COMPANY's Patti LuPone Wins 2022 Tony Award for Best Performance by an Actress in a Featured Role in a Musical

 

Patti LuPone has won the 2022 Tony Award for Best Performance by an Actress in a Featured Role in a Musical for COMPANY.

Author of The New York Times bestseller, Patti LuPone: A Memoir, Miss LuPone stars in Company on Broadway after playing the same role in London's West End. She won a "What's OnStage" Award and an Olivier Award for her performance as Joanne.

Her recent NY stage appearances include the Broadway musical War Paint (Tony, Drama Desk, Outer Critics Circle Award nominations), Douglas Carter Beane's new play Shows For Days, directed by Jerry Zaks at Lincoln Center Theater, her debut with the New York City Ballet as Anna in their new production of The Seven Deadly Sins, Joanne in the New York Philharmonic's production of Company, David Mamet's The Anarchist, and Lincoln Center Theater's production of the musical Women on the Verge of a Nervous Breakdown, for which she was nominated for Tony, Drama Desk and Outer Critics Circle Awards.

Winner of the Tony, Drama Desk and Outer Critics Circle Awards for Best Actress in a Musical and the Drama League Award for Outstanding Performance of the Season for her performance as Madame Rose in the most recent Broadway production of Gypsy, her other stage credits include appearances with the Los Angeles Opera in their new production of John Corigliano's The Ghosts of Versailles and Weill-Brecht's Mahagonny (debut), the world premiere of Jake Heggie's opera To Hell and Back with San Francisco's Baroque Philharmonia Orchestra, Mrs. Lovett in John Doyle's production of Sweeney Todd (Tony, Drama Desk, Outer Critics Circle nominations; Drama League Award for Outstanding Contribution to Musical Theatre), the title role in Marc Blitzstein's Regina, a musical version of Lillian Hellman's The Little Foxes at the Kennedy Center, Fosca in a concert version of Passion, which was also broadcast on PBS' Live From Lincoln Center, a multi-city tour of her theatrical concert Matters of the Heart, the City Center Encores! productions of Can-Can and Pal Joey, the NY Philharmonic's productions of Candide and Sweeney Todd (NY Phil debut) and performances on Broadway in Michael Frayn's Noises Off, David Mamet's The Old Neighborhood, Terrence McNally's Master Class and in her own concert Patti LuPone On Broadway.

Since 2000 she's appeared regularly at the Ravinia Festival. First in its Sondheim series when she starred as Mrs. Lovett in Sweeney Todd, Desiree in A Little Night Music, Fosca in Passion, Cora Hooper in Anyone Can Whistle, Madame Rose in Gypsy and in two different roles in Sunday in the Park with George. Her subsequent appearances there include a reprise of her performance in Heggie's To Hell and Back, a concert performance of Weill's The Seven Deadly Sins and starring in the title role in a concert production of Annie Get Your Gun.

A graduate of the first class of the Drama Division of New York's Juilliard School and a founding member of John Houseman's The Acting Company in which she toured the country for four years, her subsequent New York credits include Dario Fo's Accidental Death of An Anarchist, David Mamet's The Water Engine, Edmond and The Woods and Israel Horovitz' Stage Directions and performances in the musicals Pal Joey for City Center Encores!, Anything Goes (Tony Award nomination, Drama Desk Award), The Cradle Will Rock, Oliver!, Evita (Tony and Drama Desk Awards- Best Actress in a Musical), Working and The Robber Bridegroom.

In London, she won the Olivier Award for her performances as Fantine in the original production of Les Miserables and in The Acting Company production of The Cradle Will Rock. She won her second Olivier Award for her performance in Company. She also created the role of Norma Desmond in Sunset Boulevard, for which she was nominated for an Olivier Award, and recreated her Broadway performance of Maria Callas in Master Class.

Company, the musical comedy masterpiece about the search for love and cocktails in the Big Apple is turned on its head in Elliott's revelatory staging, in which musical theatre's most iconic bachelor becomes a bachelorette. At Bobbie's (Lenk) 35th birthday party, all her friends are wondering why isn't she married? Why can't she find the right man? And, why can't she settle down and have a family?

This whip smart musical comedy, given a game-changing makeover for a modern-day Manhattan, features some of Sondheim's best loved songs, including "Company," "You Could Drive a Person Crazy," "The Ladies Who Lunch," "Side by Side," and the iconic "Being Alive.