Wisconsin Classic Stage will present the city's professional premiere of Gertrude Stein's immersive operetta in the Sanctuary Hall of Calvary Presbyterian Church, capped at 75 audience members nightly.
City Theatre will stage IN CLAY, a solo musical about overlooked ceramic artist Marie-Berthe Cazin, following a sold-out run at Signature Theatre in Washington, D.C.
City of London Sinfonia will present two world premieres exploring migration, memory and belonging, with new works by Nicola T. Chang, Mary Jean Chan and Emily Levy at London venues.
The GRAMMY-winning Experiential Orchestra announced its upcoming NYC season, 'Beauty in the Face of Adversity,' featuring four immersive programs across multiple venues, with soloists including cellist Inbal Segev and violist Paul Neubauer.
Olney Theatre Center announced a two-week extension for PLEASE UNDERESTIMATE ME, the world premiere solo show starring celebrity chef Carla Hall, directed by Helen Hayes Award recipient Lili-Anne Brown.
Stage West Theatre in Fort Worth, Texas, announced its 48th season lineup. The company, located on W. Vickery Blvd., continues its decades-long run as one of the city's prominent theatrical venues.
Dorset Theatre Festival has unveiled its 49th Main Stage Summer Season. The four-show lineup includes Deceived, a chilling new adaptation of the classic thriller Gaslight, and more.
WAM Theatre will present a diverse lineup for its 2026 season, featuring acclaimed productions and new works. Learn more about the upcoming season lineup here!
Ensemble Theatre Company of Santa Barbara opens its 47th season with War of the Worlds: The Panic Broadcast, a thrilling live reimagining of Orson Welles’ infamous 1938 radio play. See photos of the production.
A Season of Laughter continues at the Westport Country Playhouse with Theatre People, a new adaptation of Ferenc Molnar’s 1924 three-act farce, Play at the Castle (Játék a kastélyban).
What did our critic think of THE SOUND OF MUSIC at Theatre 29?
Radio show whodunnit blends murder mystery parlor game and old-time radio for old-fashioned family fun.
Contra Costa Civic Theatre (CCCT) will return to live, in-person Main Stage productions this fall with one of the giants of the American theatre, Thornton Wilder’s Our Town. Directed by CCCT’s Executive Artistic Director Marilyn Langbehn, and featuring a diverse ensemble of eight actors who portray the 25-plus citizens of Grover’s Corners, Our Town will play for 15 performances from October 1-31.
Contra Costa Civic Theatre will return to live, in-person Main Stage productions this fall with one of the giants of the American theatre, Thornton Wilder’s Our Town. Directed by CCCT’s Executive Artistic Director Marilyn Langbehn, and featuring a diverse ensemble of eight actors who portray the 25-plus citizens of Grover’s Corners, Our Town will play for 15 performances from October 1-31.
How a director envisions a production makes all the difference in its prestation to an audience, starting with casting and continuing through rehearsals and all technical aspects of the show. I spoke with Branda Lock on bringing her vivid imagination and directing skills to George Bernard Show’s PYGMALION, filled with unique Lock-inspired changes to the casting which promise to shed new light on this classic tale of class struggles in Shaw’s time.
With the topic of illegal immigration so prevalent in today's news, now is the perfect time to take a very personal look at the trials and tribulations of those who immigrated, both legally and illegally, to our country in THE NEW COLOSSUS, a new play co-written by The Actors' Gang ensemble and its Artistic Director Tim Robbins, who also directs the production. In it, twelve of the acting troupe's members tell their ancestors' stories, reflecting their great diversity, struggles and journeys from oppression to freedom, a real personal testament celebrating the courage and great character of the refugees who came to this country throughout the last 200 years.
