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BWW Review: Australian Brandenburg Orchestra's MOZART REQUIEM: 100 VOICES Brings Baroque Music To A New Generation BWW Review: Australian Brandenburg Orchestra's MOZART REQUIEM: 100 VOICES Brings Baroque Music To A New Generation
by Jade Kops - May 01, 2016

The rich old world sound of the Australian Brandenburg Orchestra and Brandenburg Choir is given a new youthful dimension with the Brandenburg Young Voices Choir for MOZART REQUIEM: 100 VOICES concert.... (more...)
BWW Opera Review: Met's New ELEKTRA Has the Cast and Conductor--But Where's the Catharsis? BWW Opera Review: Met's New ELEKTRA Has the Cast and Conductor--But Where's the Catharsis?
by Richard Sasanow - April 26, 2016

The Met's new production of Richard Strauss's ELEKTRA is something to behold, with Vincent Huguet recreating the original by the late Patrice Chereau from France's Aix-en-Provence Festival. Starring the glorious Nina Stemme in the title role--and backed by the stellar performances of Waltraud Meier ... (more...)
BWW Opera Review: SF vs. NY, Tilson Thomas vs. Gilbert, Mezzo vs. Baritone, But Audiences Take the LIED BWW Opera Review: SF vs. NY, Tilson Thomas vs. Gilbert, Mezzo vs. Baritone, But Audiences Take the LIED
by Richard Sasanow - April 25, 2016

Earth Day has come and gone in 2016, but symphonic orchestra audiences in New York have lots to remember from this year's celebration, with performances of Mahler's DAS LIED VON DER ERDE (SONG OF THE EARTH). In less than a week, we had two different versions of the piece, with differing pluses and m... (more...)
BWW Review: LES FETES VENITIENNES BWW Review: LES FETES VENITIENNES
by Wesley Doucette - April 22, 2016

A review of Robert Carsen's direction of 'Les Fetes Venitiennes,' as performed by Les Arts Florissants and L'Opera Comique at BAM.... (more...)
BWW Review: THE PIANIST OF WILLESDEN LANE Melds Music, Storytelling, and Inspiration, at Portland Center Stage BWW Review: THE PIANIST OF WILLESDEN LANE Melds Music, Storytelling, and Inspiration, at Portland Center Stage
by Krista Garver - April 13, 2016

Chalk up another winner for Portland Center Stage this season -- THE PIANIST OF WILLESDEN LANE is one you don't want to miss! Mona Golabek's one-woman show about her own mother's escape from Nazi-controlled Austria on the Kindertransport is part-concert, part-storytelling, and all magic.... (more...)
BWW Reviews: Folds Spreads the Spotlight Around in Concert with CSO BWW Reviews: Folds Spreads the Spotlight Around in Concert with CSO
by Paul Batterson - April 11, 2016

As a principal percussionist for the Columbus Symphony Orchestra, Philip Shipley is used to watching concerts from behind the oboes and the woodwinds. At the CSO's concert with Ben Folds on April 9, Shipley got distinctly different point of view.... (more...)
BWW Review: Cleveland Orchestra and Joffrey Ballet Combine for a Thrilling Evening BWW Review: Cleveland Orchestra and Joffrey Ballet Combine for a Thrilling Evening
by Roy Berko - April 11, 2016

What happens when you bring together the music of composer Bela Bartok, noted for developing new sounds for a new century, The Cleveland Orchestra under the direction of Franz Welser-Most, and The Joffrey Ballet, under the creative vision of Ashley Wheater, and the sounds of two well-trained opera s... (more...)
BWW Review: Lawrence Brownlee Dominates CHARLIE PARKER'S YARDBIRD at New York's Apollo BWW Review: Lawrence Brownlee Dominates CHARLIE PARKER'S YARDBIRD at New York's Apollo
by Richard Sasanow - April 07, 2016

As Charlie “Bird” Parker, the great jazz saxophonist, who is the central character in CHARLIE PARKER'S YARDBIRD--the opera that had its New York premiere last week at the famed Apollo Theatre in Harlem--Lawrence Brownlee wonderfully embraced the classical and bebop sides of the score.... (more...)
BWW Review: Broadway Divas and the Baltimore Symphony Orchestra Bring Girl Power to the Strathmore BWW Review: Broadway Divas and the Baltimore Symphony Orchestra Bring Girl Power to the Strathmore
by Vanessa Michaud - April 04, 2016

