Steve Kidd

The Sandra Feinstein-Gamm Theatre (The Gamm) has announced 5 additional performances of Who's Afraid of Virginia Woolf?, extended by popular demand through February 25. Edward Albee's masterful 3-act play directed by Steve Kidd has been playing to full houses and critical praise since it opened in previews on January 25.

Early on in Edward Albee’s ‘Who’s Afraid of Virginia Woolf?’, husband George nonchalantly responds to his wife who has just insulted him with the declarative statement, “That’s not a very nice thing to say, Martha.” That sarcastic albeit loaded moment of seemingly civil interplay between the pair marks the beginning of a veritable conflagration of barbs, jabs, and insults delivered with continuously elevating anger and ferocity that only two people who know each other as well as they do—and love to hate each other as much as they appear to—could ever achieve, and with such audacity and eloquence.

Who’s Afraid of Virginia Woolf? by Edward Albee is now running at The Gamm Theatre through February 18th. Check out photos from the production here!

The Sandra Feinstein-Gamm Theatre opens the new year with Edward Albee’s Who’s Afraid of Virginia Woolf? next month. Learn more about the show and find out how to get tickets here!

The trouble with a Martin McDonagh play performed at The Gamm, is that it’s inevitably going to be too good.  McDonagh is a master of inky black comedy, and The Gamm have now presented five of his plays over the years, so it’s been fascinating to watch Gamm regulars find new places in the McDonagh-verse, and really lean into the sinister aspects of these plays.  However, for the person who has to write a review of this nearly-flawless show, it’s a somewhat daunting experience.  How do you describe a show so dark using only positive adjectives?  If McDonagh reads this review, will he dismiss it as hackneyed fluff?  Thankfully, he will never read this, so I can say unequivocally–this show is great, go see it.

All new production photos have been released from the New England premiere of Martin McDonagh's Hangmen at The Gamm.  Check out the photos here!

Martin McDonagh's HANGMEN comes to The Gamm Theatre. Don't miss this thrilling production of McDonagh's dark comedy.

The Sandra Feinstein-Gamm Theatre (The Gamm) will welcome three new fellows to its 2023-24 Gamm Fellowship Program.

The Sandra Feinstein-Gamm Theatre (The Gamm) closes its 2022-23 season with The Children, British playwright Lucy Kirkwood’s award-winning and Tony nominated play. A riveting eco-drama infused with dark humor, The Children runs from April 27 to May 14.

What did our critic think of SWEAT at THE GAMM THEATRE? For the better part of the last 40 years, things have been a nightmare for the American working class, especially across the so called 'rust belt' where factories once thrived and have now fallen silent and abandoned. In SWEAT, Lynn Nottage's Pulitzer prize winning play, the playwright takes us directly into that world with a piercing look at small town America and the destruction wrought in those communities by de-industrialization, racism, violence, and addiction.

If you have ever known anyone that is honest to a fault and holds nothing back no matter what situation, well, meet the play version.

The Gamm Theatre, located at 1245 Jefferson Blvd., Warwick, R.I. is currently staging their production of Ironbound, a play by Martyna Majok. The show, directed by Rachel Walshe, runs now through April 10th. Tickets range from $49 through $69 and are available to purchase here or by calling 401-723-4266. Discounts are available for groups by clicking here. 

The Sandra Feinstein-Gamm Theatre (The Gamm) continues Season 37 with Martyna Majok’s Ironbound, a heartrending and also humorous drama about the dreams and realities of the American immigrant experience.

The Sandra Feinstein-Gamm Theatre (The Gamm) announces the launch of its new Gamm Fellowship Program for emerging artists of color. The pilot cohort comprises three fellows hailing from Community College of Rhode Island, Rhode Island College, and the University of Rhode Island.

One doesn't usually seek out sequels at live theatre, and when Ibsen finished his masterpiece A Doll's House in 1879, one can only assume he thought the interesting part of the story was over.  So the pressure on this play to prove why it should even exist is almost like another character watching from the wings.  Thankfully, what Lucas Hnath has written is a smart and occasionally hilarious play that justifies its creation, and ties the hands of almost all characters equally.  There are plenty of satisfying revelations, and Gamm's excellent cast makes this a show not to be missed.

It's been 15 years since Norwegian house wife Nora Helmer slammed the door on her husband, three children and the rest of married life in Ibsen's sober 19th-century drama. Now she's back in Hnath's darkly comic Broadway darling.

The Sandra Feinstein-Gamm Theatre (The Gamm) opens its 35th season with the Rhode Island premiere of A Doll's House, Part 2 by Lucas Hnath (Hillary and Clinton, The Christians). Fred Sullivan, Jr., who directed Henrik Ibsen's classic A Doll's House at The Gamm in 2011, returns to the helm with Jeanine Kane (Hannah in The Night of the Iguana, Season 34) and Steve Kidd (Austin in True West, Season 34) reprising their roles as Nora and Torvald.

In the forty years since its debut, Sam Shepard's 'True West' has been lauded for its stark portrayal of the duality of the American soul. The Gamm Theatre has mounted a visually compelling production with penetrating performances that slice to the heart of Shepard's darkly comedic vision.

The Sandra Feinstein-Gamm Theatre (The Gamm) closes Season 34 with True West by Pulitzer Prize-winning playwright Sam Shepard. Gamm Artistic Director Tony Estrella directs this legendary black comedy about sibling rivalry, male angst and the fragility of the American Dream. Steve Kidd (Astrov in Uncle Vanya) and Anthony Goes (Stanley in A Streetcar Named Desire) play feuding brothers whose longstanding tensions simmer and boil over in the kitchen of their childhood home, before exploding on a hilarious and horrifying scale.  

THE NIGHT OF THE IGUANA is among Tennessee Williams' least-know plays, but still one that resulted in over 300 performances on Broadway and a 1964 film version starring Richard Burton and directed by John Huston. Unlike Williams' more famous works, it's likely that audiences don't know much about this play going into it, and while there are some interesting characters and poignant lines, it becomes easy to see why this play is not often produced. The double whammy of a tedious and heavy-handed script paired with performances that beg for more nuance leave this first production in The Gamm's new Warwick location an unfortunate slog.