Audience members traverse memories, dreams, emotional and real battlefields, coming in contact with a multitude of characters from Dalton Trumbo's life and novel, as we re-visit Johnny's childhood loves, family members, war room generals, soldiers, nurses, and even major religious figures, each performed to perfection while maintaining the ability to guide and interact with audience members who are often asked to participate and/or share comments during each scene. Soon it becomes apparent in THE JOHNNY CYCLE that each character, whether intentional or not, has sent Johnny to his destiny as he desperately struggles to be heard, trapped between the living and the dead without a voice. Immersive theater at its best!
Bertolt Brecht's LIFE OF GALILEO is given a modern makeover in Tom Wright's adaptation, directed by Eamon Flack for Belvoir St Theatre.
It's October 4, 1965, and Pope Paul VI is spending 14 hours in New York City, marking the first visit by a reigning pope to the United States. Millions line the streets to greet him and zookeeper Artie Shaughnessy, a wannabe Hollywood songwriter with big dreams and no discernible talent, joins the throngs in the hope that a papal blessing will help propel him out of Queens, away from his mentally ill wife, Bananas, and into a new life in Los Angeles with his girlfriend, Bunny Flingus.
PlayMakers Repertory Company What: "Life of Galileo" by Bertolt Brecht. Adaptation by Joseph Discher. Directed by Vivienne Benesch. When: February 27 to March 17, 2019. Opening Night & Press Opening Saturday March 2, 2019. Where: Joan H. Gillings Center for Dramatic Art, 120 Country Club Road, Chapel Hill, NC Tickets: Start at $15; Students tickets start at $10
From supporting the war effort to supporting the NHS, Royal Voluntary Service is marking 80 years of helping others by telling its remarkable story through the power of photographs in a new exhibition, The Gift of Time.
SHE LOVES ME, the 1963 Broadway musical with book by Joe Masteroff, music by Jerry Bock, and lyrics by Sheldon Harnick, was based on Miklos Laszlo's 1937 play, Parfumerie, a warm, gentle comedy that follows the tangled dating life of perfume shop employee Georg Horvath whose dating life goes awry when he discovers that the stranger he has fallen in love with through a secret correspondence is none other than Amalia Balash, a co-worker with whom he constantly bickers. This universal tale about mistaken identity and romantic love went on to become the inspiration for the classic films The Shop Around the Corner, In the Good Ole Summertime, and Nora Ephron's 1998 box office hit You've Got Mail in which Tom Hanks and Meg Ryan took their secret romance online through emails.
Sheffield Theatres today announces casting for the regional premiere of Caryl's Churchill's, Love and Information. Caroline Steinbeis directs Debbie Chazen, Marian McLoughlin, Mercy Ojelade, Ciaran Owens, Ian Redford and Sule Rimi. The production opens at Sheffield Theatres Studio on Monday 2 July, with previews from the Friday 29 June, and runs until Saturday 14 July.
AstonRep Theatre Company is pleased to present FOUR BY TENN - A Tennessee Williams One-Act Festival, featuring four one-act plays by one of the greatest playwrights of the twentieth century. FOUR BY TENN will play March 26 - April 4, 2018 at the new Strawdog Theatre Company, 1802 W. Berenice in Chicago. Tickets are currently available www.astonrep.com.
ENGAGING SHAW begins in England in 1897 in a comfortable cottage in Stratford, England, where Shaw hopes to complete his new play. As he engages in conversation with his friends, the happily married cottage owners, Beatrice and Sidney Webb, we learn Shaw is a notorious flirt and heartbreaker who enjoys romancing women, attracting them to him "like a moth to the flame." But it is soon apparent he is not particularly interested in sex, a fact reflected in his real life where he remained a virgin until his 29th birthday. It's the thrill of the hunt that is the main attraction for Shaw, thoroughly enjoying the effect he has on women as he pursues them, not in the keeping of them. In present-day parlance, he'd be considered a sexist cad. Beatrice sees an opportunity to deflect Shaw's interest in her (and hers in him) by inviting their wealthy benefactor Charlotte to visit, knowing when she meets Shaw, the financially challenged but famous Irish playwright and political activist, that sparks will fly.
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