Sarah Ryan

Jean Butler's 'What We Hold' (North American Premiere) at Irish Arts Center is a physical, cultural, and emotional journey through the history of Irish dance. This celebrated work brings together seven generations of dancers to celebrate the past, connect the present, and look to the future.

Following phenomenal sell-out runs in London, New York, Edinburgh, Hong Kong, Seoul, Sao Paulo and Lima, Theatre Re returns to the UK with their explosive, joyous and highly acclaimed show The Nature of Forgetting.

The nationally regarded Fulton Theatre in partnership with Greenfield continues the Inclusion, Diversity, Equity, and Accessibility (IDEA) Speaker Series with it's production of Rodgers & Hammerstein's Cinderella. The Series of four events throughout the season continues Sunday, December 5 at 5:00 pm at the Fulton Theatre, with AnnEliza Canning-Skinner (Fairy Godmother), Manna Nichols (Cinderella), and Kalen Robinson (Stepsister Grace). Tickets are FREE to the community, but reservations are required.

The Unsung Hero by award-winning Irish playwright David Gilna will be staged at The New York Irish Center this Friday 24th September starring Micheal Mellamphy after wowing audiences from the success of their virtual debut in New York for this years St Patrick's Day Festivities.

Origin Theatre Company, which introduces impactful new plays from Europe to New York audiences, kicks off its 19th consecutive season with a monthly new-play reading series beginning this month.  

Nicholas Lloyd Webber and James D. Reid today launch a crowdfunding campaign to raise £200,000 for a special recording of The Little Prince musical album and provide over 70 people in the theatre industry with jobs during the current COVID-19 pandemic

Liverpool-based The Room in the Wood have announced they will release their new album 'We're The Martians, Now' in early 2020 via A Turntable Friend Records. Ahead of this, they present 'Charmed', the first and rather timely single from this release.

The theatrical phenomenon that is The Woman In Black began in 1987, when Stephen Mallatratt adapted Susan Hill's spine-chilling work of gothic fiction for the stage. Over thirty years and countless terrified audiences later the production is still going strong.

Arthur Miller's modern classic A View from the Bridge is faithfully revived in this co-production between York Theatre Royal and Royal & Derngate, Northampton.

After a sparkling debut last year with an adaptation of Angela Carter's Wise Children, Emma Rice's company of the same name returns for its second outing with another literary classic - Malory Towers.

Staging a production in an open-air Elizabethan-style theatre such as Shakespeare's Rose is a feat rife with both challenges and potential. Joyce Branagh's jubilant adaptation of Twelfth Night fulfils that potential and then some, in a triumphant production that pulses with brightness and energy from start to finish.

Philip Franks' take on The Tempest is one of four productions playing in rep at the theatre over the summer (the others being Hamlet, Twelfth Night and Henry V). Franks builds on the magic and mystery at the heart of The Tempest in a production which takes a while to find its groove but is not without a healthy smattering of captivating moments.

Driving Miss Daisy, Alfred Uhry's Pulitzer-winning 1987 play made famous by a 1989 film adaptation starring Morgan Freeman, is brought back to the stage in a new production by York Theatre Royal.

Richard O'Brien's Rocky Horror Show has had audiences worldwide shivering in 'antici...pation!' for more than 40 years, and shows no sign of stopping with its 2019 world tour.

Adapted by Freedom Studios from Adelle Stripe's critically acclaimed novel of the same name, Black Teeth and a Brilliant Smile is a fictionalised account of Dunbar's brief but turbulent life. Adapted by screenwriter Lisa Holdsworth and directed by Kash Arshad, the play is performed by an entirely female cast who take on the many characters - some real, some fictionalised - that populated Dunbar's world.

Written more than 100 years ago, Joseph Conrad's novella Heart of Darkness continues to be a hugely influential, and deeply controversial, work of literature. But where Conrad's book paints a picture of colonialist Africa that roots it firmly in its time, this startling new adaptation catapults it headfirst into the 21st century.

Malorie Blackman's young adult novel Noughts & Crosses was ground breaking when it was first published in 2001, and now Pilot Theatre have brought it to the stage to capture a new generation.

Facility Theatre continues it's 2018-2019 season with the Chicago Premiere of The Ruse of Medusa written by Erik Satie and directed by resident director Dado. The production features David Cerda, Brian Shaw, Jenni M Hadley, Laurie Roberts, Taylor Galloway, Wilson Tanner Smith, Nick Cuellar, Zach Hebert, Jordan Tragash and musical director, Sam Clapp.

Developed in partnership with York Theatre Royal, Fo's farcical comedy follows two working class women who take advantage of a riot at a local supermarket to stock up their cupboards, and the chaos that ensues as they concoct increasingly outlandish plans to hide their crime from their straight-laced husbands. It is an irreverent take on modern politics, the working poor and marginalised voices across Britain.

After opening to critical acclaim in 2009, the Original Theatre Company in collaboration with York Theatre Royal are bringing back Alan Bennett's The Habit of Art in its first revival since the original sell-out run. Centred around a fictional meeting between two of the 20th century's most influential gay artists, poet WH Auden and composer Benjamin Britten, the production boasts a stellar ensemble cast including Matthew Kelly and David Yelland.