Daniel Cohen

Frank Loesser's songs from Broadway and the movies jumped with jazz at Dizzy's with four musicians, three singers, and one savvy host. 'If I Were a Bell,' I'd ring out the news.

Songbook Sundays, created and hosted by Deborah Grace Winer celebrating the American Songbook will continue at Jazz at Lincoln Center’s Dizzy’s Club with Baby, It’s Frank Loesser on Sunday, January 21st at 5 PM and 7:30 PM  

OpusOne presenteert een nieuwe oorspronkelijk Nederlandse productie onder de titel De Mol en de Paradijsvogel. De voorstelling is een jaar geleden als een ‘work in progress project’ ontstaan in DeLaMar West en is na feedback van publiek en vakgenoten aangepast naar de voorstelling die 16 juli in première zal gaan in de Mary Dresselhuyszaal van DeLaMar. De Mol en de Paradijsvogel is ontstaan naar een idee van Daniel Cohen en de cast bestaat uit Laus Steenbeeke, Frans Mulder, Renee de Gruijl, Milan van Weelden, Silyan Elkattabi en een ensemble van 6 jonge musicalacteurs. De Mol en de Paradijsvogel is als onderdeel van de Arts & Culture Pride exclusief te zien in DeLaMar van 14 juli t/m 6 augustus 2023.

Savannah VOICE Festival (SVF) has announced the appointment of a new board of trustees member, Daniel “Danny” Cohen, who will help lead the organization in the upcoming years.

The Playwrights Realm (Founding Artistic Director, Katherine Kovner; Producing Director, Roberta Pereira) presents Play on Words, a one-night live-streamed festival of short new plays that culminates an initiative in which donors get to have a hand in writing and creating work (March 28 at 7pm ET).

Wegens het grote succes keert Spring Awakening, een coproductie van OpusOne en DeLaMar in december terug naar DeLaMar West. Vanaf 24 december 2021 zal de musical, met o.a. rollen voor elf jonge musicalacteurs, nog twintig keer te zien zijn in het gloednieuwe theater in Amsterdam. De kaarten voor deze reprise zijn vanaf vandaag in de verkoop. Spring Awakening werd geregisseerd door Koen van Dijk en de vertaling is van Daniël Cohen. Muzikale leiding is in handen van Ezra van Nassauw en de choreografie is gemaakt door Roy Jonathans.

The Israel Philharmonic Orchestra is presenting its April at the Philharmonic series this month, featuring two programs of work.

The Realm’s Play-A-Thon, returning March 15-25 following its success in 2020, creatively activates the potential of virtual gathering to bring people together in direct engagement with the work of some of today’s most captivating writers.

With 28 contestants in its 28th year, the American Traditions Vocal Competition (ATC) has pivoted to present the competition online for worldwide and local audiences to ensure safety for audiences and artists during this time of COVID-19.  Performances will broadcast online at 7 p.m. each evening throughout the competition, slated for Feb. 9-19.

Last evening, the American Traditions Vocal Competition (ATC) ended an incredible week celebrating and preserving all styles of classic American music with the 2020 Finals at the Savannah Cultural Arts Center in historic downtown Savannah, GA.

Knife Edge Production of Neil LaBute's play, In a Dark Dark House, opened on December 10 at A.R.T/New York Theatres in Midtown Manhattan. The critically acclaimed production runs through December 21.

Tony Award-nominated Reasons to Be Pretty playwright Neil LaBute will join the cast and director for a talkback following the performance of his play, In a Dark Dark House, on Sunday, December 15 at 7 pm. Andromache Chalfant (set designer for theatre & opera) will moderate.

Knidw Edge Production of Neil LaButes play, In a Dark Dark House, is currently running at A.R.T/New York Theatres in Midtown Manhattan. The production runs until December 21. The company's Resident Theatre Director, Sam Helfrich, directs.

Neil LaBute's, In a Dark Dark House, runs December 6 - 21 at A.R.T/New York Theatres in Midtown Manhattan. Opening night is slated for December 10. The drama is being presented by Knife Edge Productions, the company's Resident Theatre Director, Sam Helfrich, directs.

Knife Edge Productions is pleased to announce their next production, Neil LaBute's In a Dark Dark House. The play runs December 6 - 21 with opening night slated for December 10 at A.R.T/New York Theatres. In a Dark Dark House is directed by the company's Resident Theatre Director, Sam Helfrich.

Craftswomanship Productions presents 'Pizza Man', Darlene Craviotto's prescient dark comedy, at the Producers Club Sonnet Theater starting Thursday May 30th. The cast features Shira Hadad, Raquel Gomez and Lucas Niedzialkowski. Daniel Cohen directs.

Twenty-five students from across the Commonwealth of Massachusetts advanced from this weekend's five regional semi-final contests of the 14th annual Poetry Out Loud National Recitation Contest to compete in the State Finals on Sunday, March 10 at the Old South Meeting House (310 Washington Street, Boston). The event begins at 9:30am and is free and open to the public. The Huntington Theatre Company's Education Department has facilitated the Massachusetts chapter of this national contest in partnership with the Mass Cultural Council since its inception 14 years ago.

The American Traditions Vocal Competition (ATC) returns for its highly anticipated 26th anniversary season Feb. 18-22, 2019. With an outstanding line up of 28 contestants, three new judges and one new pianist, this year's performances are sure to entertain audiences of all ages.

Albertine Books, the French Embassy's Acclaimed Bookshop and Cultural Hub, to Host a Series of Discussions Broadening the Lenses Through Which We Understand and Envision Democracy

In the right hands, Rossini's IL BARBIERE DI SIVIGLIA can be one of the funniest pieces in the standard operatic repertoire.  At the many productions of this work that I have seen, there were, at best, a few smiles. When comedy is not done right, it's a tough, often sloppy, slog.  Last night at Berlin's Staatsoper unter den Linden, I (and the rest of the audience) laughed out loud numerous times during this thoroughly charming, utterly delightful and simply hilarious production.  BARBIERE at the Staatsoper has restored my faith in going to the opera in Berlin. In contrast to most productions in Berlin, IL BARBIERE splendidly entertains, rather than tries to 'educate' its audience, and does so with wit, style, and skill.