| Meet Me in St. Louis (04/06/2004) In the year before the 1904 St Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York. |
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| Anchors Aweigh Anchors Aweigh - The legendary talents of Gene Kelly and Frank Sinatra combine to create an unparalleled song-and-dance explosion! This spritely tale of two lovesick sailors on shore leave in Hollywood co-stars beautiful Kathryn Grayson as Susie, an aspiring young singer, and child star Dean Stockwell as her nephew who wants to run away and join the Navy. Both sailors fall hard for Susie, with "Sea Wolf" Joe Brady (Kelly) rivaling his bookish best friend Clarence (Sinatra) for her affections. Th... |
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| A Day At The Races Doctor Hugo Hackenbush, Tony, and Stuffy try and save Judy's farm by winning a big race with her horse. There are a few problems. Hackenbush runs a high priced clinic for the wealthy who don't know he has his degree in Veterinary Medicine. |
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| Henry V Dubbed the greatest actor of the twentieth century, Sir Laurence Olivier, the classically trained and majestically handsome English theater veteran, first transplanted his passion for Shakespeare to the big screen in the 1940s, and in so doing, allowed Elizabethan verse to break free of its stage-bound origins. Olivier directed only five films in his sixty-year career, yet his three Shakespeare adaptations (Henry V, Hamlet, Richard III), presented here together on DVD for the first time, are sti... |
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| Romeo and Juliet Shakespeare's classic tale of love and youth ruined by a family feud. The Montagues and the Capulets, two powerful families of Verona, hate each other. Romeo, a Montague, crashes a Capulet party, and there meets Juliet. They fall in love and secretly marry. After killing a nephew of Lady Capulet in a fight, Romeo is banished from Verona. Capulet tries to marry Juliet to Paris, a prince. Juliet seeks the counsel of Friar Laurence, who married her and Romeo. He suggests a daring plan that ends tra... |
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| Macbeth 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that makes him king. But he does not enjoy his newfound, dearly-won kingship. |
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| The Taming of the Shrew In sixteenth century Padua, Hortensio loves Bianca, the youngest daughter of Baptista. But Baptista will not allow the two to get married until his eldest daughter, the extremely headstrong Katherine, is betrothed. This task seems impossible because of Katherine's shrewish demeanor. They believe their prayers have been answered with the arrival from Verona of the lusty Petruchio, whose father has just passed, leaving him to travel the world and marry. Having not yet met her, Petruchio agrees to ... |
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| A Midsummer Night's Dream Love is blind, fickle and true. And under the sway of capricious fairies it becomes blinder ( a queen romances as donkey), more fickle (best friends swoon over each other's beau) and truest of all (lovers repledge their devotion). "Lord, what fools these mortals be!" in Shakespeare's bewitching comedy! |
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| The Boys from Syracuse THE BOYS FROM SYRACUSE stars Allen Jones, Irene Hervey, Martha Raye, Joe Penner and Alan Mowbray. It is loosely based on the play by William Shakespeare "The Comedy of Errors". The Action taks place in Ephesus in ancient Asia Minor and concerns the efforts of two boys from Syracuse. Complications arise when their wives mistake two strangers for their husbands. |
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| A Date with Judy Developed from a radio program which began in 1941, hyperactive teenager Judy challenges and is challeged by her overly proper parents, pest of a brother Randolph and boyfriend Oogie. |
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| A Damsel In Distress Astaire teams up with Burns & Allen to bring some good ol' American music and mayhem to stately England. There, lovely Joan Fontaine pines for a husband and finds Astaire. Naturally, A Damsel in Distress becomes a lady in love. Enjoy George Gershwin's last completed score, including the pensive "A Foggy Day" amd "Nice Work If You Can Get It" plus the famed Astaire-Burns-Allen fun house dance and other inspired stepping-out that earned dance director Hermes Pan an Academy Award(R). Renowned "Jeev... |
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| Hamlet Laurence Olivier stars in and directs this classic version of Shakespeare's Hamlet, the towering tragedy of the Danish prince who feigns madness to trap his father's murderer. This brilliant production earned critical acclaim and four 1948 Academy Awards: Best Picture, Actor, Art Direction-Set Direction, and Costume Design. |
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| 42nd Street When the leading lady of a Broadway musical breaks her ankle, she is replaced by a young unknown actress, who becomes the star of the show. |
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| Night and Day Swellegant and elegant. Deluxe and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Cole lead to a meeting at the altar. More than 20 Porter songs grace this tale of triumph and tragedy, with Grant lending his amiable voice to You're the Top, Night and Day and more. Monty... |
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| The Barkleys of Broadway The last Astaire/Rogers movie, about a show-biz team divided by career ambitions, is also the duo's only color film. Highlights: Fred's Shoes with Wings On and the pair's They Can't Take That Away from Me. |
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| Blithe Spirit Adapted from a play by Noel Coward, Charles and his second wife Ruth, are haunted by the ghost of his first wife, Elvira. Medium Madame Arcati tries to help things out by contacting the ghost. |
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| Arsenic and Old Lace A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family. |
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| Les Miserables In early 19th Century France an ex-convict who failed to report to parole is relentlessly pursued over a 20 year period by an obsessive policeman. |
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| Miracle on 34th Street When a nice old man who claims to be Santa Claus is institutionalized as insane, a young lawyer decides to defend him by arguing in court that he is the real thing. |
