Edinburgh Festival

Edinburgh Festival Articles


EDINBURGH 2019: BWW Review: GILBERT AND SULLIVAN'S IMPROBABLE NEW MUSICAL: LESS MISERABLE, theSpace @ Niddry Street
by Amy Hanson - August 10, 2019

The kings of light opera, Gilbert and Sullivan look down from heaven at the musicals of the modern age and set a wager on whether or not every musical could work as a Savoy Opera. The focus of their challenge? The world's longest running musical.

EDINBURGH 2019: BWW Review: SUPERSTAR, Underbelly
by Natalie O'Donoghue - August 10, 2019

From a very young age, Nicola has been determined to prove to her four older siblings, and the world, that she is more than just a little sister. But wasting all that time incessantly seeking her siblings' approval and searching for new ways to hide the fact that one of her brothers is mega-famous meant she could never quite find her place in the world. Until now.

EDINBURGH 2019: BWW Review: THE RED, Pleasance Dome
by Natalie O'Donoghue - August 10, 2019

Benedict's dad loved wine. He loved collecting it, drinking it and sharing it with friends and family was an act of love. Benedict was a teenage alcoholic. He's been sober now for 25 years. On the day of his father's funeral, Benedict receives an unsettling final bequest: a bottle of exceptionally fine red wine. Will he drink one final toast to his father?

EDINBURGH 2019: BWW Review: TROLL, Summerhall
by Natalie O'Donoghue - August 10, 2019

t's 1998. Otto is 12 but online he's 13 and he's pretty sure he gets away with it. He lives with his mum, dad, and sister, a chain-smoking Icelandic granny, and an ancient malevolent troll that's living in the wall... From Trick of the Light Theatre (The Bookbinder, The Road That Wasn't There) comes a lo-fi wi-fi fable in the vein of Stranger Things, combining storytelling, projection, and puppetry.

EDINBURGH 2019: BWW Review: UNFORTUNATE, Underbelly
by Natalie O'Donoghue - August 9, 2019

Disney villain. Octo-woman. Plus-size icon. But who is the woman behind the tentacles? From the multi award-winning Fat Rascal Theatre, creators of sell-out hit musicals Buzz and Vulvarine, comes the untold story of Ursula the sea witch. It's time to take the plunge as we reveal what really happened under the sea, in a tell-all tale of sex, sorcery and suckers. A musical parody.

BWW Review: SISTER ACT, Rose Theatre @ Gilded Balloon
by Fraser MacDonald - August 9, 2019

Filling all those who walk through the doors of the Gilded Balloon's Rose Theatre with heaps of spiritual joy, Sister Act is the tonic for the doom and gloom of the outside world and the perfect example of the joy of theatre.

EDINBURGH 2019: BWW Review: DANNY MACASKILL'S DROP AND ROLL LIVE, Underbelly
by Natalie O'Donoghue - August 9, 2019

Led by world-famous trials rider and YouTube sensation Danny MacAskill, Drop and Roll make their long-awaited Edinburgh Fringe debut with a brand-new show featuring jaw-dropping stunts! Joining Danny will be highly acclaimed trials rider and fellow Scotsman Duncan Shaw, plus more athletes to be announced. Hosted by extreme sports commentator Henry Jackson, the hour-long show includes crowd participation plus there are prizes to be won throughout. Expect an action-packed display of gravity-defying tricks, guaranteed to amaze children and adults alike!

EDINBURGH 2019: BWW Review: FOR ALL I CARE, Summerhall
by Natalie O'Donoghue - August 9, 2019

Clara and Nyri. Two very different women. Two complicated lives. Both having a very bad day. Mental health nurse Nyri's woken up hungover with a younger man. Meanwhile, Clara has developed a compulsive wink and can't remember if she's taken her meds. Nyri needs to get to Ebbw Vale Hospital via Greggs and Clara is dodging signs telling her a?' rather rudely a?' to kill herself, so she can get cracking with her shoplifting list for the Devil. Interweaving and unexpected connections collide in this fast-moving, touchingly funny one-woman show by Alan Harris.

EDINBURGH 2019: BWW Review: MOUTHPIECE, Traverse Theatre
by Natalie O'Donoghue - August 9, 2019

After a critically acclaimed London run, the powerful Traverse Theatre hit about class, culture and appropriation returns with a new cast. Salisbury Crags. Twilight. A woman takes a step forward into the air. A teenage boy pulls her back. Two lives are changed forever. Frank, unflinching and threaded with unexpected humour, Mouthpiece takes a look at two different sides of Edinburgh that exist in ignorance of one another, and asks whether it's possible to tell someone else's story without exploiting them along the way.

EDINBURGH 2019: BWW Review: SARY, Sweet Novotel
by Joanna Trainor - August 12, 2019

Hare sex. Graphic, detailed hare sex. And we're not just talking hare on hare here - that's right it's fan favourite, bestiality.

