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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
Review: MORAL PANIC, Riverside Studios

Review: MORAL PANIC, Riverside Studios

by Cindy Marcolina — July 7, 2022
It’s a turbulent time in 1984 England. The nation is trapped between the Conservative jaws of Thatcher’s Tories and Charles Hawthorn is fighting the growing problem of morally corrupt horror films. ...
Review: REDEMPTION, The Big House

Review: REDEMPTION, The Big House

by Franco Milazzo — July 6, 2022
A gut-punching slab of immersive theatre that takes no prisoners may be just what the doctor ordered in these interesting times. The Big House’s Redemption doesn’t have the most enticing of titles but this layered drama takes place in a unique environment and punches well above its weight....
Review: NEW UK MUSICALS - LIVE IN CONCERT, The Other Palace

Review: NEW UK MUSICALS - LIVE IN CONCERT, The Other Palace

by Katie Kirkpatrick — July 8, 2022
One year on from theatres being allowed to fully reopen, where is the new writing? This is a problem Darren Clark has set out to tackle with his project New UK Musicals. Set up during the pandemic, the project's website makes sheet music and backing tracks to new original musical theatre songs by Br...
Review: A MIDSUMMER NIGHT'S DREAM, Actors' Church

Review: A MIDSUMMER NIGHT'S DREAM, Actors' Church

by Aliya Al-Hassan — July 6, 2022
Iris Theatre’s summer season is now in its 14th year. This summer, the outdoor theatre specialist present a joyous and light-hearted version of A Midsummer Night’s Dream, directed by rising star Sara Aniqah Malik, recipient of the Michael Grandage Award 2019....
Review: 9 CIRCLES, Park Theatre

Review: 9 CIRCLES, Park Theatre

by Cindy Marcolina — July 2, 2022
Dante Alighieri built his idea of hell as a colossal conical structure that opens up underneath Jerusalem and reaches the centre of the Earth. He makes his descent steadily, accompanied by Virgil. The further away from Jerusalem, the further away from God and goodness. A stone’s throw from Jeru...
Review: THE LESSON, Southwark Playhouse

Review: THE LESSON, Southwark Playhouse

by Aliya Al-Hassan — July 2, 2022
A young woman appears at the home of a professor to be tutored for some exams. The premise of The Lesson is simple enough, but as this play comes from the pen of Eugène Ionesco, the master of French absurdist theatre, nothing is ever that simple. Max Lewendel’s returning production is funny, absu...
Review: FAVOUR, Bush Theatre

Review: FAVOUR, Bush Theatre

by Alexander Cohen — July 1, 2022
A tumultuous portrait of a family divided by religion and modernity...
Review: RICHARD III, Royal Shakespeare Theatre

Review: RICHARD III, Royal Shakespeare Theatre

by Gary Naylor — July 1, 2022
Gregory Doran brings the RSC's decade long History cycle to its conclusion with a worthy, if wordy, Richard III...
Review: BEAUTY AND THE BEAST, The London Palladium

Review: BEAUTY AND THE BEAST, The London Palladium

by Cindy Marcolina — July 1, 2022
The tale as old as time returns to the West End. The 1991 animated film is doubtlessly one of the most beloved out of the Disney catalogue and saw a number of live-action films of varied quality developed over the years. Now, its musical adaptation takes over the Palladium in a grand spectacle direc...
Review: SERSE, Opera Holland Park

Review: SERSE, Opera Holland Park

by Michael Higgs — July 1, 2022
This historical revival of Handel’s Serse particularly emphasises the humorous aspects of the opera, thereby creating a wonderfully entertaining spectacle from start to finish....
Review: COSÌ FAN TUTTE at Royal Opera House

Review: COSÌ FAN TUTTE at Royal Opera House

by Clementine Scott — June 30, 2022
Mozart’s Così fan tutte has always been a work that tells us about ourselves....
Review: EVELYN, Southwark Playhouse

Review: EVELYN, Southwark Playhouse

by Gary Naylor — June 29, 2022
Tom Ratcliffe's new play sets up some very interesting relationships in a fascinating environment, but doesn't solve the structural problems that arise as a consequence...
Review: INVISIBLE, Bush Theatre

Review: INVISIBLE, Bush Theatre

by Alexander Cohen — June 29, 2022
A disorientating tone straddles the theatrical no-man's land between satire and seriousness....
Review: CABLE STREET and REMOTE, National Theatre Connections Festival