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| It's a Wonderful Life George Bailey has so many problems he is thinking about ending it all – and it’s Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence. Clarence then shows George what his town would have looked like if it hadn’t been for all of his good deeds over the years. Will Clarence be able to convince George to return to his family and forget suicide? |
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| The Hunchback of Notre Dame In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her. |
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| You Can't Take It With You A good-natured but decidedly eccentric family meets a new friend. |
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| The Women Be careful what you say in private. It could become a movie. Some gossip overheard by Clare Boothe Luce in a nightclub powder room inspired her Broadway hit that's wittily adapted for the screen in The Women. George Cukor directs an all-female cast in this catty tale of battling and bonding that paints its claws Jungle Red and shreds the excesses of pampered Park Avenue princesses. Joan Crawford, Rosalind Russell, Joan Fontaine, Mary Boland and Paulette Goddard are among the array of husband sna... |
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| The Wizard of Oz When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Jud... |
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| Without Love In World War II Washington DC, scientist Pat Jamieson's assistant, Jamie Rowan, enters a loveless marriage with him. Struggles bring them closer together. |
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| We're Not Dressing Beautiful high society type Doris Worthington is entertaining guests on her yacht in the Pacific when it hits a reef and sinks. She makes her way to an island with the help of singing sailor Stephen Jones. Her friend Edith, Uncle Hubert, and Princes Michael and Alexander make it to the same island but all prove to be useless in the art of survival. The sailor is the only one with the practical knowhow to survive but Doris and the others snub his leadership offer. That is until he starts a clam b... |
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| Waterloo Bridge Vivian Leigh stars as a ballerina in war-torn England who turns to prostitution when she believes her fiance has died in the war in this drama based on Robert E. Sherwood's acclaimed play. Robert Taylor co-stars. Year: 1940 Director: Mervyn LeRoy Starring: Vivien Leigh, Robert Taylor, Lucile Watson, Virginia Field, Maria Ouspenskaya. |
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| Thunder Rock Redgrave plays British journalist Charleston in the decade before WWII., where he witnesses the onslaught of fascism. |
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| Stage Door A boardinghouse full of aspiring actresses and their ambitions, dreams and disappointments. |
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| Seventh Heaven A young couple, expecting their first child, are told tales by one of their tenants that frighten the wife, who believes they may be prophecies concerning their unborn child. |
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| Roxie Hart To try and kick-start her show-business career, our heroine admits to a Chicago murder. But although Cook County don't seem to let dames swing, and even with top slippery lawyer Billy Flynn, it's all something of a gamble. (Jeremy Perkins for IMDB.com) |
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| Rope Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime. |
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| Pygmalion Shaw's play in which a Victorian dialect expert bets that he can teach a lower-class girl to speak proper English and thus be taken for a lady. |
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| The Philadelphia Story When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself. |
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| The Phantom of the Opera This classic horror feature stars Lon Chaney in the title role as the tragic disfigured Erik, who haunts the corridors and cellars in the decaying depths of the Paris Opera House. He befriends and secretly coaches a beautiful aspiring understudy named Christine (Mary Philbin), who covets the lead role. Through an ever-building campaign of terror, the Phantom drives the lead Soprano to flee her role, allowing his protege to take her place. Convinced that she will now return his love in spite of h... |
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| Our Town Change comes slowly to a small New Hampshire town in the early 20th century. We see birth, life and death in this small community, based on a Thornton Wilder play. Sweet and sensitive. Buoyed by wise performances. Very moving. Academy Award nominations for Best Picture, Best Actress, Best Black & White Art Directon, Best Original Score and Score, Best Sound Recording. |
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| On The Town Three sailors on a day of shore leave in New York City look for fun and romance before their twenty-four hours are up. |
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| The Man Who Came to Dinner When acerbic critic Sheridan Whiteside slips on the front steps of a provincial Ohio businessman's home and breaks his hip, he and his entourage take over the house indefinitely. |
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| The Little Foxes The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. |
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| Life With Father A financier from New York rules his numerous family, consisting of his wife and his four sons, with the meticulousity of a bookkeeper. |
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| The Jazz Singer It's one of the most famous titles in film history, and everybody knows why: in a handful of sequences in The Jazz Singer, sound and image are excitingly synchronized. By 1927, some short subjects had already been "talkies," and a few features had synchronized music, but The Jazz Singer gets the prize as the breakthrough. Because the film is largely without dialogue, you can--even watching the film today--almost palpably sense the shift in movie epochs, as cinema takes an evolutionary leap from ... |
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