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Downstage Center with Howard Sherman

American Classic’s Theatrical DNA is Its Pedigree

American Classic’s Theatrical DNA is Its Pedigree

Howard Sherman •

Nestled quietly in a corner of the MGM+ streamer, a service that rarely gets invoked when the streaming giants are under discussion, lies the answer to anyone who has wondered for the past 20 years, as I have, “Why can’t we have another series like ‘Slings and Arrows?’”

On An Ark with McKellen Prime- Holograms Onstage

On An Ark with McKellen Prime- Holograms Onstage

Howard Sherman •

As I have twice had occasion in real life to sit, essentially, knee to knee with Ian McKellen, my encounter with his digital doppelganger at The Shed was perhaps somewhat less singular than it was for most attendees of An Ark.

Diving Deeper Into American Theatre’s Most Influential Titles

Diving Deeper Into American Theatre’s Most Influential Titles

Howard Sherman •

Amidst the welter of Best of and Most lists for 2025, American Theatre magazine took on a wider time horizon in its survey of the most influential theatre titles of the last 25 years, or quarter-century if you prefer.

When The Undead Came to Life on Broadway

When The Undead Came to Life on Broadway

Howard Sherman •

The concept of the zombie in popular culture owes its legacy not to Night of the Living Dead or The Walking Dead, but to a long-forgotten Broadway play entitled, simply, Zombie, which ran for all of three weeks back in 1932.


When 'Enough' Is Too Much: Silencing Plays to End Gun Violence in Baton Rouge

When 'Enough' Is Too Much: Silencing Plays to End Gun Violence in Baton Rouge

Howard Sherman •

On Monday evening October 6, more than five dozen theatres, professional and academic, around the US performed Enough! Plays to End Gun Violence, a half-dozen short plays selected from a semi-annual national competition among high school student writers to explore the theme in its title.

Mission Critical for Arts Criticism

Mission Critical for Arts Criticism

Howard Sherman •

In the job posting heard ‘round the theatre world a few weeks ago, the powers that be at The New York Times declared that their new theatre critic will be “eager to embrace new story forms with strong visual, audio and video components,” someone who will be “ready to employ different platfor

Downstage Center with Howard Sherman: Magic To Do

Downstage Center with Howard Sherman: Magic To Do

Howard Sherman •

xIn the city where Houdini once extricated himself from a straitjacket while dangling upside down above Times Square, it’s surprising that we don’t get major magic acts on stage more often than we do in New York.

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