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ST. LOUIS THEATER REVIEWS

The latest reviews and critic recommendations from St. Louis
Review: RAISIN at The Black Rep Still Resonates with Socially Relevant Themes

Review: RAISIN at The Black Rep Still Resonates with Socially Relevant Themes

by James Lindhorst — September 7, 2025
The musical Raisin, currently on stage at The Black Rep, is based on Lorraine Hansberry's 1950’s drama A Raisin in the Sun. The story tells of three generations of the Younger family sharing a cramped inner-city apartment on Chicago’s southside....
Review: Soul Siren Playhouse's Immersive DEATH JAM Challenges the Senses with a Provo

Review: Soul Siren Playhouse's Immersive DEATH JAM Challenges the Senses with a Provocative Original Work

by James Lindhorst — September 5, 2025
Death Jam is more a theatrical experience than storytelling. It is poetry and dramatic reading supported by modernistic lighting, sound, and video projections. Davis impresses with his command of the text and his vocal and physical interpretation. Bradford Lewis Rolen’s direction and set design, B...
Review: CATCH ME IF YOU CAN at The Marriott Theatre is a Groovy, Far Out Nod to 60's

Review: CATCH ME IF YOU CAN at The Marriott Theatre is a Groovy, Far Out Nod to 60's Pop Culture

by James Lindhorst — September 4, 2025
Marriott Theater’s production of Catch Me If You Can works on every level. It is funny and ridiculously entertaining. The cast has immense chemistry, and their execution of the material is next level. It’s a Broadway quality production and is as close to musical theater perfection as a show can ...
Review: St. Louis Shakespeare Festival's A MIDSUMMER NIGHT’S DREAM is Delightfully

Review: St. Louis Shakespeare Festival's A MIDSUMMER NIGHT’S DREAM is Delightfully Amusing

by James Lindhorst — August 21, 2025
This TOUR CO production of A Midsummer Night’s Dream is special. It is delightfully amusing and filled with crowd pleasing performances. The ensemble dazzles and wows. It is just fun. Director Tre'VonGriffith and the actors make Shakespeare accessible and engaging for young and old. Their work wil...
Review: JERSEY BOYS at The Muny is Nostalgic and Sentimental

Review: JERSEY BOYS at The Muny is Nostalgic and Sentimental

by James Lindhorst — August 20, 2025
Fans of The Four Season and those that have seen many productions of Jersey Boys are going to enjoy Maggie Burrow’s nostalgic and fresh take. Pablo David Laucerica’s star is on the rise. He’s terrific vocally and has outstanding stage presence. He will soon be making his Broadway debut in the ...
Review: SALOME at Union Avenue Opera

Review: SALOME at Union Avenue Opera

by Steve Callahan — August 18, 2025
Kelly Slawson brings a dazzlingly powerful, beautiful voice to the title role.   It’s an unforgettable triumph in a real tour de force....
Review: THE SECOND HURRICANE at Tower Groves Abbey

Review: THE SECOND HURRICANE at Tower Groves Abbey

by Rob Levy — August 11, 2025
Emphasizing the themes of overcoming a harsh environment, ethics and the complexities of teen relationships, The Second Hurricane packs a lot of drama into a small amount of time....
Review: The Muny's LA CAGE AUX FOLLES is The Best of Times

Review: The Muny's LA CAGE AUX FOLLES is The Best of Times

by James Lindhorst — August 10, 2025
The Muny’s La Cage Aux Folles is enormity in storytelling. Contrasted with the intimacy of last week’s Dear Evan Hansen, Marsha Milgrom Dodge’s La Cage captures the grandeur of what The Muny does best. It is a grand venue that supports epic productions....
Review: Intense Performances Fuel A STREETCAR NAMED DESIRE at the Tennessee Williams

Review: Intense Performances Fuel A STREETCAR NAMED DESIRE at the Tennessee Williams Festival St. Louis

by James Lindhorst — August 8, 2025
Director Michael James Reed and company present A Streetcar Named Desire with grand showmanship, attention grabbing storytelling, and intense performances. The Tennessee Williams Festival is an outstanding chance to see a superb production of his Williams’ masterpiece. It is hard to say a Tenness...
Review: Colin Healy's MADAM Looks at the Seedier Side of St. Louis in the 19th Centur