EDINBURGH 2019: BWW Review: HUGE DAVIES, The Carpark, Pleasance Courtyard
by Christiana Rose - August 8, 2019

Huge Davies captivates in his highly anticipated debut show. He is deadpan, intense and utterly hilarious.

EDINBURGH 2019: BWW Review: THE CASTLE, Greenside
by Joanna Trainor - August 8, 2019

a?oeYou misinterpret everything. Even the silence.a?? How's that for a bloody line?!

BWW Review: ONLY FOOLS! THE CUSHTY DINING EXPERIENCE, Imagination Workshop
by Fraser MacDonald - August 8, 2019

For a Fringe debut, it is hard to land on your feet as assuredly as Only Fools has done. This is certain to be a more permanent fixture of the Edinburgh Fringe as part of an already hugely successful programme from Interactive Theatre International.

EDINBURGH 2019: BWW Review: BEACH BODY READY, THE ROARING GIRLS, Pleasance Courtyard
by Christiana Rose - August 8, 2019

Beach Body Ready is an empowering, celebratory piece of theatre, combating body shaming and delving into weight pressures.

EDINBURGH 2019: BWW REVIEW: THE LAST OF THE PELICAN DAUGHTERS, THE WARDROBE ENSEMBLE, Pleasance Courtyard
by Christiana Rose - August 7, 2019

A family reunion to celebrate their late mother's birthday, unearths the truth surrounding the siblings' feelings of their past and hopes for the future.

EDINBURGH 2019: BWW Review: QUESTING TIME, Pleasance Dome
by Amy Hanson - August 7, 2019

Questing Time is one of a number of Fringe shows turning geeky interests into live performances.  Based around the format of a Dungeons & Dragons game, each show features a rotating trio of Fringe comedians attempting to muddle their way through a fantasy adventure role-playing game.

EDINBURGH 2019: BWW Review: THE SORRIES, Quaker Meeting House
by Fraser MacDonald - August 7, 2019

The show is more of a natural extension of The Corries rather than just a tribute to the band, as the songs and stories are always evolving. From the song collections of Robert Burns and Sir Walter Scott to the much more modern Green Fields of France, The Sorries' setlist cannot fail to impress.

EDINBURGH 2019: BWW Review: CHARACTER BUILDING EXPERIENCE, Laughing Horse @ Cabaret Voltaire
by Amy Hanson - August 7, 2019

In Character Building Experience, Sasha Ellen serves as game master, compering the show with a light touch and leading a trio of players and an audience through a flexible fantasy story. 

EDINBURGH 2019: BWW Review: CHRIS BETTS VS THE AUDIENCE, Heroes @ Bob's Blundabus
by Amy Hanson - August 7, 2019

In the ultimate manifestation of playing devil's advocate, Chris Betts vs the Audience pits the Canadian comic against his own punters, having him take up a contrary position on whatever idea they put forward, be it serious or silly. 

Photo Flash: First Look at Frances Barber in MUSIK at Edinburgh Fringe
by Stephi Wild - August 7, 2019

Get a first look at Frances Barber returning to the legendary role of Billie Trix in the world premiere tonight of MUSIK by Pet Shop Boys and Jonathan Harvey at Assembly Bijou at the Edinburgh Fringe.

EDINBURGH 2019: BWW Review: THE WAR OF THE WORLDS, Pleasance Courtyard
by Amy Hanson - August 7, 2019

Inspired by the famous Orson Welles radio production of the classic novel depicting Martian tripods invading Earth, this production from physical theatre company Rhum and Clay takes a wider scope than simply retelling the seminal sci-fi story. 

EDINBURGH 2019: BWW Review: IF YOU'RE FEELING SINISTER, Gilded Balloon Patter Hoose
by Emma Ainley-Walker - August 8, 2019

Kid and Boss are bored, have been bored, but now they're on an adventure together, high on the adrenaline of a successful art heist conducted on Kelvingrove Museum.

EDINBURGH 2019: BWW Review: BURGERZ, Traverse Treatre
by Emma Ainley-Walker - August 8, 2019

In 2016, someone threw a burger at performance artist Travis Alabanza. No one did anything.

EDINBURGH 2019: BWW Review: GUY MONTGOMERY: I WAS PART OF THE PROBLEM BEFORE WE WERE TALKING ABOUT IT, Assembly George Square Studios
by Joanna Trainor - August 7, 2019

I thought it important to confirm that there is absolutely no pissing at any point during Guy's set. Sorry if that's what you came to see.

EDINBURGH 2019: BWW Review: URINETOWN, Central Hall
by Amy Hanson - August 6, 2019

Climate change is a hot topic at the moment, and potential future water shortages provide rich material for Urinetown, a metatheatrical dark comedy musical.


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