BWW Review: MAMMA MIA!, Birmingham Hippodrome
There aren't many places in the UK where you can experience the charms and sunshine of a Greek island, but the Mamma Mia! tour is one of them. Read our critic's review. ...
BWW Review: ORLANDO, Jermyn Street Theatre
“He who robs us of our dreams robs us of our life” writes Virginia Woolf in her novel Orlando: A Biography. The fictional life of her gender non-conforming hero has been hailed as a feminist masterpiece, a subversive classic, and an impressive love letter....
BWW Review: HOUSE OF IFE, Bush Theatre
Families are complex and the relationships between parents and children and siblings themselves is a rich basis for drama. Beru Tessema’s new play House of Ife is a tense and fascinating insight into the dynamics of a British-Ethiopean family, living in London, and navigating life and personal gri...
BWW Review: THE END OF THE NIGHT, Park Theatre
Ben Brown's play, set at the end of World War II, does not fully deliver on its raw materials' dramatic possibilities Read our BWW critic's review. ...
BWW Review: DON PASQUALE, Royal Opera House
Damiano Michieletto’s modern-day staging of Donizetti’s sparkling comedy Don Pasquale divided critics when it last appeared at The Royal Opera House in 2019. The story of the tricking of an old man into marrying a seemingly demure bride, only for her to rapidly becomes a nightmarish tyrant as so...
BWW Review: JOE STILGOE & THE BBC CONCERT ORCHESTRA, Barbican Centre
Joe Stilgoe’s new album is an ode to theatre itself. After an overture worthy of the most exquisite Golden Age musical, the jazz wizard goes into a warm, rich love letter to show business. Read our BWW critic's review. ...
BWW Review: MUCH ADO ABOUT NOTHING, The Globe
A talented cast and insightful direction steer Much Ado About Nothing towards success....
BWW Review: JERUSALEM, Apollo Theatre
Sir Mark Rylance revisits his extraordinary Rooster Byron in a play that vibrates differently than when first staged in an England almost unrecognisable from the England of today...
BWW Review: THE MISFORTUNE OF THE ENGLISH, Orange Tree Theatre
Touching on nationalism, childish loyalty and what it means to be English, The Misfortune Of The English is Pamela Carter’s new play, inspired by tragic, true events. In April 1936 a group of 27 schoolboys are on a walking holiday in Nazi Germany’s Black Forest. By the end of the day, after coll...
BWW Review: WITNESS FOR THE PROSECUTION, London County Hall
A great new cast has just taken to the stage in Agatha Christie's Witness for the Prosecution. Settle in, pay close attention and you’ll soon be wrapped up in trying to work out who’s guilty....
BWW Review: PRIMA FACIE, Harold Pinter Theatre
It is doubtful that Prima Facie would have received the same pre-show hype if Jodie Comer had not been making her West End stage debut in the production. The transition from screen to stage is littered with fallen idols, but fans can rest assured that the play and Comer’s performance is worth gett...
BWW Review: BARRY HUMPHRIES - THE MAN BEHIND THE MASK, Richmond Theatre
Two and a half hours flies by and you're left racing to Amazon to download a biography to find out more - not bad for a man of 88....
BWW Review: MARIA CALLAS: LETTERS & MEMOIRS, Her Majesty's Theatre
She charmed Daniel Craig’s pants off in Spectre, was rather bored in the Matrix, and accompanied Christ to the cross in The Passion Of The Christ. A sex symbol in the 90s and noughties, now she is Maria Callas in her one-night-only West End debut. An icon plays an icon, both with colossal reputati...
BWW Review: HOW IT IS (PART 2), The Coronet Theatre
“Leave it vague leave it dark” says Samuel Beckett’s character Pim in How It Is. Now, after two years of delay and Zoom rehearsals, Irish theatre company Gare St Lazare bring Part 2 to the Coronet Theatre accompanied by the Irish Gamelan Orchestra. ...
BWW Review: THE CORN IS GREEN, National Theatre
Read our critic's review - A post-modern tint cannot save this 1938 play from feeling stuck in the past....
BWW Review: THE MALADIES, The Yard
So many voices are presented in a play that reclaims women's narratives that we lose the story in a confusing, chaotic 70 minutes...
BWW Review: THE BURNT CITY, One Cartridge Place
The Trojan War is the stuff of countless myths and later retellings. But probably none of them could make you get physically lost in the labyrinthine worlds of Hecuba's Troy and Agamemnon's Mycenae. For that, you would need to head to One Cartridge Place, where the renowned immersive theatre company...
BWW Review: MARYS SEACOLE, Donmar Warehouse
This ambitious follow-up to the controversial and critically acclaimed Fairview is a kaleidoscopic view of race and women across time and space....
BWW Review: THE STRAW CHAIR, Finborough Theatre
Rori Hawthorn and Siobhan Redmond shine as two women who come to respect their different lives. Read our BWW critic's review. ...
BWW Review: THE SH*T, Bush Theatre
Young people all over the country are fighting an enduring battle against circumstances they aren’t equipped to change. Created following a meticulous research into the dedication of youth workers in Leeds and London, The Sh*t highlights the efforts of all those who dedicate their lives to keep ot...
BWW Review: HENRY VI: REBELLION and WARS OF THE ROSES, Royal Shakespeare Theatre
Arthur Hughes is in showstealing form as the Duke of Gloucester, soon Richard III, as Henry VI loses his wife, his kingdom and his life. Read our BWW critic's review. ...
BWW Review: FORGOTTEN FELLOW, Lion & Unicorn Theatre
The world is isolating. While everyone is panic-buying loo roll, students have gone back to their accommodations with the promise of an uninterrupted education. Overnight, a fence goes up right outside a flat that’s more like a microcosmos....
BWW Review: LOHENGRIN, Royal Opera House
Richard Wagner’s Lohengrin may be famous for introducing the tune of “Here Comes The Bride” to the world but there’s much more here in this stirring tale. David Alden’s bold production debuted in 2018 to critical fanfare and now returns to the Royal Opera House with some excellent leads a...
BWW Review: BONNIE & CLYDE, Arts Theatre
Stop the press! The most renowned victims of the romanticisation of violence have taken up residence in London. The Arts theatre - former home of the worldwide hit Six - is now housing the West End debut of Bonnie and Clyde....
BWW Review: DIARY OF A SOMEBODY, Seven Dials Playhouse
John Lahr's funny, transgressive and tragic play gets a revival that is executed with great skill by a talented cast...
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