Armando Urdiales (He/Him/His)”: I have been obsessed with theater since I was a kid. My mothers lullabies were from Andrew Lloyd Webber musicals and “Everything All Right” has been my go to sleep song since birth. One of my passions is exploring new theatre, and experience as much of it as I can. If I had to pick a favorite show it tends to vary by mood, however my top three interchange constantly. They are Spring Awakening (both play and musical), Hadestown, Quixote Nuevo.
As both a graduate student in a performing arts school and a general fan of theater, it is always exciting to see young actors gain professional opportunities.
The unconventional and oddball comedy from the Pulitzer Prize finalist, Madeleine George, sees the Greek god, Dionysus, reenter civilization disguised as a butch gardener, Diane.
The Broadway classic is currently in residence at the Hobby Center and is a wonderful expression of both the beauties of our past and a great reminder that history repeats itself.
Co-Directors Barrie Kosky and Suzanne Andrade's production of Mozart's THE MAGIC FLUTE as staged by the Houston Grand Opera is brilliant and astounding.
When one thinks of a production, usually there is a script, with a director, creative team and the actors have a bevy of time in order to put on the best performances of their life.
I recently sat down with Hadestown the Musical ensemble member, Will Mann, whom I have been a big fan of since his recent turn in the Broadway revival of Rodgers and Hammerstein's Oklahoma! Hadestown the Musical is not the first time he has been to Houston and we talked about coming to the Energy Ci