Boston Theater Reviews Page 3

Review: A.R.T.'s EVITA is Stirring and Gloriously Sung
by R. Scott Reedy - June 12, 2023

What did our critic think of American Repertory Theater's EVITA? There is little mystery to be found in the musical “Evita.” After all, it begins and ends with the death of its title character, Eva Perón....

Review: THE HAPPIEST MAN ON EARTH at Barrington Stage Company
by Marc Savitt - May 29, 2023

St. Germain, Lagomarsino, and Tigar have woven a tight presentation that despite the often-unthinkable subject matter, intersperses a pleasantry, and even a chuckle or two. The audience is undeniably moved as evidenced by the audible responses of shock and disgust. Often taking us to the edge withou...

Review: Central Square Theater Presents Spellbinding ANGELS IN AMERICA, PART I: MILLENNIUM APPROACHES
by R. Scott Reedy - May 18, 2023

What did our critic think of ANGELS IN AMERICA, PART I: MILLENNIUM APPROACHES at Central Square Theater in Cambridge, MA?...

Review: CHITA: THE RHYTHM OF MY LIFE WITH SPECIAL GUEST, BROADWAY FAVORITE GEORGE DVORSKY at North Shore Music Theatre, Beverly, MA
by R. Scott Reedy - May 10, 2023

What did our critic think of CHITA: THE RHYTHM OF MY LIFE WITH SPECIAL GUEST, BROADWAY FAVORITE GEORGE DVORSKY at North Shore Music Theatre, Beverly, MA?...

Review: GYPSY at Cape Cod Theatre Company
by Sue Mellen - May 09, 2023

From vaudeville to burlesque, Cape Cod Theatre Company’s GYPSY takes audiences on a musical journey through the life of Gypsy Rose Lee. Experience the classic hits of this timeless musical and witness the transformation of a young Louise into the legendary Gypsy Rose Lee. Don't miss this powerful pr...

Review: SOMETHING ROTTEN at Falmouth Theatre Guild
by Sue Mellen - May 08, 2023

The Falmouth Theatre Guild's production of 'Something Rotten' is a riotous and energetic musical comedy that offers a hilarious peek into the Elizabethan era. From catchy musical numbers to unforgettable characters, you won't want to miss this Broadway-style performance....

Review: BAREFOOT IN THE PARK at Cotuit Center For The Arts
by Sue Mellen - April 19, 2023

What did our critic think of BAREFOOT IN THE PARK at Cotuit Center For The Arts? This is one of dyed-in-the-wool New Yorker Neil Simon's tongue-in-cheek looks at life in mid-century Manhattan. It's set in 1963, and focuses on Corie and Paul (Troy Davies), young Manhattanites who, at the outset, have...

Review: THE WIFE OF WILLESDEN At American Repertory Theater Is Storytelling At Its Finest
by Erik Bailey - March 13, 2023

Every single person on this planet has their own story to tell. I have one, you have one, the person who cut you off during your morning commute has one, everyone. In THE WIFE OF WILLESDEN (adapted from Chaucer’s ‘The Wife of Bath’ by Zadie Smith), Alvita isn’t afraid to tell you hers. ...

Review: FAIRVIEW at SpeakEasy Stage Forces Audiences to Look Inside Themselves and Reflect
by Erik Bailey - February 23, 2023

'I'm uncomfortable' was the thought I had to myself after leaving FAIRVIEW. I've had this thought while leaving the theatre before, but usually, I feel that way because I didn't enjoy what I saw. But this time, it was precisely how the playwright wanted the audience to feel and it worked. Uncomforta...

Review: THE 12TH ANNUAL 10 X 10 NEW PLAY FESTIVAL at Barrington Stage Company Offers Berkshire Audiences a Sure Sign the 2023 Season is On the Way.
by Marc Savitt - February 20, 2023

The company and seemingly all involved with BSC’s 10X10 NEW PLAY FESTIVAL have done an admirable job creating and presenting an event that is enjoyable, relatable, entertaining, and thought provoking. The 12th ANNUAL 10 X 10 NEW PLAY FESTIVAL continues on the St. Germaine Stage with performances thr...

Review: The Huntington's THE ART OF BURNING Could Use a Bit More Fire
by Erik Bailey - February 03, 2023

The trend of modern plays seems to be that playwrights a trimming down their plays, often to ninety minutes or less. While this brevity can work for many plays, it doesn’t work for all. There’s only so much a playwright can say or do in ninety minutes and sometimes plays move too quickly and the aud...

Review: TORCH SONG at Moonbox Productions
by Nancy Grossman - December 08, 2022

What did our critic think of REVIEW: TORCH SONG at Moonbox Productions?...

