BWW Review: SHOCKHEADED PETER MARVELS IN THE STRANGE AND WEIRD WITH JOBSITE THEATER at Straz Center For Performing Arts
“WHAT BECOMES OF A CHILD THAT STARVED FOR AFFECTION?” -M.
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“WHAT BECOMES OF A CHILD THAT STARVED FOR AFFECTION?” -M.
The acting is all over the place, hit and miss, in this production of an American classic.
Based on a notoriously deranged German children's book, it's a theatrical marvel.
Like the classic movies and tv shows of yesteryear, every once in awhile something comes along that takes you down memory lane and allows you for even just a fleeting moment to live outside of your present tense.
Every so often we in the Theatre-going community find a show or two that “makes its rounds” so to speak within the area.
Familiar faces, familiar characters, and a familiar red dog house with a delightful white beagle and a fleeting yellow bird make up the musical sequel to the ever so popular You’re a Good Man Charley Brown.
Jobsite the Independent In-Resident Theatre Company of the Straz Center as by annual tradition brought Shakespeare to Tampa Bay once again with the first of Shakespeare’s History offerings to be staged locally.
Much like the films of Gregg Araki’s career that defined the movement of New Queer Cinema, a new-ish Theatre Company plans to make its mark on the local theatre scene.
As the lights descend on the stage set on the inside of the Coral Gables Police precinct, not a sound is heard.
Twilight, Los Angeles, 1992 is an unflinching look at race relations from the voices of the people that were there, whether in the heart of it or bystanders portrayed by one woman: Andresia Moseley.
ED WARREN: “The devil exists.
I swear, my hand to God, that you’ve never seen anything quite like it.
Friday evening I had the pleasure of experiencing a story loosely based on fact of the wonderful Louis Armstrong celebrated Jazz trumpeter and singer.
Just shy of a year ago which seems crazy to think about now, myself and other patrons sat in the familiar space surrounded by familiar faces to embark on a journey with a group of characters outside our normalcy.
Webster defines DOUBT as; “to call into question the truth of: to be uncertain of or in doubt about.
An enjoyable show in less-than-ideal circumstances (thanks to the pandemic).
It's the fastest 85-minutes that you'll experience in the theater.
From the Bedford Playhouse stage in New York, back curtains bathed in red and green light, and beautifully decorated with poinsettias and a Christmas tree, one of Broadway's most celebrated songstresses welcomed in the holiday season.
Expertly directed by Aaron Washington, MAS Theatre’s staged radio play, an adaption of It’s a Wonderful Life, the trials and tribulations of George Bailey came wonderfully to life on stage and virtually, online.
In Rick Foster's play, Kate: The Unexamined Life of Katharine Hepburn at American Stage, actress Janis Stevens simply is Kate.
If you’re told a lie long enough, you begin to believe it, says the riveting Katherine Stenzel as federal prisoner up for a second parole hearing, Lorelei Beatrice Beckmann.
27 Characters, 1 performer, allow me to say it again…27 DIFFERENT CHARACTERS, 1 PERFORMER.
A love letter to Patsy Cline with goosebump-inducing vocals by Heather Krueger.
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Bat Boy: The Musical Carrollwood Cultural Center (10/16-10/25) |
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Peter and the Starcatcher Shimberg Playhouse, Straz Center for the Performing Arts (11/05-11/22) |
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Much Ado About Nothing Jobsite Theater (1/13-2/07) |
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Job The Fringe Theatre (4/29-5/16) |
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Miracle on 34th Street: A Live Musical Radio Play Shimberg Playhouse, Straz Center for the Performing Arts (12/03-12/23) |
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O.A.R. at St Augustine Amphitheatre St Augustine Amphitheatre (11/14-11/14) |
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Meteor Shower American Stage Theatre Company (11/04-11/22) |
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Home for the Holidays American Stage Theatre Company (12/04-12/13) |
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Proof Jobsite Theater (5/12-6/06) |
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Hans Zimmer Benchmark International Arena (3/14-3/14) |