BWW Review: San Francisco Opera's Drive-In BARBER OF SEVILLE at The Marin Center In San Rafael
by Maria Nockin
- Apr 24, 2021
On April. 23, 2021, San Francisco Opera presented its first drive-in opera, Rossini’s rollicking comedy, The Barber of Seville. As the boisterous Spanish hair stylist, baritone Lucas Meachem opened the show with a vigorous, rousing version of his famous “Largo al Factotum”. California COVID restrictions limited the show to ninety minutes. Using the Zedda edition of the Ricordi piano/vocal score, Conductor Roderick Cox and Director Matthew Ozawa treated the audience to all the opera’s major arias, duets, and ensembles,
BWW Feature: Virtual Opera Streaming 21-28 at Home Computer Screens
by Maria Nockin
- Apr 23, 2021
On Wednesday, April 21, We begin this week’s tour with one of the Los Angeles Opera website’s most popular “Living Room Recitals.” Soprano, Latonia Moore sings with pianist Roberto Berrocal. After the recital, we leave for NYC. On arrival, we go to Shut Up and Eat, a most generous Toms River restaurant that offers a discount to patrons in pajamas.
BWW Feature: Opera Streaming Online This Week 4/14/21
by Maria Nockin
- Apr 13, 2021
On the Los Angeles Opera website, tenor Russell Thomas and collaborative pianist Kyung-Mi Kim present a program of song that includes Schumann's song cycle, Dichterliebe (Poet's Love), Handel's aria “Total Eclipse” from Samson, and love songs by Adolphus Hailstork and Robert Owens that was filmed recently at Spivey Hall in Atlanta, Georgia.
BWW Feature: ONLINE VIRTUAL OPERA TOUR. 42 No at Home Computer Screens
by Maria Nockin
- Jan 23, 2021
Los Angeles Opera was the first to launch original programming in response to COVID-19 stay-at-home orders. Because of the success of its online programming, LAO decided to make that feature a permanent part of its offering and to give it a name that reflects fresh and innovative interpretations of the art form. Welcome to LA Opera On Now.
BWW Feature: ONLINE VIRTUAL OPERA TOUR No. 40 at Home Computer Screens
by Maria Nockin
- Jan 8, 2021
Los Angeles Opera’s Modulation, presented in collaboration with the Prototype Festival, adapts opera and theater to a new interactive format.
The voices of extraordinary artists show us the irrepressible power of music to provide comfort and instigate contemplation of ourselves, our art, our world. Access to Modulation, available January 8–16, 2021, costs $25 per viewing household. Access will enable you to enjoy Modulation for one week.
Sheri Greenawald Awarded The San Francisco Opera Medal
by A.A. Cristi
- Dec 10, 2020
San Francisco Opera Center Director and Merola Opera Program Artistic Director Sheri Greenawald, whose December 2020 retirement was announced in March, received the San Francisco Opera Medal at a special Zoom event organized by San Francisco Opera and Merola Opera Program. The Opera Medal, the Company's highest honor, was awarded to Greenawald for her extraordinary service and leadership with the Company.
BWW Feature: ONLINE VIRTUAL OPERA TOUR at Home Computer Screens
by Maria Nockin
- Dec 4, 2020
Los Angeles Opera has a number of excellent recitals on its website including one by baritone Craig Colclough in which he sings the Shakespeare monologues from Otello and Macbeth that Verdi set to music. Together with pianist Jeremy Frank, Colclough presents a program that also includes works by Beethoven, Wagner, Porter, and Vaughan Williams.
The Met Announces Four-Week Schedule for Nightly Met Opera Streams
by Chloe Rabinowitz
- Dec 1, 2020
The Met has announced themed lineups for four weeks of its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company's website during the coronavirus closure. The schedule includes a week of In Plain English, an Epic Proportions week, followed by a week of Holiday Fare, and more.
Stream Lisette Oropesa's Role Debut In LA TRAVIATA
by A.A. Cristi
- Oct 26, 2020
In October 2015, rising soprano Lisette Oropesa made her role debut as Violetta in a new production of Verdi's La traviata at the Academy of Music, serving notice that this would be one of the definitive roles of her career. “To judge from her first attempt at the role, Lisette Oropesa bids fair to be among its great exponents in her generation,” wrote David Shengold in Opera News.
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