Review: THE LAST FIVE YEARS at NextStop Theatre
The Last Five Years, directed by Aria Velz, succeeds thanks to a talented cast and dreamlike atmosphere.
The Last Five Years, directed by Aria Velz, succeeds thanks to a talented cast and dreamlike atmosphere.
The Addams Family musical isn’t as campy and charming as the movies, nor does it have the eccentric vibes of Tim Burton’s Wednesday.
There’s a lot of stress and anxiety around selling a house.
hang takes its time getting to what the play is actually about.
What makes NextStop Theatre’s The Shawshank Redemption stand out is the dedication that the cast has to bringing these characters to life on stage without miming the performances from the movie.
Edge of the Universe Theater, in association with Avant Bard Theatre, turns up the family drama in an intimate, edgy production of A Number, directed by Stephen Jarrett, starring a real-life father and son.
Monumental Theatre Company’s production of tick, tick.
In NextStop Theatre's production of The Mountaintop, directed by Kevin McAllister, McNeil and Simmons are talented actors, but the play itself still needs to be polished.
Signature Theatre's Escaped Alone, directed by Holly Twyford, is a surreal Golden Girls episode with British humor.
Synetic's The Tempest keeps the drama and comedy of Shakespeare's original work through the use of movement and emotional expression.
HUB Theatre's production of American Spies and Other Homegrown Fables, directed by Kathryn Chase Bryer, features powerful moments, but certain artistic choices prevent the production from making its full impact.
Rock of Ages, directed by Martha Banta and choreographed by Janet Rothermel, is still as Poison coons 'nothin' but a good time.
NextStop Theatre's The Wolves is raw as it unapologetically forgoes the stereotypes of teenage girls and allows the girls to define who they are.
NextStop Theatre's production takes up the meta to another level by casting real-life friends as the actors in the show and allowing them to be co-directors.
1st Stage's A Civil War Christmas, directed by Deidra Lawan Starnes with musical direction by Markus Williams, is a riveting musical helmed by a strong diverse cast of twelve actors and beautifully done production design.
Returning to MetroStage for its tenth anniversary, ROOMS: A ROCK ROMANCE boasts an enthusiastic two-person cast and energetic backing band.
If your interest is piqued by the words "Edgar Allan Poe" and "musical" and "October", you're likely to enjoy the Matt Conner-directed NEVERMORE at Creative Cauldron.
There's nothing quite like a British dark comedy to usher in the unofficial start of autumn.
NextStop's production of Amour is a great escape into a world filled with absurdity and whimsy.
Motown the Musical is a high energy musical featuring a talented cast and high production quality.
Boasting an impressive production and stellar cast, Riverside Center for the Performing Arts is presenting the professional DC-Northern Virginia regional premiere of the dark and romantic musical THE HUNCHBACK OF NOTRE DAME.
As directed by Alex Levy, THE FARNSWORTH INVENTION is theatrically inventive and mostly compelling recounting of of Farnsworth and Sarnoff's parallel stories.
Brave Spirits Theatre again provides a fresh, immediate take on a Shakespearean classic, this time with a hard-hitting production of CORIOLANUS, directed by Charlene V.
4,380 Nights is essentially two different plays, which makes it often hard to follow due to the lack of cohesion, but there are still glimpses of a play in which the message of hope rings quietly over fear and hate.
Synetic's latest work is taken from Kafka's novel THE TRIAL with elements borrowed from his other works, presented in the kinetic and bold theatrical style the 22-year old company has earned their renown.