On a bitterly cold London evening, schoolteacher Kyra Hollis (Carey Mulligan) receives an unexpected visit from her former lover, Tom Sergeant (Bill Nighy), a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship, only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
David Hare's Skylight originally premiered at the National Theatre in London in 1995 before going on to play smash hit engagements in the West End and on Broadway the following year. When the 2014 production of Skylight opened in the West End in June it was praised by critics on both sides of the Atlantic.
Mulligan, in a crackling revival of David Hare's 'Skylight' that opened Thursday at the Golden Theater, starts and completes a spaghetti Bolognese during the first act, chopping onions and garlic and boiling water along the way. The whiff of sausage lingers deliciously during intermission. It's a fitting theatrical device because this show, quite simply, cooks. Mulligan, a spectacular Bill Nighy, the marvelous newcomer Matthew Beard and the director Stephen Daldry make alchemy onstage with their own red-hot talent. Funny, poignant and insightful, the West End transfer 'Skylight' is a full meal in a place where appetizers often pass as entrees.
The sharp writing has Kyra both peeling away Tom's many layers, and peeling onions -- the actress cooks spaghetti Bolognese during the first act, and the theater fills with the tangy smell of the sauce. Mulligan slices and dices as she deploys Hare's complex dialogue, accusing her ex-lover of trying to mask his guilt with exorbitant expenditures...Mulligan makes cooking while acting seem easy; it can't be. Nighy, reprising a role he first played in 1997, is excellent at portraying his irritation with his surroundings, eyeing an unappealing morsel of cheese Kyra has asked him to grate as if it were a personal affront...Nighy's performance is full of that nervous energy that makes him so much fun to watch...Bob Crowley's set captures the anonymous feel of the freezing council flat, with a transparent wall that allows the audience to see beyond to the next set of soulless apartments. The design underscores the very different realities that Kyra and Tom, once inseparable, live in now -- 'Skylight' leaves you with the feeling there's no going back for either of them.
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