Photos: Stars Turn Out for the 'James Earl Jones Theater' Dedication!
by Jennifer Broski
- Sep 12, 2022
The Cort Theatre was officially renamed the James Earl Jones Theatre in honor of the iconic multi-award-winning American actor! Check out photos from inside the ceremony, which included special guests Brian Stokes Mitchell, Norm Lewis, Samuel L. Jackson, Phylicia Rashad, Danielle Brooks, cast members from the Tony-winning Best Musical, A Strange Loop and more!
MR. SATURDAY NIGHT Starring Billy Crystal to Stream on BroadwayHD
by Chloe Rabinowitz
- Sep 12, 2022
BroadwayHD will debut the exclusive worldwide streaming release of Billy Crystal’s five-time Tony-Award nominated musical, Mr. Saturday Night: A New Musical Comedy, on their platform after the production concluded its Broadway run on September 4. The exact airing dates will be forthcoming.
The Granada Theatre to Present CATS in October
by Blair Ingenthron
- Sep 10, 2022
The American Theatre Guild is pleased to present one of the biggest hits in theatrical history, CATS. This production is part of the BROADWAY IN SANTA BARBARA SERIES and will take The Granada Theatre stage October 17–18, 2022.
Tickets On Sale Now For COME FROM AWAY At Overture Center
by A.A. Cristi
- Sep 9, 2022
The national tour of COME FROM AWAY, a Broadway musical about the true story of the small town that welcomed the world, will make its Madison debut at Overture Center for the Arts for a limited engagement from Tuesday, Nov. 15 through Sunday, Nov. 20.
COME FROM AWAY Tickets On Sale Today At Broadway Grand Rapids
by A.A. Cristi
- Sep 8, 2022
Broadway Grand Rapids has announced the national tour of COME FROM AWAY, a Broadway musical about the true story of the small town that welcomed the world, will make its Grand Rapids debut at DeVos Performance Hall for a limited engagement on November 8-13, 2022.
Industry Pro Newsletter: No Good Answer on Masks, New Funds for Upgrades in London
by Alex Freeman
- Sep 6, 2022
Theatre companies across the globe continue to grapple with some of the earliest questions posed upon reopening: what to do about masks? As more mixed policies come into play, we continue to see that there are segments of the audience that won’t come with masks, and segments that won’t come without, putting producers in a difficult position.
Amy Spanger, Nadia Dandashi, and Monica Tulia Ramirez Join Concert Performance of SIREN: THE MUSIC OF DILLON FELDMAN at 54 Below
by Stephi Wild
- Aug 25, 2022
Amy Spanger (Rock of Ages, Chicago), Nadia Dandashi (Suffs), and Monica Tulia Ramirez (Suffs) join as the final members of the previously announced concert featuring Brittney Mack (Six), Troy Iwata (Be More Chill), Jillian Louis (It Shoulda Been You), Marcy Harriell (In The Heights), Kim Onah (NYTW's Dreaming Zenzile), Danny Marin (The Real Housewives of NY), Leana Rae Concepcion (Romy & Michelle), Allison Griffith (Burning Man: The Musical), and more!
Samantha Pauly, Jillian Louis, Marcy Harriell, Kim Onah Join SIREN: THE MUSIC OF DILLON FELDMAN Concert
by Team BWW
- Aug 12, 2022
Samantha Pauly (Six), Jillian Louis (It Shoulda Been You), Marcy Harriell (In The Heights) and Kim Onah (NYTW's Dreaming Zenzile) join the previously announced concert featuring Brittney Mack (Six), Troy Iwata (Be More Chill), Danny Marin (The Real Housewives of NY), Leana Rae Concepcion (Romy & Michelle), Allison Griffith (Burning Man: The Musical), and more! Music by Dillon Feldman with Music Direction by Cynthia Meng and Additional Orchestrations by Macy Schmidt.
The Entertainment Community Fund Announces Five New Members To Board Of Trustees
by Stephi Wild
- Aug 11, 2022
At an annual meeting held on July 26, the Entertainment Community Fund (formerly The Actors Fund), the national human services organization for everyone in performing arts and entertainment, welcomed five new members to its Board of Trustees and reelected Tony Award-winning actor Brian Stokes Mitchell as Chair, his nineteenth term of serving in this role.
Review: HARPER LEE'S TO KILL A MOCKINGBIRD Opens at Nashville's Tennessee Performing Arts Center
by Jeffrey Ellis
- Aug 10, 2022
But beloved as it may be, why in the ever-loving hell has it taken so long for To Kill A Mockingbird to become a theatrical play that is actually worthy of its literary heritage? Sure, there’s been a 1990 (?!) version by Christopher Sergel that’s made it way through every high school auditorium, community theater playhouse and reginal theater over the intervening three decades that we are, quite frankly, sick to death of it. In fact, if we never see it again, we’ve seen it far too often: a warmed over, treacly and maudlin rehash that’s far too dependent on the title’s movie roots to really emerge from a darkened theater to become a consummate American play.
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