Cutting Ball Extends UBU ROI Through 3/9

Continued Melrose, "In translating UBU ROI, my goal was to get back to some of Jarry's original impulses. What is wonderful about this play is that on one hand it is the lowest of low comedy - appealing to our most vile instincts. On the other hand, it was written by a precocious and misunderstood genius with the highest level of intellect and invention. What is unfortunate about this play is that given the state of governments and human nature, it is always a contemporary play, always relevant."

Co-founded in 1999 by theater artists Rob Melrose and Paige Rogers, Cutting Ball Theater presents avant-garde works of the past, present, and future by re-envisioning classics, exploring seminal avant-garde texts, and developing new experimental plays. The company has commissioned, developed, and produced new experimental plays, and has partnered with Playwrights Foundation, and the Magic Theatre/Z Space New Plays Initiative to commission new experimental works. In addition to producing West Coast Premieres and re-imaging various classics, Cutting Ball Theater has produced nine World Premieres and seven World Premiere translations. Cutting Ball received the 2008 San Francisco Bay Guardian Goldie award for outstanding talent in the performing arts, and was voted "Best Theater Company" in the 2010 San Francisco Bay Guardian Best of the Bay issue. The company also earned the Best of SF award in 2006 and "Best Experimental Theater Company" in 2012 from SF Weekly, and was selected by San Francisco magazine as Best Classic Theater in 2007. Cutting Ball Theater was featured in the February 2010 and 2012 issues of American Theatre Magazine. In 2012, Cutting Ball was awarded a grant from The Andrew W. Mellon Foundation to fund a three-year residency for resident playwright Andrew Saito. The American Theatre Wing, best known as the creator of the Antoinette Perry "Tony" Awards, awarded the company with a 2013 National Theatre Company grant.

Following Cutting Ball's new translation of UBU ROI, RISK IS THIS...THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works in staged readings that push the boundaries of what theater can be. Rounding out the main stage season in April, Cutting Ball presents the American Premiere of Samuel Gallet's COMMUNIQUÉ N°10, in a World Premiere Translation, and directed by, Rob Melrose.

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