Review: LITTLE WOMEN: THE BROADWAY MUSICAL
by Nancy Grossman - December 01, 2022

Have there ever been such devoted sisters as the four March girls, birthed by Louisa May Alcott in her postbellum semi-autobiographical novel LITTLE WOMEN? Director Ilyse Robbins shows her abiding affection for the story with her devotion to its heart and soul on display in the production of the 200...

REVIEW: THE EDGAR ALLAN POE DOUBLEHEADER
by Nancy Grossman - October 28, 2022

If you have yet to reach your fright limit for the Halloween season, you still have two chances to experience chills of the dramatic variety at THT Rep at the BrickBox Theater in Worcester. Reprising the production she created for small, socially-distanced audiences of 20 in the early days of the pa...

REVIEW: THE LEGEND OF SLEEPY HOLLOW
by Nancy Grossman - October 26, 2022

Two hundred years after Washington Irving introduced the little hamlet of Sleepy Hollow and its superstitious denizens to the canon of American literature, the legend remains among the most enduring of stories that capture the imagination of adults and children alike, inspire questions about the sup...

Review: AUGUST WILSON'S JOE TURNER'S COME AND GONE
by Nancy Grossman - October 22, 2022

JOE TURNER'S COME AND GONE was the first Wilson play produced at the Huntington in 1986, the beginning of a 19-year relationship that saw all ten of his American Century Cycle plays chronicling the African American experience in the 20th century performed on the local stage....

Review: SEASCAPES at Berkshire Theatre Group
by Marc Savitt - October 03, 2022

Typically, I don’t care much for works that fall into the realm of existentialism, theatre of the absurd, and the like. SEASCAPE, however, is different. Perhaps because it is primarily focused on interpersonal communication. Also, the characters, for the most part are dynamic, interesting, and rathe...

Review: GOLDEN LEAF RAGTIME BLUES at Shakespeare & Company
by Marc Savitt - September 29, 2022

GOLDEN LEAF RAGTIME BLUES does provide a pleasant hour and 20 minutes of pleasant entertainment free of politics, angst and the chance to sit back and relax, and focus on something completely different for a bit which most of us can use and appreciate these days....

Review: ALL OF ME at Barrington Stage Company
by Marc Savitt - September 27, 2022

ALL OF ME is all kinds of good. Not good for a show about a particular group or type of people, it’s just good. There is some aspect that should fit or tickle the funny bone for just about everyone. So, as the song with the same title asks: why not take ALL OF ME?...

Review: JERKER at The Provincetown Theater
by Michael Rabice - August 31, 2022

What at first sounds like an evening of gratuitous nudity for the pleasure of gay men actually turns into quite the opposite. In one of it’s final performances this summer, Robert Chesley’s play JERKER proved to be a perfect fit for The Provincetown  Theater’s mission of presenting previously unsee...

Review: WAITING FOR GODOT at Barrington Stage Company
by Marc Savitt - August 28, 2022

Where most productions paint the duo as downtrodden and rather depressed, here the two main characters are painted with s sense of comedic timing and light-heartedness that almost seems choregraphed. A performance harkening back to some of the greatest comedic duos. The likes of Lewis and Martin, ...

Review: MEASURE FOR MEASURE at Shakespeare & Company
by Marc Savitt - August 22, 2022

Each player has moments of strength, weakness, anguish, despair, all presented well individually. I did not, however, feel as if I were watching a cohesive unit, in their element, weaving a tapestry as their lives intertwine. More that of a group of individuals well skilled at delivering Shakespea...

Review: DRACULA at Berkshire Theatre Group
by Marc Savitt - August 21, 2022

As is often the case the BTG production is a high-quality production where seemingly everyone involved has played their role and done their work well. There is, however, one aspect I certainly did not expect. Laughter. At several points throughout the three acts in 2-hours, audience members responde...

Review: A LITTLE NIGHT MUSIC at Barrington Stage Company
by Marc Savitt - August 14, 2022

There are a few technical glitches that presented themselves to a keen eye, but virtually something for everyone to like.  Overall, BSC’s production of ALITTLE NIGHT MUSIC represents another triumph for both Barrington Stage and the woman who has steered the company’s successful course for the past...

Review: PIPPIN: Growing Up Is Hard To Do
by Nancy Grossman - August 08, 2022

The second and final production of Reagle Music Theatre of Greater Boston’s 2022 season is Stephen Schwartz’s PIPPIN, originally produced on the Broadway stage in 1972 with direction and choreography by Bob Fosse, and revived/reimagined in 2013 by Diane Paulus at the American Repertory Theater befor...