Interview: Peter Tate and Guy Masterson of PICASSO: LE MONSTRE SACRÉ
by Shari Barrett - May 5, 2026
Pablo Picasso’s obsession with his work often destroyed those he professed to love. Brilliantly incarnated by Tate in a challenging, powerfully intelligent study, Picasso passionately defends his reputation in an explosive, often disturbing voyage of self-revelation.
Teatro Nuovo Unveils 2026 Bel Canto Season
by A.A. Cristi - Mar 24, 2026
Teatro Nuovo will present IL DON GIOVANNI and IL TURCO IN ITALIA in July 2026, marking two centuries of Italian opera in America with performances at Montclair State University and Jazz at Lincoln Center.
Interview: Corbin and Grace Pitts Talk About Life Outside of Arkansas
by Theresa Bertram - Dec 16, 2025
Continuing our Arkansas Families in the Arts series, we were thrilled to reconnect with Corbin and Grace Pitts. We first had the opportunity to get to know them just before the COVID-19 pandemic reshaped the world in 2020, making this long-awaited revisit especially meaningful.
Gov’t Mule Details 2026 Headlining Tour Dates
by Josh Sharpe - Dec 9, 2025
Gov’t Mule, led by guitar legend, vocalist, songwriter and producer Warren Haynes, has announced their initial touring plans for 2026. The quartet will headline a handful of dates this spring starting March 27th in Denver at Mission Ballroom
Review: INTO THE HAIRY - SHARON EYAL, Sadler’s Wells
by Matthew Paluch - Nov 14, 2025
Sharon Eyal and her S-E-D Dance Company return to Sadler's Wells with a UK premiere of INTO THE HAIRY, but if honest, I've definitely seen the material before. The programme info is clear; “parts of the creation were originally created in the frame of THIS IS NOT A LOVE SHOW (January 2022)”, the world premiere was at Montpellier Danse in June 2023, and I undoubtedly saw swathes of the material in R.O.S.E at Sadler’s Wells East in July this year.
The History of Feminist Plays That Came Before LIBERATION
by Jennifer Ashley Tepper - Oct 28, 2025
As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.
Sarah Kirkland Snider’s HILDEGARD Premieres at Los Angeles Opera
by Nicole Rosky - Oct 1, 2025
Snider’s first opera, HILDEGARD, for which she also wrote the libretto, will be presented in rolling world premieres by Los Angeles Opera (November 5-9, 2025) and PROTOTYPE Festival in New York (January 9-17, 2026), with subsequent performances at the Aspen Music Festival and School (Summer 2026, details TBA).
Review: PURLIE VICTORIOUS at Main Street Theater
by Brett Cullum - Sep 20, 2025
PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH is certainly a curiosity, a satire of Jim Crow life written during the throes of the equal rights movement of the early sixties. I feel like it should seem more creaky, more antiquated, and backwards. Unfortunately for us, it is not.
Violinist Curtis Stewart Unveils 2025-2026 Concert Schedule
by Josh Sharpe - Sep 17, 2025
Six-time GRAMMY Award-nominated violinist and composer Curtis Stewart has revealed his 2025-2026 season, highlighted by his first public performance of Coleridge-Taylor's Ballade with National Philharmonic, the world premiere of a new work, and more.
Review: THE COTTAGE at Loretto-Hilton Center
by Rob Levy - Sep 9, 2025
Roaring laughter meets the roaring twenties in The Repertory Theatre of St. Louis’ The Cottage. A dramedy in the classic sense, the company’s 59th season starter offers an endless barrage of scandalous dalliances, clever double entendres, and mistaken identities.