BWW Reviews: ODE MARÍTIMA Shows a Dramatic Self-Discovery
Diogo Infante stars as a man lost in his life, while stuck inside his head....
BWW Reviews: Arena's World Premiere of THE ORIGINALIST Packs a Punch
It's likely of little surprise to anyone that follows the workings of the highest court in our nation that any legal battle situation involving conservative Supreme Court Justice Antonin Scalia and an opponent is ripe for theatricalization. Arena Stage's resident playwright John Strand has done just...
BWW Reviews: Angela Lansbury Triumphs in Heavenly BLITHE SPIRIT
Angela Lansbury has swooped into Washington in Noel Coward's sparkling comedy BLITHE SPIRIT and you owe it to yourself to see it. The production is an embarrassment of riches, with a stellar cast and expert direction by Michael Blakemore....
BWW Reviews: Cervantes Lives! In Teatro de la Abadia's ENTREMESES
Teatre de La Abadia 's company has developed a priceless ensemble, steeped in Commedia but with their own unique house style. They fill the theatre, literally, with life and sound, and the addition of musicians and sound-effects men to enhance the action makes their work truly enjoyable....
BWW Reviews: Companhia Hiato Brings Creative O JARDIM to Kennedy Center
Leonardo Moreira's Portuguese language O JARDIM (translated as 'The Garden') is perhaps one of the more creative entries in the ongoing Iberian Suite festival at Kennedy Center....
BWW Reviews: LAUGH at Studio Theatre
Laugh, making its world premiere at Studio Theatre, is the latest from Pulitzer Prize-winning playwright Beth Henley. With its designations of "slapstick" and as an homage to silent movies we expect movement and pace to be at the forefront, yet Laugh is far more rooted in language. But why box Lau...
BWW Reviews: DOCTOR CALIGARI Haunts at Pointless Theatre
Adaptation from screen to stage is risky business. The songs can lose their magic, the characters can feel empty, and you can find yourself comparing - or missing - what you once loved about the original story. However, in some cases, an adaptation can shine and may make you love a story even more....
BWW Reviews: Max Major's THINK AGAIN a Magical Tour-de-Force
Walking into a Max Major show when you know nothing about him is like stumbling into the city's hottest party hours after it started-but feeling like the host was waiting just for you. Although ostensibly an evening of magic and mind-reading, the most fun part of a Max Major event is the way he dra...
BWW Reviews: Kennedy Center's WHAT I HEARD ABOUT THE WORLD Attempts to Provoke Thought
Can three men sitting onstage change the world, or at least how we perceive it?...
BWW Reviews: A BRIGHT ROOM CALLED DAY at Nu Sass Productions
Nu Sass's 'small batch audience' production of 'A Bright Room Called Day' makes inspired use of space and is truly compelling storytelling....
BWW Reviews: Eugenia León Pays Tribute to the Greats at Kennedy Center with VOCES DE MUJERES, VOCES DEL PUEBLO
Famed Mexican singer Eugenia Leon made her Kennedy Center debut this weekend and put succinctly, at least musically, it proved to be a debut to remember....
BWW Reviews: Gay Men's Chorus of Washington DC Enchants with WHEN YOU WISH
From Ariel to Gru to Speed Racer, GMCW has put together a fabulously fun yet thought-provoking tribute to animation that leaves no character forgotten, and all those who love these movies and the organization just plain happy....
BWW Reviews: CIRCLE MIRROR TRANSFORMATION at Rep Stage - A Treat For Theater Lovers
Annie Baker play is a drama class filled with theater games....
BWW Reviews: Ballet Flamenco Sara Baras Makes Kennedy Center Debut with VOCES, SUITE FLAMENCA
One of the greatest things about the Kennedy Center is its long history of exposing Washington, DC audiences to a healthy selection of international theatre, music, and dance artists. A major facet of this programming is an annual international arts festival, which, this year, is focused on the Iber...
BWW Reviews: An Adrift FLYING DUTCHMAN Makes Port at Washington National Opera
Passionate performances by Libor, Morris and Owens are what propel an otherwise adrift Flying Dutchman. Clearer staging and dynamic direction could have made this production of Wagner's classic opera thrilling....
BWW Reviews: CONTOS EM VIAGEM a Mesmerizing Start to the Iberian Festival at the Kennedy Center
Set in the 10-island archipelago of Cape Verde, Contos em Viagem is a tapestry of stories woven from a broad range of writers native to this former Portugese colony. The stories chosen here, and performed passionately by Carla Galvão, are taken from the lives of women in the islands, among them ki...
BWW Reviews: SHEAR MADNESS at The Kennedy Center For The Performing Arts
After 27 years, the crowd pleasing SHEAR MADNESS at the Kennedy Center for the Performing Arts has become the 2nd longest-running theatrical production in the country, second only to the same production at the Charles Playhouse in Boston. According to press notes, the play has now been seen by a wor...
BWW Reviews: Washington Stage Guild's Captivating BACK TO METHUSELAH
Washington Stage Guild's production prudently balances the science fiction nature of Shaw's work with the greater philosophical discussions his plays' raise regarding the consistent need for humanity to keep developing....
BWW Reviews: KID VICTORY Haunts at Signature Theatre
Let's just get right to it. There's a lot to like about much anticipated world premiere of John Kander and Greg Pierce's 'Kid Victory' at Signature Theatre....
BWW Reviews: Imagination Stage's WILEY AND THE HAIRY MAN Conjures Up a Wonderful Family Show
Using a story based in folk tales and a magical swamp setting, Imagination Stage gives a smart, engaging show for young viewers that will keep them watching and dancing the whole way through....
BWW Reviews: SIGNATURE TENORS Encompasses a Wide Array of Musical Styles
While the Signature Tenors encompasses a diverse range of artists, ensuring there is something for everyone, the execution is a bit uneven....
BWW Reviews: DIALOGUES OF THE CARMELITES at the Kennedy Center
Poulenc's music is almost hard to believe; romantic without sweetness, contemporary without alienating, and among the extraordinary composers repertoire this epic opera stands out as a remarkable achievement, and this season Washington National Opera Artistic Director Francesca Zambello has designed...
BWW Reviews: ANYTHING GOES at The Warner Theatre
There's no question that Reno Sweeney, the bad girl with a good heart and a big voice is steering the madcap cruise known as Anything Goes, on the stage of The Warner Theatre for two nights, February 25-26 '15. The ship (show), currently sailing (touring) around the country, is based on the 2011 Br...
BWW Reviews: BARE A POP OPERA at Clandestine Arts
While some might complement Clandestine-Arts' production of BARE: A POP OPERA for its 'can-do' attitude, there's a difference between the type of youthful inexperience that leads to theater that is exciting and new, and the type of reckless abandon that is at best moderately amusing and at worst inc...
BWW Reviews: THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE at the Kensington Arts Center
As I walked into a performance of Kensington's 'Spelling Bee,' I was admittedly unnerved by the show's conspicuously simple scenic design. After all, the production literally takes place in what looks like a school gymnasium with a hastily put-together stage. Mere moments into the show, however, I r...
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