BWW Review: Different Stages' A DOLL'S HOUSE is an Excellent Rendering of the Ibsen Classic
As it did when it originally premiered, the drama holds a mirror up to what is considered acceptable in a society, without judgment or bias. The show's observant nature starkly highlights the place and power of women, a topic which still audibly resonates with audience members today....
BWW Review: MISS MURDER at Blunt Force Drama
Blunt Force Drama is excited to produce the Austin premier of this play first produced by Theater Vertigo (Portland, Oregon), directed here by Jayne Furlong....
BWW Review: OUTSIDE MULLINGAR at Reverie Theatre Company
BWW Review: Irish eyes are smiling at OUTSIDE MULLINGAR...
BWW Review: Recommended Viewing (and reading): THE BOOK OF WILL Delights at Austin Playhouse
You can't write about a work of Shakespeare or about a work about Shakespeare without quoting one of his most famous (and theatrically appropriate) lines: "All the world's a stage, and all the men and women merely players." But on the stage of the Austin Playhouse, the men and women aren't merely pl...
BWW Review: Treehouse Players THIS IS OUR YOUTH is Totally Rad
Go see THIS IS OUR YOUTH. Don't miss some great theatre by one of our newest companies!...
BWW Review: INTO THE WOODS at EmilyAnn Theatre
INTO THE WOODS has always been one of my favorite musicals, I take any chance that I can to see it. So I was extremely excited to be able to see The EmilyAnn Theatre's production of the Sondheim classic, quite literally in the woods. In short, this is a very earnest production. It was done well desp...
BWW Review: OEDIPUS THE TYRANT at Fox Den Theatre Company
A sickness is spreading in Thebes. King Oedipus (KC Ryan) is so certain of their own claim to the throne that they don't ask questions when those who do not support them are rounded up and locked away due to 'illness'. (Take note of the singular 'they' here - this inclusive pronoun is used throughou...
BWW Review: DRY LAND at Capital T Theatre
Amy is a pregnant teen with no one to help her. She has a BFF (Reba), and yet she seeks help from high school swim team newcomer, Ester. Amy is too scared to trust anyone else, least of all an adult, and asks Ester to help her self-abort the pregnancy. A precarious situation, does Ester help Amy wit...
BWW Review: The City Theatre's PARALLEL LIVES Overstays Its Welcome
The City Theatre's production of PARALLEL LIVES eschews elaborate sets, costumes, and production design in favor of highlighting its varied characters and the stories they bring to life. Sadly, the show suffers from a lack of dynamic entertainment value and holds a run time that will have you checki...
BWW Review: HAMILTON Dazzles at Bass Concert Hall
There are a handful of musicals whose debuts changed the face of what musical theatre could be: Oklahoma, Company, West Side Story, Hair, A Chorus Line and now you can add to that list HAMILTON: AN AMERICAN MUSICAL. HAMILTON is an international sensation that appeared on Broadway in 2015 and is sung...
BWW Review: TERMINATOR THE MUSICAL Irreverently Parodies The Sci-Fi Classic in Austin, Tx
Appropriately playing at Fallout Theatre's historically comedic stage, TERMINATOR: THE MUSICAL parodies Arnold Schwarzenegger's hit 1984 and 1991 films, The Terminator and T2: Judgement Day. The film features a time travelling robot, who has travelled from 2029 to 1984 in order to kill Sarah Connor ...
BWW Review: MARY PAGE MARLOWE at The Alchemy Theatre
Welcome to The Alchemy Theatre, a new Austin venue presenting the regional premiere of Mary Page Marlowe from playwright Tracy Letts (August: Osage County) at the Mastrogeorge Theatre. Mary Page Marlowe showcases nineteen high-caliber artists who give us eleven glimpses, (in nonlinear order) into th...
BWW Review: North American Tour of CATS Epitomizes Excellence
This production of CATS epitomizes excellence in musical theatre. Putting a show of this caliber in the capable hands of this almost universally young cast is a move that pays off. With fresh, revitalizing energy, soaring music, and jaw-dropping choreography, CATS is sure to delight fans of the orig...
BWW Review: ZACH's THE BALLAD OF KLOOK AND VINETTE Sings with Charm and Shine
In the bittersweet end, Klook and Vinette are loving, lovable and loved....
BWW Review: LA BOHEMÈ - Austin Opera Shines With Puccini Favorite
Over the last couple of years reviewing opera with BroadwayWorld, I have become a fan. Not only a fan of the classical work but a fan of Austin Opera and the sumptuous productions they bring to the stage. It makes my heart soar to hear the first strains of the orchestra conducted by the amazing Pete...
BWW Review: THE HUNCHBACK OF NOTRE DAME - Texas State Rings In Masterpiece
With the Notre Dame Cathedral still in the news after a nearly catastrophic fire so recently it seemed strange coincidence to attend a production of THE HUNCHBACK OF NOTRE DAME. It certainly brought home for me the majesty of the medieval church but it also lent a small glimpse into the immense scop...
BWW Review: THE CHILDREN at Trinity Street Playhouse
Where to start when reviewing the best play in town? Start with the beginning I suppose, and The Children begins with a gorgeous set courtesy of Michael Krauss and Carlo Lorenzo Garcia. It's a small cottage on the east coast of England and it has that perfect 'lived-in look'. It would be easy to cre...
BWW Review: COPENHAGEN Pontificates the Explosive Meeting of Atomic Minds in Austin, TX
The mission statement of Austin Playhouse is to "Provide opportunities for both Austinite performers and audiences to celebrate the human experience". COPENHAGEN, now playing at their temporary home in the ACC Highland Campus, examines a highly debated meeting between Quantum Mechanics pioneer Werne...
BWW Review: Rude Mechanicals NOT EVERY MOUNTAIN Mesmerizes
Rude Mechanicals Co-Artistic Producers Thomas Graves and Kirk Lynn created NOT EVERY MOUNTAIN as a part of a project the theatre company is working on called Perverse Results (a name derived from a corollary of Murphy's Law.) Through the unique, collaborative method the Rudes use to create a proje...
BWW Review: SISTER ACT - Palace Strikes Solid Gold
SISTER ACT, the musical, follows the 1992 Whoopi Goldberg movie of the same name, opened April 19th at the Georgetown Palace theatre, and the result is solid gold entertainment....
BWW Review: Trinity Street Players' Radiant GODSPELL
What do clownish costumes and biblical parables have in common? Subversive Broadway staple, GODSPELL of course! Austin's Trinity Street Players take on the classic Stephen Schwartz and John-Michael Tebelak rock musical with an effervescent production fitting for Easter weekend....
BWW Review: PROOF at The Wimberley Players
The Wimberley Players' production of David Auburn's PROOF was thoroughly enjoyable despite its pacing issues....
BWW Review: DON'T DRESS FOR DINNER is Quick Witted and Fast Paced in Georgetown, TX.
Venturing around the corner from the larger Palace stage in downtown Georgetown, a quaint new black box theatre sits catering to plays of a different scale but with equal gusto. DON'T DRESS FOR DINNER written by Robin Hawdon & Marc Camoletti, boasts a cast of 6 performers confusing themselves and ea...
BWW Review: TREASURE ISLAND IN THE BAY OF BENGAL Gives New Perspective To An Old Story
TREASURE ISLAND IN THE BAY OF BENGAL is currently playing at the Austin Scottish Rite Theater. The adaptation written by Zane Baker and Susan Gayle Todd is based on the 1883 novel by Robert Louis Stevenson, 'Treasure Island.' Directed by Susan Gayle Todd and Megan Moore Ortiz, the production infuses...
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