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Review - If It Only Even Runs A Minute 3: The World Belongs To The Young

September 12, 2010

After reading far too many obituaries claiming, while not exactly mourning, the death of the Broadway musical, insisting that the art form can only be revived by injections of the kind of music that appeals to today's young audiences, I decided to take a night off from cabarets and piano bars a coup

Review - Wife To James Whelan: The Man That Got Away

August 31, 2010

Though Teresa Deevy was arguably the world's most famous female playwright in 1942, the year she completed her class-conscious romance Wife To James Whelan, the new management of Dublin's Abbey Theatre, which had already produced six of her plays, turned it down.

Review - Power Balladz & Freud's Last Session

August 22, 2010

Lovers of the hair bands of 70s, 80s and 90s who find Rock of Ages just too intellectually complex shall rejoice at the arrival of Power Balladz, the show that puts the 'z' in 'rock anthem.

Review - Secrets of The Trade: Mama, A Rainbow

August 18, 2010

I was forty-five years old when a theatre professional I greatly admired first took me out to lunch to discuss his lifetime of experience and my fledgling career as a critic.

Review - Broadway Babies

August 15, 2010

Congratulations to David Burtka and Neil Patrick Harris who are expecting twins this fall by way of a surrogate.

Review - Oh... Steven SLAter

August 11, 2010

I just spent the last two days trying to figure out why the bookwriter/lyricist of Spring Awakening was working as a flight attendant.

Review - Viagara Falls: Liaisons?

July 22, 2010

There's something very endearing about watching a couple of old pros like Bernie Kopell and Lou Cutell exercise their finely tuned comedic chops as a pair of elderly widowers looking for a night of excitement; especially when that excitement comes in the form of Teresa Ganzel, who displays ample com

Review - The Music and The Mirrors

July 12, 2010

So the big theatre buzz on Sunday morning was generated from a New York Times op-ed piece by violinist Paul Woodiel, currently employed by the Broadway production of West Side Story.




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