Three and One - 1933 - Broadway Articles Page 13

When he passed on at age 60 in 1933, Addison Mizner was best known as the architect whose Spanish Colonial and Mediterranean style helped define the emerging visual culture of South Florida. When his younger brother Wilson Mizner died two months later, he was best known as a raconteur whose name could occasionally be found among the writing credits of a Broadway play or Hollywood feature.

Playwright and novelist ?-dön von Horváth is one of the foremost German language writers. His last novel, Youth Without God, written in 1937, is his message from the past written to the future - a shocking evocation of life under fascism. It is brought to The Coronet Theatre stage by multi award-winning dramatist Christopher Hampton.

Based on a true 1941 meeting in occupied Denmark, Cesear's Forum is offering Michael Frayn's drama COPENHAGEN, in a limited six-week September/October engagement, at Kennedy's Down Under, Playhouse Square, Cleveland, Ohio.

Red Sky Performance makes their Doris Duke Theatre debut with the U.S. Premiere of Trace, August 7-11. Red Sky is a leading company of contemporary Indigenous performance in Canada and worldwide, led by Artistic Director Sandra Laronde. a?oeMagnificent in the scope of its imaginationa?? (Globe and Mail), Trace is a highly kinetic contemporary dance work influenced by Anishinaabe sky and star stories, offering a glimpse into Indigenous origins. The U.S. premiere of Trace is the centerpiece of The Land On Which We Dance, a landmark gathering of Indigenous dance and culture at Jacob's Pillow, curated by Sandra Laronde in association with Hawaiian dancer/choreographer Christopher K. Morgan and Massachusetts-based Nipmuc Elder Larry Spotted Crow Mann. 

Jacob's Pillow launches a new podcast from the Jacob's Pillow Archives. Available on Simplecast and coming soon to all podcast platforms, PillowVoices: Dance Through Time creates contemporary conversations by placing archival recordings in dialogue with narration and insight of current thought-leaders and scholars. PillowVoices expands the resources available from the Jacob's Pillow Archives to its global audience, one of the most extensive dance archives in the United States. 

Luna Stage's 2019-2020 Season features bold new plays that examine the power of independence, the value of freedom, and what it means to be 'American.' Season Passes are now on sale for six-play season, which features two World Premieres, the 2019 Lucille Lortel Award-winner for Best New Play, and the launch of Luna's new American Voices Series.

Luna Stage's 2019-2020 Season features bold new plays that examine the power of independence, the value of freedom, and what it means to be 'American.' Season Passes are now on sale for six-play season, which features two World Premieres, the 2019 Lucille Lortel Award-winner for Best New Play, and the launch of Luna's new American Voices Series.

It feels in many ways poetic that both the 50th anniversary of the Stonewall Riots and the 200th anniversary of Walt Whitman's birth fall on the same year. That's precisely where The Bearded Ladies Cabaret comes in. The Philadelphia-based experimental cabaret troupe is part of La MaMa's STONEWALL 50 celebrations, joining a group of LGBTQ+ artists from around the globe. The Beards' contribution is the New York premiere of their CONTRADICT THIS! A BIRTHDAY FUNERAL FOR HEROES, which---spoiler alert---starts as a birthday party for 'much-lauded homo poet' Walt Whitman and descends into a trial, taking on Whitman's problematic political views, our imperfect heroes, and cancel culture as a whole.

On Monday, September 23, 2019, the Stage Managers' Association (SMA) will present its annual Del Hughes Lifetime Achievement in the Art of Stage Management Awards to three stage managers from the worlds of Broadway, Off-Broadway, Touring, Regional Theatre, and Opera - Rich Costabile, Barbara Donner, and Mary K Klinger.

Grammy Award-winning American organist Paul Jacobs-deemed 'a grand New York institution' by James R. Oestreich of The New York Times (February 18, 2018)- will launch the fall season by highlighting the organ on the New York concert scene, performing in a three-recital series for solo organ in September 2019. Although months in the planning, these French programs assumed new meaning the night of April 15 to 16, 2019, when the Grand Organ of Notre-Dame Cathedral survived the devastating inferno in Paris.

San Francisco Ballet Board of Trustees has named Kelly Tweeddale as the organization's next Executive Director. The search committee, led by Chair of the SF Ballet Board of Trustees Carl F. Pascarella, made the unanimous recommendation to the Board after a five-month international search. Tweeddale has held previous executive positions at Seattle Opera and currently serves as President of Vancouver Symphony and VSO School of Music. Kelly Tweeddale assumes her new role at San Francisco Ballet on September 3, 2019.

Folks Operetta continues its Reclaimed Voices Series with Paul Ábraham's exotic jazz operetta, The Flower of Hawaii featuring soprano and former Ms. Illinois Marisa Bucheit (2014) as Princess Laya/Suzanne. 

In celebration of both Gay Pride Month and the 50th anniversary of Noel Coward's knighthood, Robert Rodi looks back on the British icon's legendary career, trailblazing style, enduring influence-and above all his songs. Coward's songs have been covered by artists from Judy Garland to Rufus Wainwright, and rival Cole Porter's for emotional range and irresistible melody.

Odyssey Theatre Ensemble kicks off its "Circa '69" season of significant and adventurous plays that premiered around the time of the Odyssey's 1969 inception with Joe Orton's darkly comic masterpiece Loot. Bart DeLorenzodirects this tour de force of corrosive wit, dizzying intrigue and classic farce for aJune 8 opening, with performances continuing through Aug. 10.

