Union Avenue Opera Launches Inaugural One-Act Festival
Union Avenue Opera will launch its first-ever One-Act Festival, a bold new fall initiative that brings two powerful contemporary operas to the stage: As One and dwb (driving while black).
Dates: 10/10/2025 - 10/12/2025
📍 Theatre: Union Avenue Opera
733 N. Union Blvd., St. Louis, MO 63108
St. Louis, MO 63108
Phone: (314) 361-2881
Union Avenue Opera extends its offerings into the fall with the debut of its One-Act Festival, running October 10 and 11 at 7:30 PM and October 12 at 3:00 PM. This exciting new venture features bold contemporary works in an intimate setting, offering audiences a unique opportunity to experience compact, powerful storytelling from emerging and established composers.
The evening features two powerful chamber operas based on this year’s them of Exploring Identity and Injustice through Opera:
These works offer a bold and intimate evening of opera that speaks urgently to our time. With themes of identity, vulnerability, and the search for understanding, this festival invites audiences into a space of empathy, reflection, and transformation. The 2025 One-Act Festival is made possible by a grant from the Employees Community Fund of Boeing St. Louis and the Whitaker Foundation.
Union Avenue Opera will launch its first-ever One-Act Festival, a bold new fall initiative that brings two powerful contemporary operas to the stage: As One and dwb (driving while black).
Union Avenue Opera will present its inaugural One-Act Festival October 10–12, 2025, featuring dwb (driving while black) and As One. Both contemporary works explore themes of identity, injustice, and transformation, followed by audience talk-backs with artists and guests.
Union Avenue Opera will close its 31st Festival Season with Richard Strauss’ explosive masterwork Salome, presented August 15, 16, 22, and 23 at 8:00 p.m. at Union Avenue Christian Church in St. Louis.
Union Avenue Opera will continue its 2025 Festival Season with a compelling double bill that explores identity, performance, and emotional truth: Tom Cipullo’s Josephine and Ruggero Leoncavallo’s Pagliacci.
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