Review: Colin Healy's MADAM Looks at the Seedier Side of St. Louis in the 19th Century

by James Lindhorst — August 3, 2025
Madam is a fictional story based on a real-life 19th century entrepreneur and real-estate investor. The adult-themed book’s shrewd protagonist, devilish villains, and supporting characters tell a story of the seedier side of old St. Louis....
Review: Tesseract Theatre Company's STEEL MAGNOLIAS is a Lovely Ode to Community & Fr

Review: Tesseract Theatre Company's STEEL MAGNOLIAS is a Lovely Ode to Community & Friendship

by James Lindhorst — August 3, 2025
Steel Magnolias is an actor's piece. Margery A. Handy’s transformative performance is reason enough to spend two and a half hours revisiting Robert Harling’s play. ...
Review: ERA's DOLLHOUSE BY THREE MANUFACTURERS Sacrifices Narrative in an Experimenta

Review: ERA's DOLLHOUSE BY THREE MANUFACTURERS Sacrifices Narrative in an Experimental Directorial Showcase

by James Lindhorst — August 1, 2025
Over the next few weekends Equally Represented Arts (ERA), one of the city's leading companies in experimental theater, is presenting an adaptation of Ibsen’s A Doll’s House. Three emerging directors, Miranda Jagels Felix, Spencer Lawton, and Jimmy Bernatowicz, share the directorial efforts.Whe...
Review: STAGES St. Louis AUSTEN’S PRIDE Glows with Originality and Seduces with Enc

Review: STAGES St. Louis AUSTEN’S PRIDE Glows with Originality and Seduces with Enchanting Storytelling

by James Lindhorst — July 31, 2025
STAGES St. Louis pre-Broadway production of Austen’s Pride is polished and ready for the road. It glows with originality. Lindsay Warren Baker and Amanda Jacobs’ book seduces with enchanting storytelling. Igor Goldin and Sheela Ramesh’s collaborative direction have drawn radiant performance...
Review: The Muny's Emotionally Charged DEAR EVAN HANSEN Packs an Emotional Wallop

Review: The Muny's Emotionally Charged DEAR EVAN HANSEN Packs an Emotional Wallop

by James Lindhorst — July 30, 2025
The Muny production of Dear Evan Hansen is a departure from the huge overblown musical extravaganzas that normally populate The Muny stage. It's a much smaller show but it is profoundly emotional. It creates intimacy that was once thought impossible in this large venue and opens other opportunities...
Review: 'JOSEPHINE' & 'PAGLIACCI' at Union Avenue Opera

Review: 'JOSEPHINE' & 'PAGLIACCI' at Union Avenue Opera

by Steve Callahan — July 28, 2025
A powerful double-bill. 'Josephine' is a stunning mini-biography of a great star; 'Pagliacci' is an overpoweringly passionate step into verismo opera....
Review: THE DETAILS Empathic Spirit is Plagued by Wooden Dialogue

Review: THE DETAILS Empathic Spirit is Plagued by Wooden Dialogue

by James Lindhorst — July 28, 2025
The Details is a story of catharsis that stems from confronting one’s beliefs, taking accountability for behavior, and charting a path forward for change. The narrative has promise. Larson has a strong point of view, and he has penned a play with a mostly satisfying conclusion. The character’s b...
Review: New Jewish Theatre's TWO JEWS WALK INTO A WAR… is Wryly Amusing

Review: New Jewish Theatre's TWO JEWS WALK INTO A WAR… is Wryly Amusing

by James Lindhorst — July 25, 2025
Two Jews Walk into a War... is not slapstick or laugh out loud funny. It is more wryly amusing. The humor is abundant. Laughs come from Seth Rozin’s quippy script, Aaron Sparks’ crisp direction and sharp timing, and Gary Glasgow and Chuck Winning’s playful sparring. But Rozin, Sparks, and the...
Review: EVITA at The Muny is a Mesmerzing Masterclass in Production Aesthtics

