BWW Review: SCENES WITH GIRLS, Royal Court
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Anthony Walker-Cook - Page 2
BWW Review: LONDON COMMUNITY GOSPEL CHOIR AT CHRISTMAS, Royal Albert Hall
Two towering Christmas trees dominate the stage of the Royal Albert Hall.
BWW Review: FASCINATING AÏDA, Southbank Centre
Fascinating Aïda's new show offers irreverent looks to growing old, politics, the environment, dogging, and everything in between.
BWW Review: TEENAGE DICK, Donmar Warehouse
It's a case of rather ironic programming that the press night for Mike Lew's Teenage Dick at the Donmar Warehouse was on the 12 December, the day of the General Election in the UK.
BWW Review: THE DUCHESS OF MALFI, Almeida Theatre
Following the success of Summer and Smoke at both the Almeida and the Duke of York's theatre, director Rebecca Frecknall returns to the former venue with John Webster's The Duchess of Malfi.
BWW Interview: Anna-Jane Casey Talks GIRL FROM THE NORTH COUNTRY at Gielgud Theatre
Following successful runs at the Old Vic, in the West End and in New York, Conor McPherson's Girl from the North Country returns for a limited run at the Gielgud Theatre.
BWW Interview: Amy Morgan Talks A KIND OF PEOPLE at the Royal Court
With recent roles in Noises Off and Exit the King, Amy Morgan can now be seen at the Royal Court performing in Gurpreet Kaur Bhatti's A Kind of People.
BWW Review: SINGIN' IN THE RAIN, The Mill At Sonning
If you're in need of a brief sojourn away from London this Christmas period, then I've little hesitation in recommending the Mill at Sonning's Singin' in the Rain.
BWW Review: A CHRISTMAS CAROL, The Old Vic
Panto might be the stalwart annual theatre trip at Christmas (yes, I know, 'oh no it isn't'.
BWW Review: MY BRILLIANT FRIEND, National Theatre
At the beginning of My Brilliant Friend, all there is on stage is a desk, a chair and a laptop.
BWW Review: RICHARD III, Sam Wanamaker Playhouse
What you might not expect when sitting down in the Sam Wanamaker Playhouse, a replica Elizabethan indoor theatre, is to see the titular character of Richard III enter on stage wearing football clothes.
BWW Interview: Carol Lingwood Talks Costume at the National Theatre
If you find yourself at the National Theatre with some spare time, head to the Wolfson Gallery for an impressive, colourful trip.
BWW Review: I WILL STILL BE WHOLE (WHEN YOU RIP ME IN HALF)/BEFORE I WAS A BEAR, The Bunker
Though the Bunker will be closing early 2020, it has rightly garnered a reputation for providing a platform for new voices.
BWW Interview: Josh Williams Talks TOUCHING THE VOID at Duke Of York's Theatre
After a premiere at Bristol Old Vic, and a tour including Inverness and Hong Kong, Touching the Void is now at the Duke of York's Theatre in the West End.
Engaging A New Generation of Talent at THEATRECRAFT 2019
On a sunny November morning, the Royal Opera House opened its doors for TheatreCraft 2019, the UK's largest free event for those aged 16-30 who want an offstage career in theatre.
BWW Review: THE TAMING OF THE SHREW, Barbican Centre
As you enter the Barbican's auditorium to watch the RSC's The Taming of the Shrew, you can't miss the sound of fireworks in the background.
BWW Review: DEATH OF A SALESMAN, Piccadilly Theatre
Following a sold-out run at the Young Vic, Arthur Miller's Death of a Salesman has transferred to the West End and, with blistering direction from Marianne Elliott and Miranda Cromwell, it remains one of the standout shows of the year.
BWW Review: SINATRA: RAW, Wilton's Music Hall
Start spreading the news, Richard Shelton's renowned cabaret Sinatra: Raw is now at Wilton's Music Hall as the culmination of a national tour.
BWW Review: BERYL, Arcola Theatre
The winner of over 90 domestic championships and seven national titles alongside setting a slew of records, Beryl Burton was one of England's most successful cyclists.
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