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 BroadwayWorld International Database


 
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Alex Lacamoire

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Credits in the database:

Production

In The Heights
[Broadway, 2008]
Orchestrator
Music Arranger
Music Director
Conductor
Keyboard 1

Wicked
[Los Angeles, 2007]
Music Arranger

In the Heights
[Off-Broadway, 2007]
Orchestrator
Musical Director
Music Arrangements

High Fidelity
[Broadway, 2006]
Musical Supervisor
Orchestrator

Wicked
[West End, 2006]
Music Arrangements

In the Heights
[Waterford, CT (Regional), 2005]
Musical Director

Wicked
[US Tour, 2005]
Music Arrangements

Wicked
[Broadway, 2003]
Music Arranger
Associate Conductor
Piano/Synthesizer

Avenue Q
[Broadway, 2003]
Music Copyist

Bat Boy
[Off-Broadway, 2001]
Musical Director

Production

Captain Louie
[Original Cast, 2005]
Orchestrator()

Bat Boy
[Original Cast, 2001]
Musical Director()

Godspell
[Touring Cast, 2000]
Conductor()

Personal Information




Featured Show

Oklahoma!
(18 productions, 26 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

Please bear with us as we continue to collect and verify new and existing information within the database. We encourage you to contribute - just use the easy submission forms located throughout the site.

Happy Exploring!

  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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