NY Coo Gallery Announces Their July Exhibition
By: Gabrielle Sierra
For the month of July, the NY Coo gallery is happy to present a collaborative exhibition, "Sakura Flutter" consisting of calligraphy, photography and hats.?At the same time, we will also be presenting Nizo Ohashi's "New Power of Japanese Ink."
"Sakura Flutter" will be exhibiting three artists' individual signature artwork; Kayon's calligraphy; Ailink's photography; and aco's handmade hats, as well as their unique collaborative pieces they have worked on together.Born in Shizuoka prefecture, Ink painter Kayon has started calligraphy at the young age of five.?To this day, she is learning under a well respected mentor in order for her to continuously improve her calligraphy skills.?She has gone beyond the authentic beauty of calligraphy and incorporated various forms of art such as photography, make-up and flower arrangements to create her own style. Yet, despite her trendy/exotic/unconventional style, she has high respect towards the Japanese culture and is exploring in depth on kouta (Edo period Japanese classical music), shamisen (3 stringed Japanese instrument), and kimono (traditional clothes). While she hopes to enlarge her vision from living abroad, she hopes to express her Japanese side to influence her art.?In this specific show, she will be showing her Chinese calligraphy pieces from old texts in addition to her smaller original pieces.The beauty involved in such a phenomenon of sakura flutter, is portrayed via eyes of these young, avant garde artists all from the 1980s. ?Please come and enjoy the refreshing, new, lively impression of the Japanese culture in this exhibition. Running simultaneously, Nizo Ohashi's eclectic solo exhibition, "New Power of Japanese Ink" will be exhibited as well.At the age of seven, he was already mesmerized by calligraphy and was determined to educate himself with Asian linguistics.?By the age of 16, he encountered "tenshoutai (pictographic ancient script)," a special type of calligraphy very similar to hieroglyphics and this opened a whole new dimension of calligraphy to him. ?In 2003, he went to pursue a fine arts degree in LA to further research into creating/discovering new forms of calligraphic script art by applying traditional Japanese calligraphy with some new materials or elements.? In 2007, he transferred to NY City College and currently he's working on interior design as well as logos and advertisements for Japanese restaurants. "A stroke of black ink on a plain white paper," what seems to be a simple concept, was the initiation and he was fascinated by the beauty borne out of the colors black and white. ?These two polar colors are opposite in nature, yet the inter-connection of the two and how they complement each other so well; a concept that applies and exists everywhere in our life, is what he hopes to express via Japanese calligraphy. ?He searches for the extreme and uncommon beauty that is created via calligraphy and the ways in which he can express this form of art. ?Just like the two dependent opposing colors seeking to find the right balance, he aims to find a new meaning of Asian calligraphy through assembling materials and ink that is very different. For the artist himself, he believes that any form of art is intended to express and stimulate thoughts and emotions. ?He hopes to engage the audience's sensibilities and for them to create a sense of beauty; to explore into the perception of pleasure within themselves. ?In addition to the usage of traditional paper and ink, audience will also enjoy his unique usage of canvas, acrylic, ink and glue to express the meaning behind "New Power of Japanese ink."
Videos