Review: EVITA at The Muny is a Mesmerzing Masterclass in Production Aesthtics

by James Lindhorst — July 20, 2025
EVITA at The Muny is an auditory and visual feast. Hear Katerina McCrimmon, Paulo Szot, Omar Lopez-Cepero, and the rest of this talented ensemble sing the Webber and Rice score in superb operatic fashion. Be mesmerized by a breathtaking masterclass in production aesthetics and designing for the th...
Review: 11TH ANNUAL LABUTE NEW THEATER FESTIVAL at The St Louis Actors’ Studio

Review: 11TH ANNUAL LABUTE NEW THEATER FESTIVAL at The St Louis Actors’ Studio

by James Lindhorst — July 14, 2025
This year’s LaBute Festival is filled with six strong scripts that are enhanced by Bryan McLaughlin and Avery Harrison’s direction. Both directors help their actors find and create intriguing characters in completely original stories....
Review: St. Louis Shakespeare Festival's ROMEO & ZOOLIET is Wildly Entertaining

Review: St. Louis Shakespeare Festival's ROMEO & ZOOLIET is Wildly Entertaining

by James Lindhorst — July 12, 2025
Romeo and Zooliet is an enchanting theatrical event. The ingenious Jennifer Joan Thompson’s clever script and Michael Curry’s fairy-tale like puppets are brought to fantastical life in the exuberant performances of a well-rehearsed, talented, and vivacious cast. Tom Ridgely’s leadership and co...
Review: PRIDE AND JOY at The Chapel is a Sharply Written Dysfunctional Family Comedy

Review: PRIDE AND JOY at The Chapel is a Sharply Written Dysfunctional Family Comedy

by James Lindhorst — July 11, 2025
What did our critic think of PRIDE AND JOY at The Chapel?McLaughlin and Overly’s audience are unwelcome intruders listening in on a family’s raw, unfiltered, and private conversations. Pride and Joy is very funny. The Moran Family, as portrayed by the talented ensemble, is a bit of a trainwre...
Review: DISNEY’S FROZEN at The Muny is Moving and Heartfelt Storytelling

Review: DISNEY’S FROZEN at The Muny is Moving and Heartfelt Storytelling

by James Lindhorst — July 8, 2025
The Muny’s Frozen is filled with endearing performances, gasp-inducing stagecraft, beautiful musical direction by Darryl Archibald, and loveable puppets created by Puppet Kitchen’s Eric Wright. But it's not the many wow moments that make Frozen special. Frozen is touching because of John Tarta...
Review: MY FAIR LADY at Union Avenue Opera

Review: MY FAIR LADY at Union Avenue Opera

by Steve Callahan — July 10, 2025
Read our review of MY FAIR LADY, playing now at Union Avenue Opera through July 12. This beloved musical has everything going for it: absolutely captivating melodies by Frederick Lowe, lovely clever lyrics by Alan Lerner, and plenty still of the incomparable wit of that old master George Bernard Sha...
Review: COME FROM AWAY at The Muny is a Soul-Stirring Piece of Musical Storytelling

Review: COME FROM AWAY at The Muny is a Soul-Stirring Piece of Musical Storytelling

by James Lindhorst — June 28, 2025
The Muny’s emotionally impactful Come From Away captures the humanity, heart, and soul of Irene Sankoff and David Hein’s poignant book and beautifully soaring score. This elite cast of actors transports the audience back to Gander, Newfoundland with lived-in and emotionally truthful performance...
Review: BRING IT ON at The Muny is a High Flying Sensation

Review: BRING IT ON at The Muny is a High Flying Sensation

by James Lindhorst — June 18, 2025
The Muny's Bring It On is electrifying musical theatre for people of all ages. The biggest surprise is Jeff Whitty’s clever book. His story is filled with laughs, unexpected surprises, and a lot of heart. The young exuberant cast’s lively performances are punctuated with high-intensity dancing a...
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