Review: CABLE STREET and REMOTE, National Theatre Connections Festival

by Gary Naylor — June 29, 2022
Two splendid plays, performed with skill and verve, at the National Theatre's Connections Festival...
Review: SINGIN' IN THE RAIN, New Wimbledon Theatre

Review: SINGIN' IN THE RAIN, New Wimbledon Theatre

by Aliya Al-Hassan — June 29, 2022
As rain threatens to stop play down the road at Wimbledon's famous tennis club, it seems appropriate to be stopping by the theatre to watch Jonathan Church's stage version of Singin' In The Rain. Re-emerging after the pandemic at Sadler's Wells, the light-hearted and brightly cheerful show is now to...
Review: THE FELLOWSHIP, Hampstead Theatre

Review: THE FELLOWSHIP, Hampstead Theatre

by Cindy Marcolina — June 28, 2022
A week after Windrush Day saw Prince William and his wife visiting the National Windrush Monument at Waterloo Station, two children of the Windrush generation are at the heart of Roy Williams's new piece. Debuting at Hampstead Theatre, directed by Paulette Randall, it introduces sisters Dawn (Cherre...
Review: VIOLET, Hackney Empire

Review: VIOLET, Hackney Empire

by Alexander Cohen — June 24, 2022
Worlds collide in a thrilling new opera from Tom Coult and Alice Birch....
Review: MAD HOUSE, Ambassadors Theatre

Review: MAD HOUSE, Ambassadors Theatre

by Jonathan Marshall — June 26, 2022
Sometimes a new play comes along that has all the right ingredients for a delectable theatrical recipe....
Review: SUPERMAN IN CONCERT, Royal Albert Hall

Review: SUPERMAN IN CONCERT, Royal Albert Hall

by Aliya Al-Hassan — June 26, 2022
Despite the relentless advance of the modern Marvel franchise, the 1978 film of Superman remains one of the best comic book films ever made. This is, in no small part, due to John Williams' remarkable and iconic score that was nominated for an Academy Award....
Review: THE TEMPEST, Shakespeare In The Squares

Review: THE TEMPEST, Shakespeare In The Squares

by Cindy Marcolina — June 24, 2022
Treachery, a magical storm, a catastrophic shipwreck. Far-away islands, spirits, and a love story. All permeated by music. Shakespeare’s swansong might be concerned with its own nature of grand spectacle and the limited resources available to produce it realistically, but Prospero is a sorcerer, i...
Review: FANTASTICALLY GREAT WOMEN WHO CHANGED THE WORLD, Theatre Royal Stratford East

Review: FANTASTICALLY GREAT WOMEN WHO CHANGED THE WORLD, Theatre Royal Stratford East

by Cindy Marcolina — June 23, 2022
Chris Bush is having a marvellous year. The writer has been populating theatres across England steadily for months, and now rings in a double-press night on the same day. ...
BWW Review: SOHO SONGS, Crazy Coqs

BWW Review: SOHO SONGS, Crazy Coqs

by Gary Naylor — June 21, 2022
Early staging of a song cycle that is a delight from start to finish - and can only get better still!...
Review: SUMMER SOLSTICE, Union Theatre

Review: SUMMER SOLSTICE, Union Theatre

by Michael Higgs — June 21, 2022
What is love? It's a question that has plagued philosophers and poets for as long as humans have existed. Unfortunately, we are no closer to finding any meaningful answers to this question in Mel Masry's shallow and unsatisfying play....
Review: GIFFORD CIRCUS' ¡CARPA!, Chiswick House And Gardens

Review: GIFFORD CIRCUS' ¡CARPA!, Chiswick House And Gardens

by Franco Milazzo — June 20, 2022
The late Nell Gifford, co-founder of Gifford’s Circus, wrote that 'a good circus is a sublimely existential thing, living acutely and only for the present moment.' And so it is with ¡Carpa! (Spanish for tent), the company’s joyful and life-affirming show currently sited in Chiswick House’s ga...
Review: THAT IS NOT WHO I AM, Royal Court Theatre

Review: THAT IS NOT WHO I AM, Royal Court Theatre

by Alexander Cohen — June 19, 2022
A narrative spider's web that traps its audience and preys upon their naivety. See what our critic thought! Read the review. ...
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