In Maine State Music Theatre’s second 2022 concert series program, the Pickard Theater pulsates with the big, bold, vibrant musical energy of Joe Boucher and his band, vocalists and a seventeen-piece orchestra, treating a cheering audience to a playlist of rock and roll classics from the 1970s and
“JOSEPH’s ability to be done in a thousand different ways is what keeps it fresh,” declares Maine State Music Theatre’s Artistic Director, Curt Dale Clark.
Maine State Music Theatre’s second main stage production, perennial favorite, JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, takes the Pickard stage by storm, exploding with color, energy, and sheer irrepressible joy.
“This production is new, fun, fresh,” says actor Blake Hammond who plays Jacob and Potiphar in Maine State Music Theatre’s production of Andrew Lloyd Webber and Tim Rice’s JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT that runs from June 29-July 16.
Chicago’s Leading Lady and beloved superstar of MSMT, Heidi Kettenring returns to the Pickard Theatre for three splendid concerts featuring the music of Carole King, Karen Carpenter, Linda Ronstadt, and Joni Mitchell.
For two weeks now Brunswick’s Pickard Theater has been “alive with the sound of music,’ but on June 15 Hanley Smith and Will Ray, the stars of MSMT’s brilliant new production of Rodgers and Hammerstein’s THE SOUND OF MUSIC, joined MSMT Artistic Director Curt Dale Clark and BWW Maine Region
Maine State Music Theatre opened its Theatre for Young Audiences series with a delightful, energetic, and amusing production of Robin and Clark’s JACK AND THE BEANSTALK that drew a crowd of enthusiastic youngsters, their teachers, parents, and grandparents for the four performances on June 13.
What did our critic think of MSMT's Sound of Music? What happens when one of the most beloved musicals in the canon comes to the stage at the very point in time when history and a harsh pandemic seem to intersect with an iconic story?
“Marc Robin ‘s vision for this production of THE SOUND OF MUSIC is that of a joyful, hopeful child,” says Hanley Smith, the actress who makes her debut as Maria von Trapp this week as Maine State Music Theatre kicks off its “Revival Season.
Portland Stage closes its 2021-2022 season with a new play with music that is really a chamber opera, SABINA, about the pioneer in psychoanalysis, the muse and lover of Carl Jung and colleague of Sigmund Freud, Sabina Spielrein.
Portland’s Good Theater’s final offering of its nineteenth season is a deliciously zany and stylish production of Peter Kellogg and David Friedman’s 2017 musical comedy, DESPERATE MEASURES, a witty, saucy sendup of Shakespeare’s MEASURE FOR MEASURE set in the Wild West.
The Public Theatre’s latest offering is a poignant, quirky romantic comedy that becomes a heartwarming pas de deux between its injured dancer heroine and a geoscientist with Asperger’s Syndrome, who enlists her help not only in learning to dance, but also in exploring, what for him, is the uncha
The Good Theater’s latest offering, SIGNIFICANT OTHER, is an edgy, quirky, bittersweet look at the complexities and pitfalls of modern love and friendship, seen from the perspective of a quartet of marriage-age friends, who try to navigate this rocky road as best they can.
The Maine premiere of George Eastman’s HARRY TOWNSEND’s LAST STAND is a sad, sweet, sassy rumination on aging and the fragile communications between father and son as they navigate this daunting process.
In the midst of the winter doldrums and yet another pandemic surge, Maine's theatre scene is experiencing a hiatus.
Forced to cancel its holiday production of Dickens’ A CHRISTMAS CAROL because of Covid issues, Portland Stage has forged ahead and created a digital-on-demand version to bring some cheer to audiences.
Born out of pandemic necessity, the recently formed Isle Theater Company premiered a video-on-demand version of their new play, DO NOT MOVE STONES, a modern retelling of Aeschylus’ THE SUPPLIANTS.
The Good Theater reopened its doors last night with a breathtakingly stunning world premiere of Rob Urbinati’s new play LADY SUSAN, directed by Brian P.
The Public Theatre’s production of Dan Clancy’s MIDDLETOWN proves a clever way to maneuver the company back into production after the pandemic pause.
“It all began with Wizard of Oz at Maine State Music Theatre,” confides ten-year-old Lily Philbrook.
