PuSh International Performing Arts Festival to Present Western Canadian Premiere of FRONTERA
By: Chloe Rabinowitz

PuSh International Performing Arts Festival (PuSh) presents the Western Canadian premiere of Montreal choreographer Dana Gingras' visually arresting new work, FRONTERA, for one-night only, January 30, 2020 at 8pm at the Queen Elizabeth Theatre. Gingras and her internationally lauded dance company, Animals of Distinction, collaborate with the experimental post-rock band Fly Pan Am and members of the UK-based collective United Visual Artists to create a provocative multimedia experience of motion, sound, and light. The dancers on stage explore notions of individual and political agency within a contested space of borderlands - both real and imagined.
"PuSh audiences were utterly floored by our 2016 presentation of Gingras' extraordinary work monumental, with Noam Gagnon, The Holy Body Tattoo, and Godspeed You! Black Emperor," says Franco Boni, Executive and Artistic Director of PuSh. "We are thrilled to bring back one of Canada's most exciting choreographers with her latest ambitious work. FRONTERA challenges our notions of borders and surveillance at a moment when these concepts feel all-encompassing and incredibly urgent. Bodies have always rebelled against the dominant narrative put forward by the state, and this work argues that we are moving algorithmically through the world, rather than rhythmically. Gingras' work unflinchingly examines these tensions in a large-scale format, creating a space for confrontation and reflection amidst a frenetically paced, mesmerizing scene." In FRONTERA, 10 dancers take to the stage amid pulsing flashes and towering vertical rays of light. The dancers react to the clarion call of the driving music and the whims of the lighting, becoming wildly shifting forms in a singular struggle between impulse and design. Columns of light alternately guide, divide, and entrap the dancers, but ultimately cannot defeat their fearless physicality and ingenuity. Apart from the bodies of the performers, there are no solid structures on stage. Borders, fences, and walls are showcased as luminous virtual constructs - reflecting their roles in our lives.For more information visit: pushfestival.ca

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