If Love Were All 1931 - Articles Page 2

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With a full party band, an old school DJ and a school dance photographer - Marty Thomas threw a  “second chance prom” and invited all who are moved by the gesture to dress in their finest for an evening of music, dancing and reminiscing.

We would be going against Broadway World's nature, if we were to suggest that we don't have a soft spot for musical theatre. So you know we just couldn't miss this production of Cabaret.

Usually when people hear the word Frankenstein one image comes to mind: the inarticulate groaning hulk. Opening this weekend and running through Halloween on Stagecrafters' 2nd Stage is A. S. Peterson's version of Frankenstein, where The Monster is unlike the popular film adaptions that comes to everyone's mind. The play doesn't feature a terrifying and unthinking creature, instead The Monster feels emotions and asks questions that all humans ask themselves a?" according to Peterson, a?oehis Frankenstein is not your mama's Frankenstein.a?? BroadwayWorld Detroit was able to have an in-depth interview with the play's director, Andrew Clements, and the man behind The Monster in the show, Michael Meike, to find out what makes this new version so unique and thrilling, yet still be inspired by the classic Frankenstein story by Mary Shelley that audiences have come to know and love.

The Kraine and UNDER St. Marks represent almost half of this year's Fringe BYOV offerings.

Hollywood Arms, the Carol Burnett story, is currently playing at Ridgedale Players. The show kicked the 2019-2020 season at one Michigan's oldest community theatres as Ridgedale Players has been around since 1931. Hollywood Arms is a memoir of Burnett's childhood in California. It's a funny and moving story of three generations of women living on welfare in a one-room apartment, one block north of Hollywood Boulevard. A tale about shattered hopes and realized dreams. 'Layered. Exposed. Lively. Reflective. Hearty.' That is how Erica Gunaca described Hollywood Arms before it closes this weekend. Read what else she had to say in our interview below:

If what you know about 'Cabaret' is informed by the classic 1972 movie which made Liza Minnelli a superstar, you owe yourself to see the Tony-winning musical stage version like the one at community-based Sherman Playhouse. Director Bradford Blake, inspired by London's Donmar Warehouse 1993 revival which made it to Studio54 in 1998, creates a solid, engaging production that is both faithful to the cautionary theme of the original Broadway production and authentic to the raw and seedy world of the decadent Kit Kat Klub, Berlin 1931.

Who'd have ever thought a seven-foot-tall, dark, handsome and green chap a?' crafted from the bits and pieces of various fellows gone home to meet their maker, as it were a?' could prove to be so likable, charming and, we daresay, sexy? But leave it to Mel Brooks (and Gene Wilder, his co-writer on the 1974 film) to create such a protagonist and to surround him with memorable characters in a story set to music that's a wonderful homage to the very best of classic Broadway and silver screen musicals!

The California Premiere of Nick Dear's adaptation of Frankenstein features a heartbreaking performance by Michael Manuel as a creature born innocent but ugly, taught to hate and rebel against humanity. Manuel carries the production on his hulking shoulders, which becomes crippling due to a confounding script and unusually lifeless direction from Los Angeles star director Michael Michetti.

The first time I heard bass-baritone Davone Tinesa--he off the sensual, resonant voice and startlingly vivid stage presence--it was in Handel's ACI, GALATEA E POLIFEMO (described as a spectacular, streamlined, Cliff-Notes version of a Handel opera), at Brooklyn's National Sawdust. Tines wowed me and I thought that I wanted to hear more of him. He opens July 24, 2019 at Mostly Mozart in THE BLACK CLOWN at the Gerald Lynch Theatre of John Jay College, near Lincoln Center.

In celebration of both Gay Pride Month and the 50th anniversary of Noel Coward's knighthood, Robert Rodi looks back on the British icon's legendary career, trailblazing style, enduring influence-and above all his songs. Coward's songs have been covered by artists from Judy Garland to Rufus Wainwright, and rival Cole Porter's for emotional range and irresistible melody.

In 10th Grade, I was in the chorus of a production of Oklahoma! in the auditorium of my synagogue and it was the best theatrical experience I've ever had. I remember getting home from the closing night cast party and crying myself to sleep. I could cry now putting on the movie or listening to 'The Farmer and the Cowman,' or maybe most of all, if I sing a little bit of the introduction to the title song.

