BWW REVIEW: The Musical Adaptation Frank Abagnale Jr's Life Comes To Hayes Theatre With the Wonderfully Vibrant CATCH ME IF YOU CAN.
The musical adaptation of Steven Steven Spielberg's screenplay(2002) of Frank William Abagnale Jr's autobiography (1980, written by Abagnale and Stan Redding) is given the intimate Hayes Theatre treatment for an evening of high energy song and dance as one of the America's most famous fraudsters is ...
BWW REVIEW: THE CRIPPLE OF INISHMAAN Shines A Light On Life In Ireland To Expose the Flawed Nature of Humanity
Martin McDonagh's dark comic style shines in Mad March Hare Theatre Company and Red Line Productions' presentation of THE CRIPPLE OF INISHMAAN. ...
BWW REVIEW: Ahead Of Its Time, THE TORRENTS Finally Makes It To The Sydney Stage, 64 Years After It Written.
Australian writer Oriel Gray's Playwright's Advisory Board co-winner for Best Play in 1955, THE TORRENTS, finally gets a Sydney Premiere thanks to Sydney Theatre Company and Black Swan State Theatre Company....
BWW REVIEW: COME FROM AWAY, A Powerful Expression Of The Capacity For Human Kindness Opens In Melbourne
COME FROM AWAY, Irene Sankoff and David Hein's (Book, Music and Lyrics) multi award winning musical about the other side of the 9/11 story, has captivated Melbourne hearts in its beautiful heartwarming celebration of the best of the human spirit. ...
BWW REVIEW: The Honest, Humorous and Heartbreaking World Premiere of OMAR AND DAWN Explores A Side Of Society Rarely Examined
The World Premiere of James Elazzi's new Australian play OMAR AND DAWN captures characters from the periphery of the community in a captivating and honest 70 minutes of theatre. ...
BWW REVIEW: SYDNEY CABARET FESTIVAL: Fun And Intimate, CHEEKY CABARET Is A Classic Cabaret Circus Experience
The intimate Brunswick Picture House's small stage cabaret CHEEKY CABARET brings the burlesque and circus element to the inaugural SYDNEY CABARET FESTIVAL....
BWW REVIEW: SYDNEY CABARET FESTIVAL: Camp, Clever And Deliciously Dark, REUBEN KAYE Is Intelligent, Electric, And Energetic Cabaret That Knows No Limits.
The irreverent and intelligent Reuben Kaye returns to Australia to share his brilliant brand of social commentary and camp cabaret in his self-titled show REUBEN KAYE....
BWW REVIEW: SYDNEY CABARET FESTIVAL: KIM SINGS KYLIE Is Kim David Smith's Camp And Comic Cabaret Homage To Australia's Pop Princess
Kim David Smith shares his love of another Australian export with Sydney as he brings KIM SINGS KYLIE to the inaugural SYDNEY CABARET FESTIVAL....
BWW REVIEW: SYDNEY CABARET FESTIVAL Tim Draxl Draws On The Mysterious Album LOVE IS A DRAG As He Delves Into History With The Heartfelt Interpretations Of Love Songs
Tim Draxl returns to the Cabaret stage for SYDNEY CABARET FESTIVAL with another beautiful blend of history, storytelling and honest personal expression as he shares his interpretations of the songs originally written for women in LOVE IS A DRAG....
BWW REVIEW: Nicholas Hooper's Dark And Ominous Score Comes To Life As Sydney Symphony Orchestra present HARRY POTTER AND THE HALF BLOOD PRINCE: IN CONCERT.
Sydney Symphony Orchestra (SSO) continues the collaboration it started in 2017 with the latest instalment of CineConcerts' live music and big screen movie experience with HARRY POTTER AND THE HALF BLOOD PRINCE: IN CONCERT....
BWW REVIEW: GLITTERY CLITTERY A CONSENSUAL PARTY Is A Fabulously Fun Feminist Cabaret
The Fringe Wives Club bring their 2018 Adelaide Fringe Festival Award winning cabaret GLITTERY CLITTERY: A CONSENSUAL PARTY to Sydney....
BWW REVIEW: Jennifer Holliday Captures Hearts As She Lifts The Roof Off Sydney Town Hall For SYDNEY CABARET FESTIVAL
The headline act for the inaugural Sydney Cabaret Festival had audiences captivated as Jennifer Holliday shared personal stories and soaring soul songs in an amazing Australian debut concert....
