Review: DIARY OF A SOMEBODY, Seven Dials Playhouse
John Lahr's funny, transgressive and tragic play gets a revival that is executed with great skill by a talented cast
BWW Review: RABBIT HOLE, Union Theatre
Pulitzer Prize winning play fails to overcome its insularity and engage its audience
BWW Review: WOLF CUB, Hampstead Theatre
Clare Latham is sensational in Ché Walker's masterful reassessment of the Reagan years
BWW Review: ANOTHER AMERICA, Park Theatre
Another America meanders through its two hours plus running time continually introducing promising material before shutting it down and moving on
BWW Review: I KNOW I KNOW I KNOW, Southwark Playhouse
DONOTALIGHT's first production presses hot button topics and augurs well for future projects
BWW Review: SAY YES TO TESS - A NEW MUSICAL, Camden People's Theatre
Tess Seddon mines her own General Election campaign of 2017 for an amusing and punchy musical
BWW Review: TELETHON, Shoreditch Town Hall
Talkshow's ambitious satire gets plenty right, but fails to cohere as a whole, just too much going on for the audience to follow
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