San Francisco Ballet (SF Ballet) is presented by The Royal Danish Ballet at The Royal Danish Opera House in Copenhagen, Denmark, October 30-November 2, 2019, with four performances of Artistic Director and Principal Choreographer Helgi Tomasson's Romeo & Juliet, set to Sergei Prokofiev's lush and evocative score of the same name. The tour marks the Company's first appearance at The Royal Danish Opera House, which was designed by Danish architect Henning Larsen and publicly inaugurated in 2005.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Luna Stage just released Season Passes for their 2019-2020 Season-with a twist. Luna will offer six shows-three on the MainStage and three in their newly renovated studio space dubbed Luna2-to their subscribers in the upcoming season. The calendar is set, and Luna will announce two plays in April, two in May, and two in June.

The Flea Theater announces the roster of its Summer 2019 Anchor Partners, independent music, dance and theater companies who will perform at The Flea over the next three months.  The Flea presents Elisa Monte Dance, Jody Oberfelder Projects, Spicy Witch Productions, Experiments in Opera, New Light Theater Project, Take Dance, New Georges and TOSOS.

The Wallis Annenberg Center for the Performing Arts presents pianist Inon Barnatan, recently named music director of the La Jolla's prestigious SummerFest, who makes his Wallis debut with an adventurous program of piano suites by Bach, Handel, Ligeti and others on Saturday, June 22, 2019, 7:30 pm, at The Wallis' Bram Goldsmith Theater. The solo recital features Handel's Chaconne in G Major, HWV, 442, Couperin's L'Atalante, Ravel's Rigaudon from Le Tombeau de Couperin, Bach's Allemande from Partita in D Major, BWV, 828, and Ades' Blanca Variations. Barnatan also performs Ligeti's Musica Ricercata, Nos. 11 & 10, Rameaus's Courante from Suite in A minor, RCT. 5, Barber's Fugue from Sonata for Piano, Op. 26, and Brahms' Variations and Fugue on a Theme by Handel, Op. 24. Celebrated for his poetic sensibility, musical intelligence and consummate artistry, Barnatan has been hailed by the New York Times as "one of the most admired pianists of his generation." A regular soloist with many of the world's foremost orchestras and conductors, the Israeli pianist recently completed his third and final season as the inaugural Artist-in-Association of the New York Philharmonic. He is the recipient of both the 2009 Avery Fisher Career Grant and Lincoln Center's Martin E. Segal Award, which recognizes "young artists of exceptional accomplishment."

Polish-Canadian pianist Daniel Wnukowski (vnoo-koff'-skee) makes his New York solo recital debut at Carnegie Hall's Weill Recital Hall performing Handel's Keyboard Suite Vol. 1, No. 7 in G minor, HWV 432; Chopin's 24 Preludes, Op. 28; and Karol Rathaus's Piano Sonata No. 3, Op. 20 on Friday, May 3 at 8:00 p.m.

Pittance Chamber Music, known for featuring the extraordinary resident artists of the Los Angeles Opera pit and stage, presents A Tale of Two Emigres with James Conlon. LA Opera Music Director James Conlon curates and conducts a unique program that tells the tale of Jewish emigre composers Erich Wolfgang Korngold and Arnold Schoenberg, who left their homelands and ultimately settled in Los Angeles as a result of the Nazis' rise to power. The program will include a talk by Maestro Conlon, who will also conduct works by Korngold and Schoenberg performed by a large ensemble from the Los Angeles Opera Orchestra. The concert takes place at Zipper Hall, Colburn School in downtown Los Angeles on Saturday, June 15, 2019 at 3:00 p.m.

42nd Street, the iconic Broadway masterpiece and winner of the Tony Award for Best Musical in 1980, is tap-dancing its way onto the Charleston Coliseum & Convention Center's Little Theater stage in Charleston, WV from April 26th, 2019 through May 11th, 2019 courtesy of the talented performers and crew of the Charleston Light Opera Guild.

Artistic Director Helgi Tomasson and San Francisco Ballet today announced programming for the 2020 Repertory Season. Building on a heritage of commissioning groundbreaking dance from today's top choreographers, uncovering new choreographic talent, staging modern classics, and preserving the works that make up the canon of classic ballet, the 2020 Season places SF Ballet at the forefront of innovation and preeminence. Highlights include two new SF Ballet commissions by Cathy Marston and Trey McIntyre, and a co-commission with American Ballet Theatre of a work by Alexei Ratmansky; as well as works by George Balanchine, David Dawson, Harald Lander, Edwaard Liang, Benjamin Millepied, Mark Morris, Liam Scarlett, Helgi Tomasson, and Stanton Welch. The Season's three story ballets include Balanchine's A Midsummer Night's Dream, Wheeldon's Cinderella, and Tomasson's Romeo & Juliet.

Alexei Ratmansky's Shostakovich Trilogy returns to San Francisco Ballet (SF Ballet) May 7-12, closing the Company's 2019 Repertory Season at the War Memorial Opera House. Called a "fascinating, thrilling, bewilderingly ambiguous evocation of life in Shostakovich's Russia" (The New York Times), and simply, "a masterpiece" (San Francisco Chronicle), Shostakovich Trilogy is Ratmansky's homage to the composer, using three of his full-length works: the Symphony No. 9, Chamber Symphony, and Piano Concerto No. 1.