BWW REVIEW: Traditional Circus Comes To Moore Park With ZIRK! CIRCUS - The Big Top Spectacular
The tradition of the circus, sans animals, comes to Sydney for the school holidays as ZIRK! CIRCUS - The Big Top Spectacular takes up residence at The Entertainment Quarter....
BWW REVIEW: The Inaugural SYDNEY CABARET FESTIVAL Opens In Style With An ALL STAR GALA
Sydney Cabaret Festival Artistic Director Trevor Ashley opened the inaugural SYDNEY CABARET FESTIVAL with a delightful amuse-bouche of performances at the ALL STAR GALA. ...
BWW REVIEW: The Brilliant MURIEL'S WEDDING THE MUSICAL Returns For A Bigger And Even Better Sydney Encore Season
Following on from a successful season in the summer of 20172018, the Multi Helpmann Award winning MURIEL'S WEDDING THE MUSICAL returns to Sydney for an encore season...
BWW REVIEW: ONCE, The Irish Musical About Learning To Take Chances And Keeping Culture Finally Comes To Sydney.
Sydney audiences finally get to experience the wonderful music and heartwarming story of ONCE with Richard Carroll's (Director) delightful interpretation of the musical adaptation of John Carney's movie. ...
BWW REVIEW: Australian Coming Of Age Story JASPER JONES Is Given A Sensitive Small Stage Interpretation At Bondi Pavillion
Presented with artful simplicity, the multilayered JASPER JONES is presented for a new generation of high school students at Bondi Pavillion Theatre....
BWW REVIEW: DIPLOMACY Is An Incredible Lesson In History And Humanity
John Bell and John Gaden reprise their roles as the men who saved Paris from being obliterated in the encore season of DIPLOMACY. ...
BWW REVIEW: Burlesque, Dance And Circus Come Together For a Passionate Expression Of Love In All Its Forms In MATADOR
New work by Bass G Fam (Writer, Director and Producer), MATADOR has the firey passion and sensuality of Spain in a mythical love story told through dance, burlesque and circus. ...
BWW REVIEW: Hilarious But Heartbreaking, TREVOR Holds An Important Message On Connection, Communication And How We Care For Creatures That Can't Speak Up For Themselves
Shaun Rennie strikes a perfect balance of humor and heart in Nick Jones' funny and thought-provoking TREVOR....
BWW REVIEW: Ghosts Of Sydney's Underworld Come Back To Set The Record Straight In RAZORHURST
The bloody story of the two queens of Sydney's seedy underworld are recounted in Kate Mulley (book and lyrics) and Andy Peterson's (music) RAZORHURST....
BWW REVIEW: Megan Hilty, The Wickedly Funny Star With A Powerhouse Voice Delights At The Sydney Opera House
Darling of Broadway and screen Megan Hilty delivers her endearing blend of comedy and expressive musical interpretation at her Sydney Opera House debut....
BWW REVIEW: Transgenerational Trauma Is Considered In The Captivating ANATOMY OF A SUICIDE
ANATOMY OF A SUICIDE delves into the difficult subject of mental health, suicide and the debate between nature and nurture....
BWW REVIEW: The Days of Radio Plays Are Recreated in MURDER ON THE WIRELESS
The audience is transported to the days of live broadcast radio plays with MURDER ON THE WIRELESS, a double bill of murder mysteries complete with live sound effects....
BWW REVIEW: Anthony Warlow Is Deliciously Dark In SWEENEY TODD THE DEMON BARBER OF FLEET STREET.
Anthony Warlow returns to the Australian musical theatre stage to take on the dark twisted tale of SWEENEY TODD: THE DEMON BARBER OF FLEET STREET....
Videos
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The Birds Belvoir Street Theatre (5/16-6/07) |
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HAIR - THE TRIBAL LOVE-ROCK MUSICAL Theatre Royal Sydney (6/06-7/05) |
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play. QTopia Sydney (6/15-6/17) |
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HOLD ME HOLD ME HOLD ME The Substation (6/08-6/13) |
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The Pirates of Penzance Foundry Theatre (5/12-6/07) |
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Live at Lunch - Ancient Letters The Concourse Concert Hall (6/03-6/03) |
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Yandha Djanbay (Go Slowly) Merrigong Theatre Company (6/17-6/20) |
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Pride Fest Qtopia Sydney (6/01-6/30) |
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SYDNEY COMEDY FESTIVAL - SHOWCASE TOUR The Regent Theatre (9/11-9/11) |
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FREAK OUT! Eternity Playhouse (6/12-6/13) PHOTOS VIDEOS |
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