BWW Review: TREE, Young Vic
As someone who has never quite realised the appeal of going clubbing, imagine my fear as I walked into the auditorium of the Young Vic, where a central island was occupied by audience members dancing.
Anthony Walker-Cook - Page 4
BWW Interview: Lia Williams Talks THE NIGHT OF THE IGUANA at Noel Coward Theatre
BroadwayWorld UK speaks with Lia about Tennessee Williams's The Night of the Iguana, which opens tonight at the Noel Coward Theatre
BWW Review: CAPTAIN CORELLI'S MANDOLIN, Harold Pinter Theatre
The Second World War is about to break out, but the inhabitants of the Greek island Cephelonia, the 'bridge between the human and the eternal', think themselves too far from the war.
BWW Review: PRIVATE LIVES, The Mill at Sonning Theatre
Did you know that songs by Britney Spears and Amy Winehouse sound great when performed in a French accent and with an accordion? I certainly didn't, and so imagine my surprise when I walked into the theatre at the Mill at Sonning to find Celia Cruwys-Finnigan doing just that.
BWW Review: RUST, Bush Theatre
Nadia and Daniel are beginning a life together.
BWW Review: DARK SUBLIME, Trafalgar Studios
At about half an hour into Michael Dennis' debut play Dark Sublime, the uncomfortable thought occurred to me that there was still two hours left to go.
BWW Review: SWEAT, Gielgud Theatre
At a quieter moment of Lynn Nottage's Sweat, Jessie (Leanne Best) stands with a cake celebrating her 43rd birthday in Mike's Tavern.
BWW Review: WIFE, Kiln Theatre
Premiering at the Kiln Theatre, Samuel Adamson's 'Wife' is a retelling of Henrik Ibsen's 'A Doll's House' that focuses on four generations of lovers.
BWW Review: THE FIRM, Hampstead Theatre
For all its bravado and comedy, Roy Williams' The Firm is a potent piece about masculinity.
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