Talented vocalists Christina Bianco, N'Kenge, Kristen Plumley, and Mandy Gonzalez, in conjunction with Jack Everly and the Baltimore Symphony Orchestra, headlined the concert of classic songs from the Great White Way to honor some of the most beloved Broadway divas and musicals of our time at the Mu... (more...)
BWW Review: Radvanovsky Completes Donizetti Hat Trick with Potent DEVEREUX at the Met BWW Review: Radvanovsky Completes Donizetti Hat Trick with Potent DEVEREUX at the Met
by Richard Sasanow - April 01, 2016

“The Tudor Trilogy” --putting together Donizetti's ANNA BOLENA, MARIA STUARDA and ROBERTO DEVEREUX--was fabricated to light Beverly Sills' fire as “America's Queen of Opera” at the old New York City Opera. This season, soprano Sondra Radvanovsky was charged with bringing the trio of operas to the Me... (more...)
BWW Review: Audience LOVE-fest for Grigolo in Met's Cartoon-y ELISIR D'AMORE BWW Review: Audience LOVE-fest for Grigolo in Met's Cartoon-y ELISIR D'AMORE
by Richard Sasanow - March 29, 2016

Vittorio Grigolo's fans were out in force last week when he took on the star-tenor role of Nemorino in Donizetti's L'ELISIR D'AMORE (THE ELIXIR OF LOVE) at the Met and it seemed like they'd taken a potion of their own.... (more...)
BWW Review: If It's Monday, It Must Be Puccini - Opolais is a Ravishing MADAMA BUTTERFLY at the Met BWW Review: If It's Monday, It Must Be Puccini - Opolais is a Ravishing MADAMA BUTTERFLY at the Met
by Richard Sasanow - March 25, 2016

MADAMA BUTTERFLY was never my favorite Puccini until the current production conceived by Anthony Minghella. Before, Butterfly always seemed too submissive, Pinkerton too brutish and their child, well, too cute. Now—particularly with the current cast, headed by the magnificent Kristine Opolais as the... (more...)
BWW Review: The Audience Cheers Tenor Camarena in Delightful DON PASQUALE at the Met BWW Review: The Audience Cheers Tenor Camarena in Delightful DON PASQUALE at the Met
by Richard Sasanow - March 23, 2016

Point/counterpoint: As if to set off its trio of Elizabethan tragedies by Donizetti, the Met is presenting two of the master's comedies. First up: DON PASQUALE, and it was a pip. (The other is L'ELISIR D'AMORE.) Too bad the Met underestimated its appeal, because it had a truncated run of only five p... (more...)
BWW Review: Sydney Symphony Orchestra's LAST NIGHT OF THE PROMS Brings British Tradition To The Sydney Opera House BWW Review: Sydney Symphony Orchestra's LAST NIGHT OF THE PROMS Brings British Tradition To The Sydney Opera House
by Jade Kops - March 18, 2016

THE LAST NIGHT OF THE PROMS delights Anglophiles with a recreation of the relaxed closing concert of the British summer season.... (more...)
BWW Review: An Opera Grows in Brooklyn, Part II - Regina Opera Looks at LUCIA BWW Review: An Opera Grows in Brooklyn, Part II - Regina Opera Looks at LUCIA
by Richard Sasanow - March 16, 2016

On the surface, LoftOpera and Regina Opera couldn't be more different--the former turning away hipsters in East Williamsburg (call it Bushwick), the latter providing a matinees-only environment for a family audience. But these two Brooklyn institutions do have one important thing in common: They res... (more...)
BWW Review: An Opera Grows in Brooklyn, Part I - LoftOpera Takes on TOSCA BWW Review: An Opera Grows in Brooklyn, Part I - LoftOpera Takes on TOSCA
by Richard Sasanow - March 15, 2016

