Clever (even a bit too clever at times) sequel that picks up Ibsen's action 15 years later in a world that has the intractable problems many of us have today.
The Royal Opera House's 2003 production gets a much-needed injection of Japanese authenticity while retaining, even enhancing, its moral of how men can abuse their power, as husbands and as colonial occupiers.
Harry Hill and Steve Brown pack plenty of laughs into the life of an ex-PM who only ever wanted to be Mick Jagger - until he spied the seductive allure of power
This new play brings the issue of mediating relationships in a changing, hybrid world to the fore without losing drama's essential components of character, plot and pace.
Satinder Chohan's new play has plenty of comedy and tragedy, but struggles to catch the right tone consistently, packing in more themes than its plot can comfortably sustain
Fraser Grace's new play examines the impact of PTSD on a soldier returning home after witnessing the horrors of the aftermath of the Russian Revolution
Brilliant acted play captures the London experience at that tipping point between the pursuit of youthful follies and the assumption of adult responsibilities.
BWW's Gary Naylor discovers more about the National Theatre's work in the education sector and how its online resources are being used more and more post-pandemic