Review: A Compleat HADESTOWN at Hippodrome Theatre
by Jack L. B. Gohn
- Apr 13, 2023
So, by virtue of all of these elements this show is compleat in the senses fostered by the archaic spelling of the word, what Webster's renders as 'having all the necessary or desired elements or skills.' The characters, the music, the dancing, the lyrics, and the overall message are all new and different, even if deployed in the service of 'an old tale from way back when,' and they come accompanied by a message of inspiration in the midst of tragedy. A must-see.
Review: THE ART OF BURNING at Hartford Stage
by Brooks Appelbaum
- Mar 16, 2023
What did our critic think of THE ART OF BURNING at Hartford Stage? Kate Snodgrass' world premiere play, The Art of Burning, presented by Hartford Stage in association with Huntington Theater Company, is a disappointingly thin work, though the producing theaters are to be congratulated for supporting new scripts. The production itself, led by the sure hand of Hartford Stage Artistic Director Melia Bensussen, is well cast and fascinating to look at: Luciana Stecconi's scenic design creates an atmosphere of alienation, leaving the characters looking uneasy, often lost, and like chess pieces trying to defend their positions on a brutally cold board. However, the set is more original than the plot, which attempts to put a feminist spin on old themes: marriage is difficult; raising a child is even more difficult; affairs lead to thorny divorce settlements; and children get caught in the middle.
Review: ESPEJOS/CLEAN at Hartford Stage
by Brooks Appelbaum
- Feb 5, 2023
Hartford Stage is presenting a remarkable and courageous New England premiere: Christine Quintana's bilingual play, Espejos/Clean. The play gives us two very different women: Adriana, from Chetumal, Mexico, who speaks Spanish and a bit of English, and Sarah, from Vancouver, who speaks only English.
Review: HADESTOWN at Kansas City Music Hall
by Alan Portner
- Jan 18, 2023
Blend two ancient Greek myths, add the climate change crisis, a screed on capitalism, fears surrounding immigration, sprinkle in delightful, original folk music, and stir. The unlikely result is the 2019 eight-time Tony-winning folk opus “Hadestown,” an exceptional piece of musical theater.
Entertain and Dine NJ Style-New Brunswick Edition
by Marina Kennedy
- Dec 21, 2022
In our Entertain and Dine series, we are showcasing New Brunswick where George Street Playhouse and Crossroads Theatre Company have productions at New Brunswick Performing Arts Center (NBPAC) Get your tickets and plan a dinner while you're in town.
Interview: Matthew Patrick Quinn of HADESTOWN at Dr. Phillips Center
by Joseph Harrison
- Dec 10, 2022
You may have a certain idea of what a musical based on Greek mythology would look and feel like, but chances are you’ve never seen or heard anything like singer-songwriter Anaïs Mitchell masterpiece (and Tony and Grammy Award winning) HADESTOWN. Told through a haunting folk rock, blues, gospel and jazz-infused score, HADESTOWN puts a stylistic and modern twist on the tragic love stories of Orpheus and Eurydice and of Persephone, the goddess of spring and Hades, the king of the underworld. Bringing the role of Hades to life in the national tour of HADESTOWN, which takes the stage at the Dr. Phillips Center in Orlando December 13th – 18th, will be Matthew Patrick Quinn. I caught up with Matthew to find out more about HADESTOWN and what it’s like performing this visionary show to audiences all over the country.
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