On the surface, LoftOpera and Regina Opera couldn't be more different--the former turning away hipsters in East Williamsburg (call it Bushwick), the latter providing a matinees-only environment for a family audience. But these two Brooklyn institutions do have one important thing in common: They res... (more...)
BWW Review: Sydney Symphony Orchestra's FROM THE CANYONS TO THE STARS Pairs Contemporary Orchestral Work With Landscape Images BWW Review: Sydney Symphony Orchestra's FROM THE CANYONS TO THE STARS Pairs Contemporary Orchestral Work With Landscape Images
by Jade Kops - March 10, 2016

Artistic Director and Conductor has paired Olivier Messiaen's contemporary orchestral work, Des Canons aux etoiles (FROM THE CANYONS TO THE STARS) with Deborah O'Grady's images to present a unique experience.... (more...)
BWW Review: Captivating REQUIEM from Brahms, New York Philharmonic and New York Choral Artists BWW Review: Captivating REQUIEM from Brahms, New York Philharmonic and New York Choral Artists
by Richard Sasanow - March 09, 2016

Brahms wasn't having a midlife crisis when he composed his masterwork, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), his meditation on death. In fact, he was only 33 when he started writing it in 1866 and had written sections of the opening as early as 1861. His reasons for taking on the piece are uncle... (more...)
BWW Review: Louisville's SPRING COLLABORATION - Artists Are Breaking Out BWW Review: Louisville's SPRING COLLABORATION - Artists Are Breaking Out
by Keith Waits - March 08, 2016

The Louisville Orchestra and Louisville Ballet Spring Collaboration may be one of those nights we will talk about in the future. We will say -- Remember the night that the private conversation the artists shared went public?... (more...)
BWW Review: TRIAL BY JURY At Baltimore's Historic Westminster Hall - A Victorian Treat BWW Review: TRIAL BY JURY At Baltimore's Historic Westminster Hall - A Victorian Treat
by BWW News Desk - March 07, 2016

Gilbert & Sullivan's operetta performed by Baltimore lawyers and judges along with performers from the Young Victorian Theatre Company is just plain well-done!... (more...)
BWW Review: Furlanetto Shows Mastery in San Diego Concert BWW Review: Furlanetto Shows Mastery in San Diego Concert
by Erica Miner - March 07, 2016

One of San Diego Opera's most cherished stage luminaries... (more...)
BWW Review: Diva Netrebko Casts Spell at Metropolitan Opera Recital BWW Review: Diva Netrebko Casts Spell at Metropolitan Opera Recital
by Richard Sasanow - March 03, 2016

Anna Netrebko came out on stage in a shimmering white and silver gown with matching headband, looking like an Art Deco goddess in a poster by Alfonso Mucha. It's a look that suited her--not only because the Russian soprano has Bellini's NORMA on her Met schedule in the not-too-distant future, but be... (more...)
BWW Review: Darren Criss, Betsy Wolfe, and the National Symphony Bring a Little Broadway to Kennedy Center BWW Review: Darren Criss, Betsy Wolfe, and the National Symphony Bring a Little Broadway to Kennedy Center
by Jennifer Perry - February 28, 2016

One thing I can always count on when I go to a National Symphony Orchestra (NSO) Pops concert featuring music of the Great White Way - and perhaps beyond - is that the accomplished musicians and their exceptional conductor Steven Reineke will give it all the energy, vigor and verve it deserves. Thi... (more...)
BWW Review: Australian Brandenburg Orchestra's 2016 Season Opener MAURICE STEGER: RECORDER REVOLUTIONARY Is A Sensational Showcase Of the Simple Instrument. BWW Review: Australian Brandenburg Orchestra's 2016 Season Opener MAURICE STEGER: RECORDER REVOLUTIONARY Is A Sensational Showcase Of the Simple Instrument.
by Jade Kops - February 25, 2016

The energetic, engaging and enthusiastic Maurice Steger joins with the Australian Brandenburg Orchestra to delight audiences with the amazingly complex music that he can produce from the seemingly simple instrument for RECORDER REVOLUTIONARY.... (more...)
BWW Review: SUTTON FOSTER Sparkles in Performance with the Baltimore Symphony BWW Review: SUTTON FOSTER Sparkles in Performance with the Baltimore Symphony
by Charles Shubow - February 23, 2016

Principal Baltimore Symphony Pops Conductor Jack Everly presents top notch entertainment.... (more...)

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