Review: CRAZY FOR YOU at Georgetown Palace Theatre
Georgetown Palace Theatre brings to life the timeless musical comedy, Crazy for You, written by Ken Ludwig and featuring the beloved songs of George and Ira Gershwin.
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Georgetown Palace Theatre brings to life the timeless musical comedy, Crazy for You, written by Ken Ludwig and featuring the beloved songs of George and Ira Gershwin.
The production of Ken Ludwig’s Leading Ladies at the Palace Playhouse in Georgetown is an uproariously funny theatrical triumph.
Noises Off is a masterclass in timing and physical comedy.
Big Fish at Austin Playhouse is a beautiful production that should not be missed.
HAIRSPRAY is a chipper, wildly energetic show, and if you can leave your inner skeptic at the door, you might see a glimmer of hope.
City Center Theatre's rendition of The Importance of Being Earnest successfully brings Victorian England to life through its set design, costumes, and charming performances.
What did our critic think of SANCTUARY CITY at Ground Floor Theatre? SANCTUARY CITY, written by Martyna Majok and produced by the Ground Floor Theatre, presents a thought-provoking exploration of DREAMers, the concept of sanctuary, and the complexity of how to live as an undocumented immigrant in th
Gifting yourself with the talent that makes up this cast is worth the visit, though one must consider the evening will be long based on pacing issues within the show.
What did our critic think of TO KILL A MOCKINGBIRD at Bass Concert Hall?
Indecent at the Austin Playhouse is the kind of play that makes you fall in love with theater all over again.
What did our critic think of GETTING IN BED WITH THE PIZZA MAN at Crashbox Theatre? GETTING IN BED WITH THE PIZZA MAN is a delight of a one-woman show.
Tide at The Filigree Theatre showed directorial and artistic courage and compassion as Ms.
There are few things that make me happier than entering a theatre packed with smiling, joyful audience members of all ages.
Jarrott Production's MOTHER OF THE MAID by Jane Anderson is currently playing at Ground Floor Theatre.
What did our critic think of ROE at ZACH?
Bottle Alley Theatre prides itself on being a DIY theatre company, and they do it incredibly well.
Who knew in 1994 that a dance number performed during a seven minute intermission during the Eurovision song contest would expand into a thrilling spectacle of dance that would not only survive the test of time, but remain so beloved by so many? Beyond a pandemic, political unrest, racial tension, a
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What did our critic think of NIGHTBIRD at Austin Playhouse?
What did our critic think of SOUTHWEST THEATRE PRODUCTIONS' THE POETRY SHIFT at Southwest Theatre Productions?
We as an audience are invited into these and other questions.
What did our critic think of FIRE IN DREAMLAND at Filigree Theatre?
If you can’t handle two hours of innocence and joy, you might need to skip this one.
Austin Opera presents one of the most iconic musicals in Broadway history, SWEENEY TODD: The Demon Barber Of Fleet Street by the late, great Stephen Sondheim.
It's not that PRETTY WOMAN THE MUSICAL is necessarily worthy of a terribly poor review, but it's not worthy of a good one either.
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