BWW Review: OUR GENERATION, National Theatre
An epic sweep of the millennials' generation told through verbatim theatre, maximising all the opportunities (and problems) that format brings
Gary Naylor - Page 21
Latest Articles
BWW Review: RICHARD II, Jack Studio Theatre
A boutique Shakespeare, some of the religious aspects of the play are sacrificed for a version that proves to be an accessible, psychological political thriller.
BWW Interview: Toby Sedgwick Talks THE CHAIRS at the Almeida Theatre
Toby joins Kathryn Hunter and Marcello Magni in Omar Elerian's free, and funny, adaptation of the classic example of the Theatre of the Absurd
BWW Review: RED PITCH, Bush Theatre
Tyrell Williams' debut full length play heralds a much-needed new voice, full of wit and pathos
Jean Paul Gaultier Musical FASHION FREAK SHOW Is Coming To London's Roundhouse
The extraordinary life of self-described fashion freak, Jean-Paul Gaultier, is recreated in an extravaganza of music, fashion and showmanship for a limited summer season in his beloved London.
BWW Review: THE DREAM MACHINE, Cockpit Theatre
Improvisation team revive the spirit of Whose Line Is It Anyway? with plenty of charm but not quite enough laughs
BWW Review: THE CHAIRS, Almeida Theatre
Kathryn Hunter shines in this updated version of a classic exemplar of the Theatre of the Absurd
BWW Review: DIRTY DANCING - THE CLASSIC STORY ON STAGE, Dominion Theatre
I did not have the time of my life at Dirty Dancing at the Dominion Theatre
BWW Review: COULD IT BE MAGIC?, Wilton's Music Hall
Comedy and magic show with scope to explore its format more fully
BWW Review: LA BOHÈME, London Coliseum
Another revival of a beautifully realised crowdpleaser that works perfectly in the difficult days of February 2022.
BWW Review: JARMAN, Greenwich Theatre
Derek Jarman, a seminal figure in British culture, is given a 21st century voice in this one-man show
BWW Review: THE WINSTON MACHINE, New Diorama Theatre
Ambitious new play that examines the iniquitous effect of nostalgia requires greater clarity in its storytelling
BWW Review: THE GLOW, Royal Court
Beautifully executed production is let down by a dud script
BWW Review: AVA: THE SECRET CONVERSATIONS, Riverside Studios
One star recreates another, but we learn more about Ava's men than about Ava herself
Gary Naylor's Nominations For The 2021 BroadwayWorld UK Awards
One of our reviewers shares his top picks!
BWW Review: ROMEO & JULIET, Southwark Playhouse
Nicky Allpress puts Shakespeare's star-crossed lovers in the midst of an 80s Brixton feud.
BWW Review: RAYMONDA, London Coliseum
Tamara Rojo doesn't go far enough in re-inventing Raymonda, its new story lacking the boldness of its new setting in the Crimean War.
BWW Review: FORCE MAJEURE, Donmar Warehouse
Skiing on stage? That's not the only slippery slope in this clever adaptation of the 2014 Swedish movie about failing fathers and the, gulp, crisis of masculinity.
BWW Review: THE TRAGEDY OF MACBETH, In Cinemas
Denzel Washington and Frances McDormand lead Joel Coen's cinematic tour de force
2021 Year in Review: Gary Naylor's Best of 2021
Gary Naylor finds some magnificent productions in a difficult year for theatre
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