BWW Review: THE GLOW, Royal Court
Beautifully executed production is let down by a dud script
Gary Naylor - Page 21
BWW Review: AVA: THE SECRET CONVERSATIONS, Riverside Studios
One star recreates another, but we learn more about Ava's men than about Ava herself
Gary Naylor's Nominations For The 2021 BroadwayWorld UK Awards
One of our reviewers shares his top picks!
BWW Review: ROMEO & JULIET, Southwark Playhouse
Nicky Allpress puts Shakespeare's star-crossed lovers in the midst of an 80s Brixton feud.
BWW Review: RAYMONDA, London Coliseum
Tamara Rojo doesn't go far enough in re-inventing Raymonda, its new story lacking the boldness of its new setting in the Crimean War.
BWW Review: FORCE MAJEURE, Donmar Warehouse
Skiing on stage? That's not the only slippery slope in this clever adaptation of the 2014 Swedish movie about failing fathers and the, gulp, crisis of masculinity.
BWW Review: THE TRAGEDY OF MACBETH, In Cinemas
Denzel Washington and Frances McDormand lead Joel Coen's cinematic tour de force
2021 Year in Review: Gary Naylor's Best of 2021
Gary Naylor finds some magnificent productions in a difficult year for theatre
Theatres: These are a few of our favourite things
Even those as lucky as regular reviewers do not take theatres' unique pleasures for granted - here are a few of our favourite things
BWW Review: A FIGHT AGAINST... UNA LUCHA CONTRA..., Royal Court Theatre
A collage of scenes set largely in Latin America examine when, or if, individuals can find a place in fracturing communities.
BWW Review: HABEAS CORPUS, Menier Chocolate Factory Theatre
It's good to hear collective laughter again in a theatre, but the dated characters grate rather than charm, and fewer jokes land in 2020s than in the 1970s.
BWW Review: WEST SIDE STORY, in cinemas
Though flawed by too much dialogue, West Side Story will thrill young and old with its set pieces and soaring score
BWW Review: BEST OF ENEMIES, Young Vic
James Graham's new play bristles with wit, recreating Gore Vidal and William F Buckley's TV debates of 1968 - and a whole lot more
BWW Review: THE BOOK OF DUST - LA BELLE SAUVAGE, Bridge Theatre
Fine theatrical effects, but thus adaptation of Lyra Belacqua's first year of life never escapes the confines imposed by the origin story genre's structure
BWW Review: THE TREATY, Embassy of Ireland
A lesson not just in history, but in theatre, from an ensemble and creative team in complete command of complex, riveting material
BWW Review: POLICE COPS THE MUSICAL, New Diorama Theatre
A madcap, spoofing comedy briiming with energy and chest hair
BWW Review: BONNY & READ, Brockley Jack Theatre
A new play with music tells the story of Anne Bonny and Mary Read, two cross-dressing pirates, through song and rhyme
BWW Review: YES SO I SAID YES, Finborough Theatre
Ferocious and funny, Ireland's play has lost none of its power, and gained even more relevance, ten years on from its Omagh debut
BWW Review: THE NUTCRACKER, Royal Opera House
A beautiful production that does not intend to break new ground - and is all the better for it.
BWW Review: THE VALKYRIE, London Coliseum
Some curious directorial choices fail to blunt the force of Wagner's musical donner und blitzen as the gods bicker and bully and the mortals bleed
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