Caught

This play had been a powerful emotional experience, one I would have delightedly seen again, even before I’d mastered the fact pattern.

The Tank NYC announced its fall season lineup, featuring four new plays including world premieres of SHOW TRIAL and LEGERDEMAIN, alongside New York premieres of VERY BLUE LIGHT and FALLS FOR JODIE.

A new play about the Macedonian teens who sparked a global fake news crisis in 2016 is set to debut at Edinburgh Fringe, co-created and performed by Isabella Heaver, who is herself half Macedonian.

Austin Playhouse’s Seared, directed by Lara Toner Haddock, serves up a grounded, well-paced production with strong ensemble work and a working kitchen that adds real texture. The staging feels alive, even when Theresa Rebeck’s script leans preachy and predictable.

What did our critic think of THE View UPSTAIRS at Barbershop Theatre? Street Theatre Company opened their final show of their 20th season. Max Vernon’s play was inspired by the 1973 attack at the UpStairs Lounge, a gay bar in New Orleans.

Along with the impeccable acting and Diana Wyenn's brilliant direction, the most striking element of the production is Randy Wong-Westbrooke’s scenic design which features a half-dome representation of a rocket engine.

Imagine a rustic musical episode of The Waltons merged with The Twilight Zone.

Caryl Churchill meets ‘il dolce far niente’ in this reimagined production of her 2016 play Escaped Alone. Italian companies lacasadargilla and Piccolo Teatro present a timid adaptation written by Monica Capuani and directed by Lisa Ferlazzo Natoli and Alessandro Ferroni. It’s a pity that the quintessentially bleak English approach of Churchill’s four ageing women as they spend their summer between tea and gossip fails to translate. Caught between the shackling boredom of retirement and a desire to maintain their identities, they reminisce and dig up the past, unearthing a few uncomfortable truths. In all this, Mrs. Jarrett slips into apocalyptic speeches that detail environmental disaster and societal collapse.

The Martin E. Segal Theatre Center at CUNY will present WORLD VOICES, a four-day festival featuring staged readings of new plays in translation by playwrights from Tuscarora/Canada, Austria, France, Senegal, and Germany.

Out of the knights, I knew the least about Monty Python, so I had a lot of catching up to do. I was building the plane as I was flying it, but they were so gracious in helping me learn about the style of comedy that it is.

We caught up with McCreery ahead of his return to Minnesota to talk about the songs that still hit the hardest, what he hopes fans take with them after a show, and why crowds here have always stood out to him.

Big Table Productions will host a Fundraiser For Good: A reading of It Can't Happen Here by Sinclair Lewis at the Tina Packer Playhouse at Shakespeare & Company in Lenox, Massachusetts.

Arthur Miller’s The Crucible is already one of the most emotionally charged dramas in the American theatre canon, but the current production at The Sarasota Players elevates the experience into something deeply immersive, intimate, and unforgettable.

The CUNY Dance Initiative will present the New York premiere of Rising by Pigeonwing Dance and The Neave Trio, exploring themes of climate change and ocean conservation, at Baruch Performing Arts Center.

Valentine's Day is almost upon us – but what's un-sexier than realizing you've been caught at the last minute with no plans to celebrate the special day? We rounded up seven of the best cabaret shows, concerts and comedy shows not yet sold out.

The reason the play works at all is because of the sheer strength of its production values and the commitment of its cast. When you look at all the design elements – sets, lighting, illusions, choreography – and combine it with performers who move through that space with the same ease as one breathes, it create a cohesive, immersive world that feels both magical and meticulously controlled.

What did our critic think of TIGER STYLE! at Profile Theatre?

In a world where AI increasingly tries to consume and simulate real human experiences, theatre sometimes feels like one of the last gasps of being in a room together. When we watch a show with others, respiration synchronizes, empathy increases, and information retention improves. It’s one of my favourite feelings.

The Institute on Disabilities, Temple University today will collaborate with internationally renowned disability arts company Kinetic Light to produce a new work, You Caught Me on Your Shoulders.

Content creation is a growing and competitive market, making it difficult for newcomers to stand out and obtain lasting fame. Such was initially the case for the Australia-born content creator Alexandra Marasigan until she and her brother released a viral skit that kick-started her career from a young age.

Marianela Núñez said of La Fille mal gardée during a rehearsal that it was just what the world needed right now. This much loved Frederick Ashton classic has not been seen on the Covent Garden stage since 2016, we needed it back then and we certainly need it now more than ever.

The usher simply whispered “Enjoy the magic,” as we walked into the 'Harry Potter and the Cursed Child' production at the Providence Performing Arts Center this past Wednesday. The wife (Harry Potter Lover-read all the books 2-3 times) smiled while I (never read the books but saw a movie or two) pondered the statement and moment.

CENTER STAGE RECORDS will release Selections from The Path to Catherine in streaming and digital formats this week. Learn more about the album here and see how to stream!

Rivertown Theaters is making national history with the first U.S. non-replica staging of Dear Evan Hansen. In our interview, Co-Artistic Director Kelly Fouchi shares why the show’s themes of connection and compassion resonate so powerfully and why Kenner is the perfect stage.