Bay Street Theater is pleased to announce the first show of the 2019 Mainstage Season will be the World Premiere of THE PROMPTER (May 28- June 16) a new comedy by Wade Dooley; directed by Scott Schwartz, Bay Street Theater's Artistic Director. The other two previously announced shows will be the World Premiere of SAFE SPACE, which will now run from June 25 - July 21. This new play is by Alan Fox and will be directed by three-time Tony Award Winner Jack O'Brien (All My Sons, Hairspray, The Coast of Utopia). The third show will be a bold new re-envisioning of Irving Berlin's classic musical ANNIE GET YOUR GUN, (July 30 - August 25) with music and lyrics by Irving Berlin, book by Herbert & Dorothy Fields. This production will be directed by Sarna Lapine (Sunday in the Park with George, Bay Street's Frost/Nixon). The casts and creative teams will be announced soon. Subscriptions are available by calling the Box Office at 631-725-9500 or online at www.baystreet.org.

By 1931, technology had advanced enough to allow Charlie Chaplin to make his latest film, 'City Lights,' as a talkie. But why would he? By then, he had mastered his singularly poetic choreography that universally communicated comedy without need for language. Further, he could use advancements in sound to take control of the musical accompaniment. If individual theaters had erratic success in accompanying his films music, now they were not only uniform, but using a full score he composed himself - another Chaplin talent that flowered.

Bay Street Theater is pleased to announce two of the three productions planned for the 2019 Mainstage Summer Season. The first will be the World Premiere of SAFE SPACE, which will run from May 28 - June 16. This new play is by Alan Fox and will be directed by three-time Tony Award Winner Jack O'Brien (The Hard Place, Hairspray, The Coast of Utopia).

The Dick Cavett Show Coming To DVD from SMORE Entertainment

It should come as no surprise whatsoever that the opening night audience for NCT's holiday season offering of Disney's The Little Mermaid rewarded the cast and crew with loud cheers, sustained applause and, more importantly, their rapt attention - were it not for the fact that last night's audience was comprised primarily of (how will we say it without offending?) more experienced theater-goers.

For Catherine Birdsong, the animated film version of The Little Mermaid - the 1989 Disney musical fantasy based on the story of the same name by Hans Christian Andersen - was the first movie she remembers ever seeing in a darkened cinema and it continues to elicit memories, to reverberate in her heart, particularly now that she finds herself in rehearsal for the debut of the stage musical at Nashville Children's Theatre.

Angela Lansbury has enjoyed a career without precedent. Her professional career spans more than half-a-century, during which she has flourished, first as a star of motion pictures, then as a four-time Tony Award-winning Broadway musical star, and most recently as the star of 'Murder, She Wrote,' the longest running detective drama series in the history of television.

The Warner Theatre will present its 7th Annual International Playwrights Festival held in the Warner's Nancy Marine Studio Theatre on October 12 and 13, 2018. The mission of the International Playwrights Festival is to recognize the work of emerging and established playwrights and to build a link between the playwrights, the theatre community and our audiences.

United Nations researchers report that between 1931 and 1945, the Japanese military forced an estimated 200,000 to 400,000 women and girls into institutionalized sexual slavery. Euphemistically referred to as “comfort women,” they typically ranged in age from 11 to 33 and were taken from Japanese colonies from Korea to Indonesia. Mobilized through forced recruitment, kidnapping, false employment offers or sale by family members and employers, they served in brothels supervised by the Japanese military. Seventy years after their imprisonment, the surviving “comfort women” still await an official apology from the government of Japan.

Last week, I introduced you to ten performers in Signature Theatre's current production of Kander and Ebb's final, complete collaboration, The Scottsboro Boys, which runs through July 1st. This included eight of the nine gentlemen who play the African American men who were falsely accused of raping two Caucasian women, as well as two others who play the minstrel characters known as Mr. Bones and Mr. Tambo.

Theater (Jonathan Bank, Producing Artistic Director) will present the New York Premiere of Miles Malleson's political love story Conflict. Performances will begin May 25th and continue through July 21st at Theatre Row (410 West 42nd Street). Opening Night is set for June 21st.

Continuing the momentum created with the current season launch of its Music Knows No Borders series, Executive Director Thor Steingraber unveils the Younes and Soraya Nazarian Center for the Performing Arts' 2018-19 Season, which features four world premieres, two American premieres, several of the world's greatest orchestras, innovative jazz programs, two tributes to Hollywood legends, Broadway classics plus artists from 18 different nations who will appear on stage at The Soraya next season.  New Subscription Series tickets will go on sale May 1, 2018.