Saturday 4th June 2016, 7:30pm, Riverside Theatre, Parramatta
Michael Gow's (Playwright) AWAY, the latest offering from Sport For Jove, is presented with heart, humour and honesty as the lives of three families unfold. Starting in a 1967 Australia that was dealing with the Vietnam War and still feeling the aftermath of the World War II, this moving work continues to be relevant as it shares the ongoing human struggles with death, prejudice, depression, addiction and relationships.Lucilla Smith's (Set Designer) simply dressed stage is a combination of clean slopes and levels with banners of white muslin reaching down to sand coloured floor. A pile of blinking lightbulbs and makeshift representations of the accoutrements of war help to draw the audience into the understanding that the work is set in a time where the country is dealing with its youth being sent to war. With the addition of a range of small items like luggage and picnic gear, the string of lights and the swathes of cloth help transform the spaces from the High School stage, suburban homes packing for holidays, lavish ballrooms and beachside campsites. Smith's innovation to create the turning point of the story is a wonderfully creative expression that creates impressive visuals.
The premise of AWAY is that high school friends Meg (Georgia Scott) and Tom (James Bell) have just performed in the school's end of year production of Shakespeare's DREAM and following Headmaster Roy's (Christopher Tomkinson) closing speech, are about to head off on holidays with their respective families. The three stories of Meg, Tom and Roy's family holidays unfold, giving insight into the vastly different families, each with their own secrets and struggles.
Whilst the set gives clues as to the era, Jonathan Hindmarsh's costumes help ground the work in the late 1960's. Headmaster Roy's dress shorts and knee high socks are priceless and Coral's evening gowns are wonderfully elegant. The orange cheesecloth clothes for Fairies in the High School production of Shakespeare's DREAM draws on the hippies that were also prevalent at the time. Teacher Miss Latrobe's(Amy Usherwood) Mod dresses and tights show the variety of styles from the period.
Co Directors Damien Ryan and Samantha Young have created a beautifully simple expression that showcases the performers and Gow's text. There is a subtlety and honesty in the expression, ensuring that the characters remain real and multilayered and aren't turned into caricatures or stereotypes. Ryan and Young have also included a wonderful physicality to the work, from the ballroom scene where couples are trying new dance moves amongst a conservative crowd to the fierce storm that interrupts Meg's family's holiday and the teens scampering around the sand dunes.
Georgia Scott presents Meg with a cheekiness typical of a teenager as she navigates the flirting Tom and her neurotic, uptight, shrill mother. She gives her the sensitivity of a child that knows her mother isn't well and wants to try to keep peace but also the rebellion that has had enough of pussy footing around and putting up with her mother's narrow views. There is a shyness, fear and caution as she deals with Tom's advances. Similarly James Bell also brings out Tom's boldness as he tries to convince his father to let him have a beer, contrasted with an awkwardness as he tries to tell Meg he likes her. He conveys Tom's desire to keep his parents happy and not let on that he has his own secrets with a subtleness that initially comes across as simply a good child that is grateful for whatever his parents can give him.
Riverside Theatre : 2 June - 6th June 2016
Seymour Centre : 22 June - 25th June 2016
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